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“... major recipient of this dubious cargo was uncovered by Watson’s researches: the carpark of the Ford plant at Dagenham. The A13, yet again, had something to make it glow at night: a top-dressing of contaminated Edmonton ash. ‘No more dangerous than Guy Fawkes night,’ declared Meacher to the House. Walking north towards Picketts Lock, we turn our backs ...”

“... together. Elena was now Helen, Mummy not Mami; Papa became Daddy; the boys were still Donald and Peter, of course, but they had far fewer words at their disposal by which to express themselves. They were now British – British refugees, to be exact – not just because their identity documents said so, but because their survival depended on it. And thus ...”

“... and a handful of scholarly articles in historical periodicals, with most of his work, notably the Ford Lectures on The Nobility of Later Medieval England published after his death. However, through his teaching and lecturing and the supervision of a large number of graduate students who then went on to greater things, he was undoubtedly the leading medieval ...”

“... as well as archives, ballads and folklore, driving from end to end of the country in an old Ford which he often slept in as well. He was, in a sense, on the run again: English paints a memorable picture of ‘the physically damaged ex-revolutionary, his private life in tatters, solitarily attempting to reassemble his purposeful revolutionary ...”

“... offshoots – or contracts for organisations such as the Congress for Cultural Freedom and the Ford Foundation, which seemed at first to exist for scarcely any purpose other than to further US foreign policy and provide cover for the CIA’s machinations. Ford’s present reputation and munificence in Asia, Africa and ...”

“... to move on, in the nicest way. ‘Howl first printing hadn’t arrived from England yet, Peter Orlovsky held camera in the street, we were just hanging around,’ Ginsberg scribbles beneath the photograph. Hanging around was a career choice for some of the poets who feature, more intimately, in Ginsberg’s collection. Corso, in particular, tried ...”

“... Crewe in the New Pelican, Burrow does not include the notorious ‘Funeral Elegy for William Peter’, now ignominiously demoted to a poem by John Ford: Burrow never believed in it, nor did I.) As for the sonnets’ place in Shakespeare’s poetic career, Burrow writes that they are ‘best viewed not as ...”

“... lookout for the Evil One, who roams around like a roaring lion, looking for someone to devour (1 Peter 5.8). We were looking for ‘decisions’ for Christ, or rededications at the very least. We preached the good news. We believed that Jesus meant it when he said I am the way, the truth, and the life; no one goes to the Father except by me (John 14.6). We ...”

“... to form ‘an unlimited group’. The situation is taken to be, not ‘is this by Middleton or Ford?’, but ‘is this by Defoe or an unknown?’ (or, as the authors put it, ‘Defoe against the world’). That this is an exaggeration, albeit an exaggeration of a real difference, is shown by the work which has been done to assign Defoe attributions to ...”

“... and parley, avoiding outright confrontation, might strike some readers as selling his art short: Peter McDonald remarks astringently that Heaney writes the prose of ‘a man whom the audience always applauds’. Yet what is wrong with a diplomatic poetry, an art that strives for fluent patience, for ways to live amid rivals’ quarrels – not only the ...”

“... often worth as much as, or more than, the parent company: this is true of Rolls Royce and Boeing, Ford and Unilever, and there are many companies whose pension fund deficit is now more than half the market valuation of the company – GM, US Steel, Colgate-Palmolive, Campbell Soup, Lucent, Goodyear, Marconi, ICI and BT. Pension deficits eat away the value of ...”

“... uplift.’ Bucknell says that O’Hagan, along with other critics including Robert Potts and Mark Ford, saw this phenomenon as part of the ‘rebranding [of] poetry as a “lifestyle accessory” for the worried middle classes’ – a sort of ‘lavender bath oil’ and ‘state of the art therapy’. Several of these anthologies were edited by Daisy Goodwin ...”

“... but Jules Laforgue, so the dramatic poets were Marlowe and Webster and Tourneur and Middleton and Ford, not Shakespeare. A poet of the supreme greatness of Shakespeare can hardly influence, he can only be imitated: and the difference between influence and imitation is that influence can fecundate, whereas imitation – especially unconscious imitation – can ...”

“... the Drop of a Brick’, a reference to Flanders and Swann’s At the Drop of a Hat and Peter Cook’s suggestion that we call it ‘Quite the best revue I’ve seen for some time. Bernard Levin’, the point being that whatever the notices this could go up at the front of house.27 January. A woman writes to me saying that having read a piece I’d ...”

“... produce reports and analyses; and many of the major foundations, from established giants like Ford and Rockefeller to relative newcomers such as George Soros’s Open Society Institute, have committed themselves to the new agenda. Much of Amnesty’s recent campaigning has focused on international corporations, and it has succeeded in persuading ...”