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Out of the Gothic

Tom Shippey, 5 February 1987

Trillion Year Spree: The History of Science Fiction 
by Brian Aldiss and David Wingrove.
Gollancz, 511 pp., £15, October 1986, 0 575 03942 6
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Eon 
by Greg Bear.
Gollancz, 504 pp., £10.95, October 1986, 0 575 03861 6
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The Hitchhiker’s Guide to the Galaxy: A Trilogy in Four Parts 
by Douglas Adams.
Heinemann, 590 pp., £9.95, September 1986, 0 434 00920 2
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Humpty Dumpty in Oakland 
by Philip K. Dick.
Gollancz, 199 pp., £9.95, October 1986, 0 575 03875 6
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The Watcher 
by Jane Palmer.
Women’s Press, 177 pp., £2.50, September 1986, 0 7043 4038 0
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I, Vampire 
by Jody Scott.
Women’s Press, 206 pp., £2.50, September 1986, 0 7043 4036 4
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... But against these similarities of background and tone there stands one argument from content. Victor Frankenstein, having created life, regrets what he has done, from motives which seem irretrievably pious: ‘for supremely frightful would be the effect of any human endeavour to match the stupendous mechanism of the Creator of the world’ (Mary ...

Quashed Quotatoes

Michael Wood: Finnegans Wake, 16 December 2010

Finnegans Wake 
by James Joyce, edited by Danis Rose and John O’Hanlon.
Houyhnhnm, 493 pp., £250, March 2010, 978 0 9547710 1 0
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Joyce’s Disciples Disciplined 
edited by Tim Conley.
University College Dublin, 185 pp., £42.50, May 2010, 978 1 906359 46 1
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... here rather than an error. Still, I don’t think we need to see Joyce as being disingenuous – David Greetham wonders about this in an essay in a booklet accompanying the new edition of Finnegans Wake – since we know what he could do with bits and scraps. In his letter he continues: ‘But then I never read Rabelais either though nobody will believe ...

Incriminating English

Randolph Quirk, 24 September 1992

Language, Self and Society: A Social History of Language 
edited by Peter Burke and Roy Porter.
Polity, 358 pp., £45, December 1991, 0 7456 0765 9
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Images of English: A Cultural History of the Language 
by Richard Bailey.
Cambridge, 329 pp., £16.95, March 1992, 0 521 41572 1
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The Oxford Companion to the English Language 
edited by Tom McArthur and Feri McArthur.
Oxford, 1184 pp., £25, September 1992, 9780192141835
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The History of the English Language: A Source Book 
by David Burnley.
Longman, 373 pp., £25, January 1992, 0 582 02522 2
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The Cambridge History of the English Language. Vol. I: Beginnings to 1066 
edited by Richard Hogg and Norman Blake.
Cambridge, 609 pp., £60, August 1992, 9780521264747
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... of Latin is wide-ranging and excellent. Other chapters suffer from being wide-ranging and bad. Victor Kiernan’s ‘Languages and Conquerors’ should have stuck to the subcontinent which he knows well instead of skipping round the world and across three millennia. It may be this diachronic range that makes Arabia ‘half empty’ on page 194 but endure ...

Three Minutes of Darkness

Theo Tait: Hari Kunzru, 27 July 2017

White Tears 
by Hari Kunzru.
Hamish Hamilton, 271 pp., £14.99, April 2017, 978 0 241 27295 4
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... his arms ‘painfully thin, like two twists of fuse wire’, take down the local champion. As the victor counts his winnings, Seth hears him sing, and repeat, a single line of blues. Playing the recording back later on, he is amazed to hear not just that line but a whole song, lasting several minutes. The song, adroitly concocted by Kunzru from a series of ...

Tremendous in His Wrath

Eric Foner: George Washington, Slave Owner, 19 December 2019

‘The Only Unavoidable Subject of Regret’: George Washington, Slavery and the Enslaved Community at Mount Vernon 
by Mary Thompson.
Virginia, 502 pp., £32.50, January 2019, 978 0 8139 4184 4
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... working in Washington’s fields upsetting. Lost in the debate was the fact that the artist, Victor Arnautoff, a communist, had used the murals to challenge the prevailing narrative of Washington’s life and, indeed, American history more broadly. His murals were intended to show that the country’s economic growth and territorial expansion ...

Coins in the Cash Drawer

Philippe Marlière: Jean Jaurès’s Socialism, 2 November 2023

A Socialist History of the French Revolution 
by Jean Jaurès, translated by Mitchell Abidor.
Pluto, 259 pp., £19.99, July, 978 0 7453 4219 1
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Selected Writings of Jean Jaurès: On Socialism, Pacifism and Marxism 
edited by Jean-Numa Ducange and Elisa Marcobelli, translated by David Broder.
Palgrave, 158 pp., £89.99, June 2022, 978 3 030 71961 6
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... helped to release its potential.In order to understand the revolution, according to François Victor Aulard, a historian of the Third Republic, ‘it is necessary to love it.’ Jaurès never concealed his sympathy for it, though he took the revolutionaries to task for their mistakes and condemned the Terror. In the end he absolved them of their ...

What does a snake know, or intend?

David Thomson: Where Joan Didion was from, 18 March 2004

Where I Was From 
by Joan Didion.
Flamingo, 240 pp., £14.99, March 2004, 0 00 717886 7
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... as a writer, and the restraint is her eroticism. But the relationship between Inez Christian Victor and a fascinating government man, Jack Lovett (these are names out of the cashmere drawer, smelling of L’Air du Temps), is heady with intimations of passion, or the rapture of fine amity. It is a book set against the great time-zone distances of the ...
... into a sense of false security by the nature of the notably anodyne Preface contributed by Dr David Edwards, the present Provost of Southwark, to the 1983-85 Crockford, the first to appear under the new dispensation. How it was that they failed to spot any danger signals when Dr Bennett’s manuscript came in remains, however, a mystery. For Dr ...

Bloody

Michael Church, 9 October 1986

The Children of the Souls: A Tragedy of the First World War 
by Jeanne Mackenzie.
Chatto, 276 pp., £14.95, June 1986, 9780701128470
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Voices from the Spanish Civil War: Personal Recollections of Scottish Volunteers in Republican Spain 1936-39 
edited by Ian MacDougall, by Victor Kiernan.
Polygon, 369 pp., £9.95, July 1986, 0 948275 19 7
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The Shallow Grave: A Memoir of the Spanish Civil War 
by Walter Gregory, edited by David Morris and Anthony Peters.
Gollancz, 183 pp., £10.95, June 1986, 0 575 03790 3
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Spanish Front: Writers on the Civil War 
edited by Valentine Cunningham.
Oxford, 388 pp., £15, July 1986, 0 19 212258 4
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The Spanish Cockpit 
by Franz Borkenau.
Pluto, 303 pp., £4.95, July 1986, 0 7453 0188 6
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The Spanish Civil War 1936-39 
by Paul Preston.
Weidenfeld, 184 pp., £10.95, June 1986, 0 297 78891 4
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Images of the Spanish Civil War 
by Raymond Carr.
Allen and Unwin, 192 pp., £14.95, July 1986, 0 04 940089 4
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... I adore war,’ Julian Grenfell reported to his mother from the Flemish trenches in 1914, in a letter which she proudly sent on for anonymous publication in the Times. Stalking Germans through the mud was not very different from stalking partridges, as he noted in his game book: ‘November 16th; 1 Pomeranian. November 17th; 2 Pomeranians.’ Two decades later in Spain, Julian Bell informed his mother Vanessa that the war in which he was serving as an ambulance man was ‘perpetually entertaining and very satisfactory’, one of the chief pleasures being ‘getting back into male society ...

Gloriosus

E.S. Turner, 4 September 1986

Monty: The Field-Marshal 1944-1976 
by Nigel Hamilton.
Hamish Hamilton, 996 pp., £15, June 1986, 0 241 11838 7
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... hero’s refusal to meet his mother at a victory dinner; the arm’s-length relations with his son David, whom he temporarily disinherited after his divorce (the first in the family); the decision to cut his brother Brian’s wedding and go to a football match instead; and other incidents showing a perverse insensitivity. The Princesse de Merode, whose chateau ...

What It Feels Like

Peter Campbell, 4 July 1996

Degas beyond Impressionism 
August 1996Show More
Degas beyond Impressionism 
by Richard Kendall.
National Gallery, 324 pp., £35, May 1996, 1 85709 129 9
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Degas as Collector 
National Gallery, August 1996Show More
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... late 1880s through to the early 1900s. In 1890, at the age of 55, Degas rented a studio at 37 rue Victor Massé in Montmartre, which he used for the next 22 years. Contemporary accounts describe the studio as large, dim, dusty and crowded. Most of the pictures in the present exhibition must have been made there, but they no more describe it than a film ...

How Dare He?

Jenny Turner: Geoff Dyer, 11 June 2009

Jeff in Venice, Death in Varanasi 
by Geoff Dyer.
Canongate, 295 pp., £12.99, April 2009, 978 1 84767 270 4
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... and rhythm have the flippancy of stand-up comedy. The voice has Eeyore in it, and Morrissey and Victor Meldrew, and could only be English and from that postwar, post-punk generation, with its never-before-or-since education, and opportunities for buying stuff, and unmistakeable spoilt-brat whine. The current book starts forking and doubling before it has ...

Knobs, Dots and Grooves

Peter Campbell: Henry Moore, 8 August 2002

Henry Moore: Writings and Conversations 
edited by Alan Wilkinson.
Lund Humphries, 320 pp., £35, February 2002, 0 85331 847 6
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The Penguin Modern Painters: A History 
by Carol Peaker.
Penguin Collectors’ Society, 124 pp., £15, August 2001, 0 9527401 4 1
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... of what now looks like late Post-Impressionism – Matthew Smith, Duncan Grant, Frances Hodgkins, Victor Pasmore – there were more eccentric talents of various sizes, like Stanley Spencer and David Jones, who were very English (or very Welsh) and not international at all. In drawings of wrapped sculpture in landscape and ...

A Pound Here, a Pound There

David Runciman, 21 August 2014

... to review how the gambling industry in Britain had come to be organised. It was chaired by Victor Rothschild and its eclectic membership included the philosopher Bernard Williams, the sports commentator David Coleman and the agony aunt Marje Proops. The report they produced two years later was ...

Men at Work

Tom Lubbock, 12 January 1995

Looking at Giacometti 
by David Sylvester.
Chatto, 256 pp., £25, October 1994, 9780701162528
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... or ‘one’ for ‘I’, wouldn’t make the needful point. In Looking at Giacometti, David Sylvester records a similar – though far more articulated – face-off with one of Giacometti’s lean and vertical female figures. And the effect here is not simply one of identification: I feel within my muscles the stance of the figure, feel I am ...

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