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Alison Jolly: Natural selection and females, 10 August 2000

Mother Nature: Natural Selection and the Female of the Species 
by Sarah Blaffer Hrdy.
Chatto, 697 pp., £20, November 1999, 0 7011 6625 8
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... become human. Mothers’ and babies’ calculations of love reflect the law proposed by the late William Hamilton, a creative genius of sociobiology. (Hamilton died this year of malaria contracted in the Congo, where he was pursuing his latest ideas on the transmission of disease between species – arguably a martyr to his own passion for truth.) Hamilton ...

Eye Contact

Peter Campbell: Anthony van Dyck, 16 September 1999

Anthony van Dyck 1599-1641 
by Christopher Brown and Hans Vlieghe.
Royal Academy, 360 pp., £22.50, May 1999, 9780847821969
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Anthony van Dyck: A Life, 1599-1641 
by Robin Blake.
Constable, 435 pp., £25, August 1999, 9780094797208
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... can see why Rubens might have been jealous. The old man’s skin, his slightly rheumy eye and the white hair of his beard are wonderfully realised. Rubens tends to make use of a repertoire of effective conventions (the marks for an eyelid, folds in the skin, cheeks and so on) and unites them in a springy dance of brushstrokes. Van Dyck observes finer ...

Old Iron-Arse

Simon Collier: Latin America’s independence, 9 August 2001

Liberators: Latin America’s Struggle for Independence, 1810-30 
by Robert Harvey.
Murray, 561 pp., £25, May 2000, 0 7195 5566 3
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... creole families of colonial Venezuela, the familias mantuanas as they were known (from the long white mantua or gown worn by the women), he was one of the privileged few who could afford to travel in Europe as a young man. In Paris in 1804, he was dazzled by the spectacle of Napoleon’s coronation and yearned for similar personal glory. An eccentric ...

Micro-Shock

Adam Mars-Jones: Kazuo Ishiguro, 5 March 2015

The Buried Giant 
by Kazuo Ishiguro.
Faber, 345 pp., £20, March 2015, 978 0 571 31503 1
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... seems briefly possible that Ishiguro is setting out to re-create a vanished set of perceptions, as William Golding did with his Neanderthals in The Inheritors. Lok, Mal, Nil and the others had pictures in their minds, and some way of sharing them, though they lacked language. Beatrice and Axl are in the opposite predicament, with language available but a ...

A Bit of Chaos

Margaret MacMillan: The Great War and After, 5 February 2015

The Deluge: The Great War and the Remaking of Global Order 
by Adam Tooze.
Allen Lane, 672 pp., £30, May 2014, 978 1 84614 034 1
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... into a commonwealth of nations, Wilson’s nose was put out of joint and the mood in the White House was said to be ‘depressed’. Nevertheless the US emerged in a very strong position when the end of the war finally came. Wilson, without properly consulting his allies, dictated the nature and content of the armistice negotiations with ...

A bout de Bogart

Jenny Diski, 19 May 2011

Tough without a Gun: The Extraordinary Life of Humphrey Bogart 
by Stefan Kanfer.
Faber, 288 pp., £14.99, February 2011, 978 0 571 26072 0
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... couldn’t help but look after the weak. Well, not much wrong with such a notion in the black and white, troubled world of the 1940s and 1950s (or even the present one, just for a bit of a rest). After the war, in books but most of all in old movies, these reluctant action heroes became perfect modern exemplars for the likes of Camus, who saw in them a stoic ...

How should we think about the Caliphate?

Owen Bennett-Jones: In the Caliphate, 17 July 2014

... Isis because of its violence. It’s an unusual turnabout: Downing Street more hawkish than the White House. But perhaps that’s of little consequence. In a remarkably frank articulation of London’s subservience to Washington, William Hague said in response to the Isis advances: ‘We will support the United States in ...

Voldemort or Stalin?

Sheila Fitzpatrick: Shostakovich, 1 December 2011

Music for Silenced Voices: Shostakovich and His Fifteen Quartets 
by Wendy Lesser.
Yale, 350 pp., £18.99, April 2011, 978 0 300 16933 1
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Shostakovich in Dialogue: Form, Imagery and Ideas in Quartets 1-7 
by Judith Kuhn.
Ashgate, 296 pp., £65, February 2010, 978 0 7546 6406 2
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... don’t like feeling that they are being teased. When Shostakovich repeatedly quotes Rossini’s William Tell Overture in the first movement of the Fifteenth Symphony, is this to be understood as a motif for freedom, as some commentators have speculated? A hint that Shostakovich, like Rossini, had ‘lived slightly too long’, as he suggested in a letter to ...

Diary

August Kleinzahler: My Last Big Road Trip, 2 December 2010

... colourful local characters the narrator meets along the way. This is true of Steinbeck, Kerouac, William Least Heat-Moon in his Blue Highways and so on. Even the insufferable Henry Miller, in his 1945 volume The Air-Conditioned Nightmare, has his unrelieved bombast interrupted by a mechanic in Albuquerque called Dutter. The Maestro and I weren’t doing ...

Toolkit for Tinkerers

Colin Burrow: The Sonnet, 24 June 2010

The Art of the Sonnet 
by Stephanie Burt and David Mikics.
Harvard, 451 pp., £25.95, May 2010, 978 0 674 04814 0
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... sublime emotions. In her Original Sonnets on Various Subjects (1799), Anna Seward quoted a ‘Mr White’ from the Gentleman’s Magazine in 1786 who said ‘the style of the sonnet should be nervous, and, where the subject will with propriety bear elevation, sublime.’ Mary Robinson (described by Coleridge as ‘a woman of undoubted genius’, but perhaps ...

Things they don’t want to hear

Clancy Martin: Lydia Davis, 22 July 2010

The Collected Stories of Lydia Davis 
Hamish Hamilton, 733 pp., £20, August 2010, 978 0 241 14504 3Show More
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... and fathers, husbands and wives, daughters and sons; they usually sound like upper-middle-class white people, probably well educated, perhaps artists, writers, academics, translators. She writes about people from her world, the people we expect that she knows. The characters are usually anonymous, but they are never archetypes, they are never meant to ...

They don’t say that about Idi Amin

Andrew O’Hagan: Bellow Whinges, 6 January 2011

Saul Bellow: Letters 
edited by Benjamin Taylor.
Viking, 571 pp., $35, November 2010, 978 0 670 02221 2
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... editors, ‘I wish to point out to you, an editor of the New Yorker,’ he writes to Katharine White, ‘that Mr West’s review of Augie March is disgraceful … Let us hope that it is only my mental health that is endangered and not that of your readers as well.’ Two weeks later, he is putting on his best shirt for Lionel Trilling. ‘The many ...

Manly Voices

Bernard Porter: Macaulay & Son, 22 November 2012

Macaulay and Son: Architects of Imperial Britain 
by Catherine Hall.
Yale, 389 pp., £35, October 2012, 978 0 300 16023 9
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... then governing the slave refuge colony of Sierra Leone, Zachary, like his fellow abolitionist William Wilberforce, believed the spread of the Gospel was a much greater cause. Blacks should be free to serve their – that is, his – God, and to take their proper places in the hierarchy of humanity that the evangelicals saw as ‘natural’, and essential ...

Howling Soviet Monsters

Tony Wood: Vladimir Sorokin, 30 June 2011

The Ice Trilogy 
by Vladimir Sorokin, translated by Jamey Gambrell.
NYRB, 694 pp., £12.99, April 2011, 978 1 59017 386 2
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Day of the Oprichnik 
by Vladimir Sorokin.
Farrar, Straus, 191 pp., $23, March 2011, 978 0 374 13475 4
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... the sky in Bulatov’s large canvases (‘Glory to the CPSU!’), or the rows upon rows of white rectangles that comprise Komar and Melamid’s ‘Quotation’, where we don’t even need to see the words to recognise a deadened formula. Sorokin’s early texts were displayed at Conceptualist exhibitions and circulated among friends in the form of ...

The Danger of Giving In

Andrew Saint: George Gilbert Scott Jr, 17 October 2002

An Architect of Promise: George Gilbert Scott Jr (1839-97) and the Late Gothic Revival 
by Gavin Stamp.
Shaun Tyas, 427 pp., £49.50, July 2002, 1 900289 51 2
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... nominally under Sir Gilbert, but more delicate and more respectful of post-medieval fabric. William Morris’s firm came in to do glass and tiles. Soon he had a separate office and had turned aesthete. Greek Thomson, the Glasgow classicist, encountered him at dinner in 1871, where Scott ‘made his appearance in black knee breeks black silk stockings ...

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