The Grey Boneyard of Fifties England
Iain Sinclair, 22 August 1996
“... to insist that his character is called ‘Ethel’ not ‘Edith’), nods at the police killer Harry Roberts in his Epping Forest hide, as well as contriving a transatlantic shipboard conclusion in homage to Dr Crippen. In all this, in the texture and soul of his work, Binding is remorselessly, unforgivingly English. These fictions achieve and sustain the ... ”