At Tate Britain
Rosemary Hill: ‘Ruin Lust’, 3 April 2014
“... of the iconography of the sublime had led to accusations of fascism, an international row with France and a campaign of direct action by his supporters, the St Just Vigilantes. ‘St Mary le Port, Bristol’ by John Piper (1940). Tintern lost its freshness and was succeeded by the apocalyptic visions of John Martin and the deathly gloom of ... ”