On the Sofa
David Thomson: ‘Babylon Berlin’, 2 August 2018
“... show’s credit sequence – except that you can never quite read the credits: the lettering is small, and it is presented in a kind of hypnotic vortex with distracting glimpses of the story breathing behind it. The credit sequence is less information than nightmare art – a cross between Magritte and Schiele. (This is not a pipe; it’s a threat.) Lucy ... ”