At Tate Britain
Rosemary Hill: Aubrey Beardsley, 24 September 2020
“... figure in Withered Spring, a drawing of 1891, has the heavy, sensuous eyes and mouth of Jane Morris. A year later, in Incipit Vita Nova, they had gone. An impassive female head with closed eyes faces a foetus with its eyes open. By the following year Beardsley had found his style, monochrome and linear. ‘I take no notice of shadows,’ he ... ”