“... fiction – from the very beginning when the poor little rich boy is abandoned to an unsympathetic English nanny by his remote father and uncaring worldly mother. The most vivid character and best lay in the story is not the writer Louise de Vilmorin who questioned the Baron about circumcision while running her fingers through his pubic hair, but Charley ...”

“... has to dissemble to gain office then it will dissemble. It was not unreasonable to think that the English electorate disliked the Conservatives but distrusted Labour. If, therefore, labour had to pretend to utter respectability to win the electorate’s support then it must be utterly respectable, What it did in office is another matter. As it happens, I ...”

“... a certain German Prince’, containing a list of names compiled by German agents: 47,000 eminent English men and women all engaged in ‘the propagation of evils which all decent men thought had perished in Sodom and Lesbia’. All of those named in the book were ‘prevented from putting their full strength into the war by corruption and blackmail and fear ...”

“... tournaments were expensive, lurid and boastful, teeming, jostling social occasions that were, as Richard Barber put it in Edward III and the Triumph of England, part Roman triumph, part circus. The last royal tournament of 1348 was held on 14 July, in Canterbury. ‘The costumes for the entry into the city,’ Barber writes, ‘required eight pounds of ...”

“... Maurice Cowling was the English intelligentsia’s self-appointed pantomime ogre. Hamming up his villainy, he deliberately courted boos and hisses. In 1990, on the publication of the second edition of his book Mill and Liberalism (1963), he remembered with delight that one of its original reviewers had ‘obligingly’ described it as ‘“dangerous and unpleasant”, which was what it was intended to be ...”

“... why bother with him? Well, he is undoubtedly a fascinating figure in his own right; one of those English (or in his case Anglo-Irish-Scottish) upperish-class oddballs who enliven Our Island Story. For a start he looked odd: quite short (O’Toole wasn’t at all right for the part in that respect), with a disproportionately large head, which earned him the ...”

“... connection comes later: for the French, ‘maison hantée’ is a 19th-century Anglicism. In English, the ghostly connection is at least as old as Shakespeare. Richard II tells us that some kings are ‘haunted by the ghosts they have deposed.’ Ghosts then were regular revenants, resident nuisances. In James, they ...”

“... middle classes claims that East Lynne may be ‘one of the most famous unread works in the English language’. Very possibly. Yet it was spectacularly successful in its day, and its popularity has turned out to be more durable than that of most publishing sensations. Newly literate novel-readers in the mushrooming industrial cities consumed it with ...”

“... it is words that are the spring of action. (‘This tongue that runs so roundly in thy head,’ Richard II says, ‘Should run thy head from thy unreverent shoulders.’) The Crown has few pretences, and it isn’t Shakespeare, but it sets up a properly sophisticated relationship between words and actions, a relationship in which saying and not saying is ...”

“... Copland. The following year her choreography for Oklahoma! revolutionised Broadway. The composer Richard Rodgers had just left his lyricist Lorenz Hart for Oscar Hammerstein II, and the new team realised that the usual dance razzmatazz wasn’t going to be right for a show about cowboys and farmers at the turn of the century. Before Rodeo, de Mille, who was ...”

“... and syntax (both quite dreadful). Gibran produced a small body of writings in Arabic and in English, and managed to be soupily soulful and vaguely prophetic in both languages. He also painted – Robin Waterfield’s biography is good on the recurring features of his art, including its ‘vague ectoplasmic figures, often female’ and the ‘veil of ...”

“... a lengthy visual and aural collage, a sort of television series trying to forget about television. Richard Brody describes the result as ‘a kind of working through on screen of the network of associations that formed in Godard’s movie-colonised unconscious’. The key idea here, which appears again and again in French thinking about cinema, is ...”

“... that they’re growing. I think that they’re desperate.’ I heard about hope. I heard General Richard Myers, chairman of the Joint Chiefs of Staff, say: ‘I came away more positive than I’ve ever been. I think we’re getting some momentum built up.’ I heard about happiness. I heard Lieutenant General James Mattis say that ‘it’s a lot of fun to ...”

“... he gets rave reviews from all sorts of famous people. The president of the Federal Republic, Richard von Weizsäcker, sends Stern a note to tell him that he had read one of his lectures ‘with liveliest interest and gratitude’; McGeorge Bundy says that he thought another piece ‘uncommonly good’ and Lionel Trilling found an earlier draft of it ...”

“... more than individual taste is involved. He put the point more emphatically in a letter to Richard Aldington, who had initially been a very close collaborator but who by this date was showing signs of the touchiness and divergence of views which would eventually lead him to break with Eliot. Aldington had submitted a wayward, impressionistic essay on ...”