At the Movies
Michael Wood: ‘The Long Good Friday’, 2 July 2015
“... working out its contours. The camera keeps arriving at a scene – a country cottage seen from a small distance, the interior of the same cottage glimpsed through its windows, a swimming pool, the pub that is about to be blown up – when nothing has yet happened there. The technique makes the very idea of seeing ominous. All we have to do is wait, and in ... ”