Goddesses and Girls
Nicholas Penny, 2 December 1982
“... confronts the beholder far more boldly. Charles Hope, in his remarkable monograph on Titian, like Michael Jacobs in a brisk and entertaining polemic on the nude in painting, rejects the idea that this is a painting of Venus.1 It represents simply ‘a mortal female lying on a bed’, as Hope puts it, ‘gazing at us with a startlingly direct and unambiguous ... ”