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“... confronts the beholder far more boldly. Charles Hope, in his remarkable monograph on Titian, like Michael Jacobs in a brisk and entertaining polemic on the nude in painting, rejects the idea that this is a painting of Venus.1 It represents simply ‘a mortal female lying on a bed’, as Hope puts it, ‘gazing at us with a startlingly direct and unambiguous ...”

“... knees. The bullet entered his buttock and went straight through his heart. Someone had filmed the young man’s death, so there was no doubt about what he was doing. Widgery concluded that the bullet which got him must have been intended for someone else. The likelihood, suggested by the evidence and by what happened everywhere else, that Doherty had been ...”

“... revelation in Pickles’s book. ‘I have not been able to reveal until now that it was Mr Justice Michael Davies who suggested that I jail Renshaw for seven days,’ he writes. ‘He asked how long I proposed to give her, and I said 21 days. “No, make it seven,” he said, and I did.’ There is not a trace of irony in this passage. Nor is there in his ...”

“... Reign of Love’ – was replaced by that of ‘Bloody Bill’ Marsden, an outstanding sadist. The young Hogg, as Lewis puts it, ‘co-operated enthusiastically in Marsden’s disciplinary reforms’. What can that mean? That he flogged smaller boys with a passion rare even in that intensely homoerotic environment? And his only redeeming feature, his ...”

“... spirit of Beethoven, [who] said … he was fond of me, and that in nature I was like himself as a young man … What would the doctors say to that? A Ticket certainly, for insanity. No, it is the beginning of a new life, a new vision.’Gurney died in 1937, aged 47, after spending the last fifteen years of his life in psychiatric hospitals, leaving behind ...”

“... predecessor’s clarity of seeing, an acknowledgment that this is what painting is. Just as the young John Richardson, visiting Braque’s studio for the first time, felt that he had arrived ‘at the very heart of painting’. But these apparently quiet artists often turn out to have been more far-sighted and more radical than we assume. Corot, for ...”

“... Eilis Lacey is a young Enniscorthy woman who has never dreamed of leaving Ireland. Friary Street and Castle Street, the square and the cathedral: the grey co-ordinates of her small County Wexford town will doubtless always be with her. But this is 1950s Ireland, in which there is ‘no work for anyone . . . no matter what their qualifications ...”

“... holes. So far, the novel’s most thoughtful reviewers – Cynthia Ozick in the New York Times and Michael Gorra in the New York Review of Books – have taken care to talk about both the story-strands and the anxieties about story in Middle C. But they have shied away from trying to answer their own big questions about the novel. Gorra summarises the plot ...”

“... be good for her’, while her mother observed that, with her big serious eyes, she ‘never was young from the time she was born’. In adult life people generally found her formidable: direct, interested only in the great issues, endlessly earnest, with no small talk, and more intelligent and better educated than almost everyone she met. This last she owed ...”

“... only one or two bees per bonnet. The Pevsnerian approach was different.In a witty essay, Michael Taylor, who drove Pevsner round Warwickshire, recalls the experience as stimulating and slightly nightmarish, ‘like viewing a video of a thousand years … of history … fast-forwarded’. Pevsner ‘robbed the word “specialist” of its meaning by ...”

“... which meant that for most of the 20th century it was deemed best to be rich, white, thin and young. In the England of Enninful’s youth, this meant Sloaney blondes with big hair and big shoulder-pads. In America, it was society women with famous surnames and huge clapboard houses on the coast of Maine. Paris Vogue was much the same, just with nipples ...”

“... work to be had.This is what happened in Tigray and Wollo. The result, filmed by Mohammed Amin for Michael Buerk’s BBC report in October 1984, shocked the world. Six weeks later, the Foreign Affairs Select Committee summoned the directors of Oxfam and Save the Children to a hearing. Why, the committee chairman, Anthony Kershaw, wanted to know, had the ...”

“... Wyatt and Campion and Pope before it as certainly as, after it, it disregards Pound and the young Eliot. Such blank verse – the unrhymed, relentlessly regular pentameter – can be squeezed out like toothpaste, ignoring the audibie shape of any one verse-line or run of lines, because we are supposed to be attending to larger and more urgent ...”

“... and tyranny’, he wrote in 1783, the American language should allow new usages to reflect its young and vigorous political institutions. Later, he became obsessed with the ‘disorder’ of American politics and language. By 1824, he was advocating linguistic identity with Britain. Lawson-Peebles’s most extensive and interesting exploration of his theme ...”

“... in, but then they would be barely noticeable: they wouldn’t register as a subject. The poets Michael Symmons Roberts and Paul Farley published a book in 2011 called Edgelands, including chapters titled ‘Cars’, ‘Paths’, ‘Dens’, ‘Containers’, ‘Landfill’, ‘Sewage’, ‘Wire’; but this was a series of essays, championing the ...”