Old Literature and its Enemies

Claude Rawson, 25 April 1991

The Death of Literature 
by Alvin Kernan.
Yale, 230 pp., £18.95, October 1990, 0 300 04783 5
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Three Rival Versions of Moral Enquiry: Encyclopedia, Genealogy and Tradition 
by Alasdair MacIntyre.
Duckworth, 241 pp., £12.95, August 1990, 0 7156 2337 0
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Signs of the Times: Deconstruction and the Fall of Paul de Man 
by David Lehman.
Poseidon, 318 pp., $21.95, February 1991, 0 671 68239 3
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“... academicisation of literature in our time. Its two predecessors, The Imaginary Library (1982) and Samuel Johnson and the Impact of Print (first published in 1987 as Printing Technology, Letters and Samuel Johnson), which were issued by a different publisher, were less sourly jokey and less apocalyptic. The first ...”

Crossman and Social Democracy

Peter Clarke, 16 April 1981

The Backbench Diaries of Richard Crossman 
edited by Janet Morgan.
Hamish Hamilton/Cape, 1136 pp., £15, March 1981, 0 241 10440 8
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“... his integrity. The career of Richard Crossman refuted these stereotypes rather in the manner that Samuel Johnson, by stubbing his foot against a rock, claimed to refute Berkeley: what was lost as a formal exercise was pure gain as an object lesson. For Crossman remained incorrigibly attached to the habits and training of an academic milieu without ever ...”

Thank you for your letter

Anthony Grafton: Latin, 1 November 2001

Latin, or the Empire of a Sign: From the 16th to the 20th Centuries 
by Françoise Waquet, translated by John Howe.
Verso, 346 pp., £20, July 2001, 1 85984 615 7
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“... did not always reflect superb teaching in schools and universities. When James Boswell showed Samuel Johnson his Latin thesis, the doctor shook his head at the many solecisms and remarked: ‘Ruddiman is dead, sir, Ruddiman is dead.’ He knew that the high quality of the Latin dissertations previously submitted to the Society of Advocates in ...”

Who wouldn’t buy it?

Colin Burrow: Speculating about Shakespeare, 20 January 2005

Will in the World: How Shakespeare Became Shakespeare 
by Stephen Greenblatt.
Cape, 430 pp., £20, October 2004, 9780224062763
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“... As Shakespeare’s reputation grew he had to become hardworking and lovable, too. So in 1765 Samuel Johnson appended to Rowe’s life the story that when young Will was doing time as the early modern equivalent of a car-park attendant, looking after playgoers’ horses outside a London theatre, ‘he became so conspicuous for his care and ...”

What is a pikestaff?

Colin Burrow: Metaphor, 23 April 2015

Metaphor 
by Denis Donoghue.
Harvard, 232 pp., £18.95, April 2014, 978 0 674 43066 2
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“... has its roots in the New Critics’ preoccupation with the metaphysical poets, and what Samuel Johnson called their yoking together of heterogeneous ideas by violence, but it also reflects the attitudes of someone trained to believe that bread is flesh and God. Donoghue’s main claims are that metaphor ‘invokes things disgracefully far ...”

Diary

Keith Thomas: Two Years a Squaddie, 5 February 2015

“... The watch system meant that no one got a complete night’s sleep anyway. It was easy to see why Samuel Johnson thought that a sailor’s life was like being in jail with the chance of being drowned. I wrote home regularly and my mother kept my letters. Reading them sixty years later, I feel intense embarrassment. The writer’s views on politics and ...”

At war

Iain McGilchrist, 25 January 1990

The Faber Book of Fevers and Frets 
edited by D.J. Enright.
Faber, 364 pp., £12.99, November 1989, 0 574 15095 1
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“... heavens is hard to accept, and the belief that there is a divine logic to our sufferings roused Samuel Johnson to his finest diatribe, the review of Soame Jenyns’s ‘Free Enquiry into the Nature and Origin of Evil’, extracted here by Enright. ‘Many a merry bout have these frolic beings at the vicissitudes of an ague, and good sport it is to see ...”

Lend me a fiver

Terry Eagleton: The grand narrative of experience, 23 June 2005

Songs of Experience: Modern American and European Variations on a Universal Theme 
by Martin Jay.
California, 431 pp., £22, January 2005, 0 520 24272 6
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“... Oscar Wilde called experience the name one gives to one’s mistakes, while for Samuel Johnson it was what hope triumphed over for those who married a second time. Emerson thought all experience was valuable, an opinion not shared by the inhabitants of Guantanamo Bay. Plato and Spinoza saw it as a realm of illusion, to be contrasted with the pure light of reason ...”

Good dinners pass away, so do tyrants and toothache

Terry Eagleton: Death, Desire and so forth, 16 April 1998

Death, Desire and Loss in Western Culture 
by Jonathan Dollimore.
Allen Lane, 380 pp., £25, April 1998, 0 7139 9125 9
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“... isn’t always such a bad thing after all. If good dinners pass away, so do tyrants and toothache. Samuel Johnson regarded all change as a great evil, whereas Brecht seemed to see the sheer fact of change, as opposed to particular unpleasant instances of it, as inherently comic. In one of his fables, Herr Keuner returns to his native village after a ...”

Tsk, Ukh, Hmmm

Michael Newton: Forgetting to remember to forget, 23 February 2006

Echolalias: On the Forgetting of Language 
by Daniel Heller-Roazen.
Zone, 287 pp., £18.95, May 2005, 1 890951 49 8
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“... Kierkegaard wrote, ‘we suggest that it is simultaneously forgotten yet preserved.’ Samuel Johnson said that ‘forgetfulness is necessary to remembrance,’ and Johnny Cash sang, ‘I forgot to remember to forget.’ That forgetting is a way of remembrance is the idea which recurs throughout Heller-Roazen’s book, appearing again and ...”

Coruscating on Thin Ice

Terry Eagleton: The Divine Spark, 24 January 2008

Creation: Artists, Gods and Origins 
by Peter Conrad.
Thames and Hudson, 529 pp., £24.95, September 2007, 978 0 500 51356 9
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“... spirit; but not all artists have viewed their trade in this high-minded manner. Jonathan Swift or Samuel Johnson would have been dismayed by this grandiose inflation of their literary hackwork. And who knows how Aeschylus or the author of Beowulf regarded their craft? It would be rash to assume that they thought of it in the same way Shelley did. Not all ...”

Wants, Frailties, Passions

Freya Johnston: Pope amuses himself, 8 October 2026

Alexander Pope: The Major Works 
edited by Henry Power.
Oxford, 840 pp., £134, January, 978 0 19 886785 2
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“... dwarf and cripple’. It also left him increasingly dependent on the ministrations of women, as Samuel Johnson (another victim of his wet nurse) recorded in his Life of Pope in 1781, drawing on the testimony of ‘a female domestick’ who had known Pope ‘perhaps after the middle of life’:He was then so weak as to stand in perpetual need of female ...”

Shandying It

John Mullan: Sterne’s Foibles, 6 June 2002

Laurence Sterne: A Life 
by Ian Campbell Ross.
Oxford, 512 pp., £25, March 2001, 0 19 212235 5
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“... the inability of your father to put on his trousers in a hurry. ‘Nothing odd will do long,’ Samuel Johnson said, judging Tristram Shandy to be the success of a passing season. Johnson had the Enlightenment faith in generality, against which Sterne’s graph of character seemed merely eccentric. For once ...”

Things they don’t want to hear

Clancy Martin: Lydia Davis, 22 July 2010

The Collected Stories of Lydia Davis 
Hamish Hamilton, 733 pp., £20, August 2010, 978 0 241 14504 3Show More
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“... all necessitated by the different truths they are trying to share with us. The narrator of ‘Samuel Johnson is Indignant: that Scotland has so few trees’ (that’s the title and the whole story) is a very different person from the lover of gardens and doctors who worries over herself in ‘Thyroid Diary’ and compares herself to the perpetually ...”

Like Leather, like Snakes

Julian Bell: Vermeer and Leeuwenhoek, 30 March 2017

Eye of the Beholder: Johannes Vermeer, Antoni van Leeuwenhoek and the Reinvention of Seeing 
by Laura Snyder.
Head of Zeus, 448 pp., £14.99, December 2016, 978 1 78497 025 3
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“... the pairing of Leeuwenhoek and Vermeer – I started to stumble. It may seem notable that, say, Samuel Johnson and David Garrick set off together to conquer London from Lichfield, or that Emile Zola and Paul Cézanne were once classmates in Aix, but it’s not clear that such coincidences demand joint biographies, let alone overarching ...”