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Thunderstruck

Arthur Gavshon, 6 June 1985

The Falklands War: Lessons for Strategy, Diplomacy and International Law 
edited by Alberto Coll and Anthony Arend.
Allen and Unwin, 252 pp., £18, May 1985, 0 04 327075 1
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... disputes and nearly three hundred maritime boundary disputes of which 49 were (and are) active. David Colson, a legal adviser in the State Department, observes that the Falklands crisis was ‘an example of how not to control or resolve a sovereignty dispute between states’: he goes on to relate how some countries have set aside doctrine and pride in ...

Clashes and Collaborations

Linda Colley, 18 July 1996

Empire: The British Imperial Experience, from 1765 to the Present 
by Denis Judd.
HarperCollins, 517 pp., £25, March 1996, 9780002552370
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Cambridge Illustrated History of the British Empire 
edited by P.J. Marshall.
Cambridge, 400 pp., £24.95, March 1996, 0 521 43211 1
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Lords of All the World: Ideologies of Empire in Spain, Britain and France, c.1500-c.1800 
by Anthony Pagden.
Yale, 244 pp., £19.95, August 1995, 0 300 06415 2
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... 19 out of 31 chapters – to the 20th century, and short-changes the earlier period. What this means of course is that the crucial stages whereby the British actually acquired ‘the greatest and most dynamic’ empire in the world, the Seven Years’ War and the wars with Revolutionary and Napoleonic France, can only be mentioned in passing, while the ...

Royals in Oils

Peter Campbell, 13 November 1997

The Sweetness of Life: A Biography of Elizabeth Louise Vigée Le Brun 
by Angelica Goodden.
Deutsch, 384 pp., £19.99, June 1997, 0 233 99021 6
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... When the Paisiello portrait was exhibited in the Salon of 1791 it won extravagant praise from David, who thought a man could not have done better. The Queen of Naples herself insisted on a portrait. ‘This princess of whom so much ill has been spoken and written, was affectionate by nature and very simple in her private life; her generosity was truly ...

No Looking Away

Tom Stammers: Solo Goya, 16 December 2021

Goya: A Portrait of the Artist 
by Janis Tomlinson.
Princeton, 388 pp., £28, October 2020, 978 0 691 19204 8
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... and the invention of painting in antiquity (a motif Goya may have derived from the Scottish artist David Allan, one of whose paintings was on board the frigate The Westmoreland when it was captured by French warships in 1779, its contents dispersed in Spain).In 1786, Carlos III appointed Goya a court painter. The opportunities at court, however, were limited ...

Middle-Class Hair

Carolyn Steedman: A New World for Women, 19 October 2017

... married, is with her husband and their little girl, Flora, on the train to Hereford, where David has been engaged for the season at the newly opened Garrick Theatre: It is a fact that Flora can already behave with perfect nonchalant neatness in hotels, tea-shops and classy restaurants … David and I watched Flora ...

Blame it on the boogie

Andrew O’Hagan: In Pursuit of Michael Jackson, 6 July 2006

On Michael Jackson 
by Margo Jefferson.
Pantheon, 146 pp., $20, January 2006, 0 375 42326 5
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... ever known rolled into one: Barnum & Bailey to James Brown, Edgar Allan Poe to Shirley Temple, and David Blaine, and Peter Pan, all the way back to Neverland. We want to see him as pop’s greatest distortion of human nature, which he may be, but isn’t he also the most interesting person on the planet? Jackson’s mother, Katherine, a Jehovah’s ...

All he does is write his novel

Christian Lorentzen: Updike, 5 June 2014

Updike 
by Adam Begley.
Harper, 558 pp., £25, April 2014, 978 0 06 189645 3
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... and he would return to the displacement over and over (and over) in his fiction. Here are the boy David Kern’s parents, George and Elsie, fighting about it in the early story ‘Pigeon Feathers’: Mother’s anger touched David’s face; his cheeks burned guiltily. Just by staying in the living room he associated ...

Punk Counterpunk

Bee Wilson, 20 November 2014

Vivienne Westwood 
by Vivienne Westwood and Ian Kelly.
Picador, 463 pp., £25, September 2014, 978 1 4472 5412 6
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... dreamed up much of the look, the attitude and the lyrics, though not the sound. A full year before David Bowie adopted the same hair style, Westwood had her hair bleached blonde and cut ‘coupe-sauvage’ style: tufty, asymmetrical and barmy-looking. She went to America and dressed the New York Dolls. Together, she and McLaren assembled the Sex Pistols, whom ...

A Snake, a Flame

T.J. Clark: Blake at the Ashmolean, 5 February 2015

William Blake: Apprentice and Master 
Ashmolean Museum, until 1 March 2015Show More
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... as precious stones.’ The ambition is breathtaking, its objects less so. I would like to believe David Erdman that even Pitt guiding Behemoth is meant as Satanic allegory, with its naked British hero putting, as always, an angelic face on Chaos and Non-Entity. But I have my doubts. Perhaps the verdict of time on the Pitt and Nelson pictures – the one, to ...

Stag at Bay

Adam Phillips: Byron in Geneva, 25 August 2011

Byron in Geneva: That Summer of 1816 
by David Ellis.
Liverpool, 189 pp., £25, September 2011, 978 1 84631 643 2
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... as if they/Could master all things.’ All this has a bearing on the before and after story that David Ellis wants us to take more seriously as the real story of Byron’s life. In Ellis’s view the summer of 1816, which he spent in Geneva, marked a turning point in Byron’s life. He was, Ellis tells us, acutely unhappy there, though the unhappiness had a ...

Go and get killed, comrade

Gideon Lewis-Kraus: Spanish Civil War, 21 February 2013

Unlikely Warriors: The British in the Spanish Civil War and the Struggle against Fascism 
by Richard Baxell.
Aurum, 516 pp., £25, September 2012, 978 1 84513 697 0
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I Am Spain: The Spanish Civil War and the Men and Women Who Went to Fight Fascism 
by David Boyd Haycock.
Old Street, 363 pp., £25, October 2012, 978 1 908699 10 7
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... cape. ‘No doubt it is a very useful garment,’ one volunteer wrote, ‘but there is no possible means of wearing it without looking like a moth-eaten bird with a broken wing.’ They were each allocated five rounds of ammunition. But, as one French Communist deputy told them in farewell, ‘What you lack in weapons you will make up for in courage.’ Orwell ...

Seeing Things Flat

Jenny Turner: Tom McCarthy’s ‘C’, 9 September 2010


by Tom McCarthy.
Cape, 310 pp., £16.99, August 2010, 978 0 224 09020 9
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... Bildungsroman, the life and impressions of one young man: he even gets born with a caul on him, as David Copperfield did. Serge, however, attracts no sympathy or empathy or whatever from his creator: he’s a convergence, or rather an area of concentration, where ideas, images, words, preoccupations gather and regroup. The book is split into four main ...

Rain, Blow, Rustle

Nick Richardson: John Cage, 19 August 2010

No Such Thing As Silence: John Cage’s 4'33" 
by Kyle Gann.
Yale, 255 pp., £16.99, April 2010, 978 0 300 13699 9
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... filed into the Maverick Concert Hall near Woodstock to hear a piano recital by the young virtuoso David Tudor. That they should be here, tucked away in the Catskills, was already extraordinary. The Maverick is more hermitage than concert hall: a wooden, barn-like structure, set – in 1952 at least – in several acres of woodland. Water Music by John Cage, a ...

Damsons and Custard

Paul Laity: Documentary cinema’s unsung poet, 3 March 2005

Humphrey Jennings 
by Kevin Jackson.
Picador, 448 pp., £30, October 2004, 0 330 35438 8
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... which jumped around all over the place when he talked – which was a great deal of the time’. David Gascoyne described in his journal in 1936 how Jennings dominated a meeting of the English Surrealists, ‘as usual … boiling over with energy and excitement’. He reported, too, the scene when Jennings and Tom Harrisson met to discuss the formation of ...

Horror like Thunder

Germaine Greer: Lucy Hutchinson, 21 June 2001

Order and Disorder 
by Lucy Hutchinson, edited by David Norbrook.
Blackwell, 272 pp., £55, January 2001, 0 631 22061 5
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... Apsley (1616-83). The poem described by Lee as ‘rarely accessible’, now easily accessible in David Norbrook’s modern spelling edition, offers according to Norbrook ‘a particularly strong corrective to the conventional view that literature after 1660 became firmly Royalist’, for it is entirely informed by the religious and political ideals of ...

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