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Hatching, Splitting, Doubling

James Lasdun: Smooching the Swan, 21 August 2003

Fantastic Metamorphoses, Other Worlds: Ways of Telling the Self 
by Marina Warner.
Oxford, 264 pp., £19.99, October 2002, 0 19 818726 2
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... this recovery of ‘circumstance’ has an invigorating effect on the myths Warner examines. It may be that historical time is richer in the contradiction and instability that keep myths vital than the unchanging Dreamtime or Time of Origins (‘illo tempore’) designated as the true locus of myth by Mircea Eliade. Or perhaps it is simply that Warner is ...

The War on Tax

Corey Robin: Downgrading Obama, 25 August 2011

... drew on arguments the kings themselves had to make in order to raise taxes and fund their wars. As Richard Tuck has suggested, it may have been Charles himself who opened the door to democracy in England. Levying an ancient tax on coastal towns (ship money) to fund a naval expedition against the Dutch, the Crown made the ...

Short Cuts

Andrew O’Hagan: The Rich List, 15 June 2023

... also have our own supersized mindfuck when it comes to the accumulating and spaffing of cash. You may not believe it, as the cost of living crisis rages and the planet boils, but London – having just lost its status as Russia’s favourite laundromat – is now the private jet capital of Europe. ‘The obvious reason that private airlines have done so well ...

On Hating and Despising Philosophy

Bernard Williams, 18 April 1996

... and horrible. Few people, after all, think about philosophers much, and some of those who do may well regard them with a mildly bemused respect. But the subject does collect a familiar style of complaint: that philosophy gets no answers, or no answers to any question that any grown-up person would worry about, or no answer which would be worth worrying ...

A Cousin of Colonel Heneage

Robert Crawford: Was Eliot a Swell?, 18 April 2019

The Letters of T.S. Eliot, Volume VIII: 1936-38 
edited by Valerie Eliot and John Haffenden.
Faber, 1100 pp., £50, January 2019, 978 0 571 31638 0
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... toffs. Eliot, who had come to see the village from which one of his ancestors – Andrew Eliot – may have set off for America in the 17th century, was indeed seeking to find a kinship with this still somewhat feudal community. Yet the next sentence of his letter makes it clear he was unsettled to find that the ‘cousin of mine’ in East Coker was not ...

Writing about Shakespeare

Frank Kermode, 9 December 1999

... I did it. It was a painful business, as the writing of books tends to be. It is true that there may be in one’s life a book that beautifully offers itself, pleading to be taken, simply to be written down, but like other such offers, this one is made only, I think, when one is fairly young. Most of us are self-sentenced to a year or more of un-epiphanic ...

English Proust

Christopher Prendergast, 8 July 1993

In Search of Lost Time 
by Marcel Proust, translated by C.K. Scott Moncrieff and Terence Kilmartin, revised by D.J. Enright.
Chatto, £15, November 1992, 0 7011 3992 7
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... Swann’s Way offers the refreshingly simple ‘Time was when I always went to bed early’, while Richard Howard proposes going into print with ‘Time and again, I have gone to bed early.’ One can argue the toss indefinitely over the respective strengths of these different renderings. Grieve’s ‘Time was’ and Howard’s ‘Time and again’ have the ...

When the beam of light has gone

Peter Wollen: Godard Turns Over, 17 September 1998

The Films of Jean-Luc Godard 
by Wheeler Winston Dixon.
SUNY, 290 pp., £17.99, March 1997, 0 7914 3285 8
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Speaking about Godard 
by Kaja Silverman and Harun Farocki.
New York, 256 pp., $55, July 1998, 0 8147 8066 0
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... unashamed fan of minor Hollywood pictures. Breathless, as Godard readily admitted, was inspired by Richard Quine’s Pushover and could be seen as the direct sequel to Otto Preminger’s Bonjour tristesse. The central character of the film, the petty criminal played by Belmondo, modelled his self-image on that of Humphrey Bogart in Mark Robson’s The Harder ...

On the Secret Joke at the Centre of American Identity

Michael Rogin: Ralph Ellison, 2 March 2000

Juneteenth 
by Ralph Ellison, edited by John Callaghan.
Hamish Hamilton, 368 pp., £16.99, December 1999, 0 241 14084 6
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... Hawthorne on the American romance to Henry James on Nathaniel Hawthorne to Lionel Trilling and Richard Chase staking out the ground for American exceptionalism in the postwar United States, the problem for the writer of American fiction famously posed itself as a deficit: ‘no shadow, no antiquity, no mystery, no picturesque and gloomy wrong’ (Ellison ...

His Peach Stone

Christopher Tayler: J.G. Farrell, 2 December 2010

J.G. Farrell in His Own Words: Selected Letters and Diaries 
edited by Lavinia Greacen.
Cork, 464 pp., €19.95, September 2010, 978 1 85918 476 9
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... stone in a peach and it must exist before one can ever begin to start thinking constructively. In May he decided to have a break and, on a friend’s recommendation, took a boat from Narragansett to Block Island. There he saw the charred remains of the Ocean View Hotel, which had once claimed to have the world’s longest bar – 101 stools – and hosted the ...

Charmed Life

John Bayley, 15 September 1983

The Russian Revolutionary Novel: Turgenev to Pasternak 
by Richard Freeborn.
Cambridge, 256 pp., £27.50, January 1983, 0 521 24442 0
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Boris Pasternak: His Life and Art 
by Guy de Mallac.
Souvenir, 450 pp., £14.95, February 1983, 0 285 62558 6
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Pasternak: A Biography 
by Ronald Hingley.
Weidenfeld, 294 pp., £12.95, August 1983, 9780297782070
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Selected Poems 
by Boris Pasternak, translated by Jon Stallworthy and Peter France.
Allen Lane, 160 pp., £7.50, February 1983, 0 7139 1497 1
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Poets of Modern Russia 
by Peter France.
Cambridge, 240 pp., £20, February 1983, 0 521 23490 5
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Russian Literature since the Revolution 
by Edward Brown.
Harvard, 413 pp., £20, December 1982, 0 674 78203 8
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... uses and its presence is so much taken for granted as to be relatively benign. Though bad art may embody poshlost, its pretensions are usually harmless and recognisable: worse things happen when good art is taken up by poshlost, and has the kind of qualities which it can take over. When does this happen? Not with Mozart, with Shakespeare or with ...

Kick over the Scenery

Stephanie Burt: Philip K. Dick, 3 July 2008

Four Novels of the 1960s: ‘The Man in the High Castle’, ‘The Three Stigmata of Palmer Eldritch’, ‘Do Androids Dream of Electric Sheep?’, ‘Ubik’ 
by Philip K. Dick.
Library of America, 830 pp., $35, May 2008, 978 1 59853 009 4
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Five Novels of the 1960s and 1970s: ‘Martian Time-Slip’, ‘Dr Bloodmoney’, ‘Now Wait for Last Year’, ‘Flow My Tears, the Policeman Said’, ‘A Scanner Darkly’ 
by Philip K. Dick.
Library of America, 1128 pp., $40, August 2008, 978 1 59853 025 4
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... That is what happened to rock music in the late 1960s, when sophisticated critics decided, as Richard Poirier put it, to start ‘learning from the Beatles’. It is what happened to comics, too, in the early 1990s, when the Pulitzer Prize committee invented an award for Art Spiegelman’s Maus. And it has happened to science fiction, where the anointed ...

My son has been poisoned!

David Bromwich: Cold War movies, 26 January 2012

An Army of Phantoms: American Movies and the Making of the Cold War 
by J. Hoberman.
New Press, 383 pp., £21.99, March 2011, 978 1 59558 005 4
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... a less anxious president, to revoke the order in April 1953. In Hollywood the fear began on 8 May 1947, when the House Un-American Activities Committee, led by its chairman, Parnell Thomas, and its chief investigator, Robert Stripling, ‘set up shop’ at the Biltmore Hotel in Los Angeles. The first response by the industry to notice of an investigation ...

Even If You Have to Starve

Ian Penman: Mod v. Trad, 29 August 2013

Mod: A Very British Style 
by Richard Weight.
Bodley Head, 478 pp., £25, April 2013, 978 0 224 07391 2
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... of scooter-borne rock fans, draped in the ambiguous insignia of RAF targets and Union Jacks. What Richard Weight calls the ‘very British style’ of Mod found its initial foothold in late 1950s Soho with the arrival of the jazz ‘modernists’, who defined themselves in strict opposition to the reigning gatekeepers of Trad. Modernists were wilfully ...

Strange, Angry Objects

Owen Hatherley: The Brutalist Decades, 17 November 2016

A3: Threads and Connections 
by Peter Ahrends.
Right Angle, 128 pp., £18, December 2015, 978 0 9532848 9 4
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Raw Concrete: The Beauty of Brutalism 
by Barnabas Calder.
Heinemann, 416 pp., £25, April 2016, 978 0 434 02244 1
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Space, Hope and Brutalism: English Architecture 1945-75 
by Elain Harwood.
Yale, 512 pp., £60, September 2015, 978 0 300 20446 9
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Concrete Concept: Brutalist Buildings around the World 
by Christopher Beanland.
Frances Lincoln, 192 pp., £18, February 2016, 978 0 7112 3764 3
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This Brutal World 
by Peter Chadwick.
Phaidon, 224 pp., £29.95, April 2016, 978 0 7148 7108 0
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Modern Forms: A Subjective Atlas of 20th-Century Architecture 
by Nicolas Grospierre.
Prestel, 224 pp., £29.99, February 2016, 978 3 7913 8229 6
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Modernist Estates: The Buildings and the People Who Live in Them 
by Stefi Orazi.
Frances Lincoln, 192 pp., £25, September 2015, 978 0 7112 3675 2
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Architecture an Inspiration 
by Ivor Smith.
Troubador, 224 pp., £24.95, November 2014, 978 1 78462 069 1
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... speculative capitalism that gave rise to the semi-Brutalist office and housing projects of Richard Seifert, such as the Anderston Centre in Glasgow, a half-finished and shoddily renovated sub-Barbican of monumental towers connected by walkways across a raised podium. Seifert, as Hugh Casson pointed out, had ‘loyalty to his clients’ where other ...

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