“... an open letter denouncing the Metropolitan Museum’s show American Painting Today, 1950, and Andy Warhol’s Get Smart cover for TV Guide in March 1966. Unable to place their work in established uptown galleries, the young, mainly abstract artists of Lower Manhattan banded together to set up co-operative exhibition spaces, sometimes doubling as ...”

“... by returning to artful simplicity. This debunking of simplicity makes good sense in the case of Andy Warhol, but does it throw any light on the art of William Morris? Bourdieu is generally very good on the aspirations of the petty bourgeoisie and the reasons they are rarely realised. The petty bourgeoisie are ‘trapped, whatever they do, in a choice ...”

“... is crowned every day and told how to be real.It was not inevitable that the day would come when Andy Warhol would seem a social realist. But that day is here: selfhood is something the culture encourages you to construct in an echo-chamber of the watchful. British television has learned all the lessons of the last ten years; the most popular television ...”

“... her Hamlet as a triple impertinence: not merely French and feminine, but Jewish as well’.) Andy Warhol, among others, seems to have been intrigued by the Jewish Bernhardt. In his gorgeous (and curiously undersung) silkscreen series Ten Portraits of Jews of the 20th Century (1980), Bernhardt, Gertrude Stein and Golda Meir are the three stately ...”

“... David Lynch kissed her after the 1987 Oscars (she was a fan of Blue Velvet) and that she resented Andy Warhol for making millions by turning her face into a silk screen image. What the book doesn’t do is discuss Taylor’s film performances in any depth. This starts to make more sense when you see that one of its recurring themes is Taylor’s own ...”

“... hitting the right places in Manhattan, Sontag sightings were as recurring and oddly reassuring as Warhol sightings, as if both were autographing the air with their presence. ‘Back in the 1980s,’ Dave Hickey recounted, ‘I stood at a party watching the ever watchable Sontag, who had taken command of the opposite corner of the salon. She was showing us her ...”

“... is happy to plop down in the chair again and gaze about expectantly. B. and I are both reminded of Andy in Little Britain (we just got the DVDs) – the dough-faced, lank-haired, supposedly paralysed invalid who climbs trees, assaults people, swims in the sea at Brighton and even bounces on a trampoline whenever Lou, his kindly yet moronic caretaker, has his ...”

“... the piece starts to look a bit dull and flat and you find yourself turning to Titian or Corot or Andy Warhol or (gulp) Tracey Emin with a certain relief. At this forlorn stage, you may even develop a distinct aversion to the once loved outsider piece: you’ve spent all that money framing it, you’ve made a place for it on the wall and in your ...”

“... York Times declared that Bacon had ‘certainly left no discernable trace on American painting’, Andy Warhol, who was at the opening, confessed that he was influenced by Bacon’s use of background colour. Leiris refers to ‘large areas [of Bacon’s canvases] treated with apparent indifference (backgrounds in flat tints)’. Bacon had mocked his own ...”

“... Charles Olson, Ezra Pound, Virgil and Sextus Propertius.’ He also introduced his girlfriend to Andy Warhol, Jack Smith, Carolee Schneemann. ‘Her eyes opened wide.’In later years, Acker often said that she had studied linguistics under Roman Jakobson. This wasn’t true, Kraus thinks: Jakobson taught at Harvard, which didn’t take girls until the ...”

“... local, mostly confined to the New York poetry of John Ashbery and Frank O’Hara or the writing of Andy Warhol, though in fact so much of Hemingway’s manner of writing – the short, paratactic sentences, the use of repetition, the idea of removing the obvious subject – was taken from her, so the whole sequence of writers that came out of ...”

“... Measure. He moved to New York, where he worked at the Eighth Street Bookshop and posed for one of Andy Warhol’s screen tests (Warhol was a fan of the Wentley poems). The city was overwhelming, and by autumn 1963 he had to return to the family home outside Boston: ‘the tomb of middle-class America’, as he called ...”

“... by whatever audience he is addressing at that moment. With an expression as impenetrable as Andy Warhol’s, he is reminiscent of the Warhol who once told an interviewer: ‘Just tell me what to say.’ He is the simulacrum of a candidate: many have noticed his uncanny resemblance to the extraterrestrials in ...”

“... Babette Mangolte introduced her to the celluloid experiments of Stan Brakhage and Hollis Frampton, Andy Warhol and Michael Snow. At Chelsea’s Elgin Theatre, they watched Snow’s La Région centrale on a loop: ‘a three-hour film about a landscape with stones, blue and grey, and all the possible camera movements over this landscape … I have never ...”

“... idea of the authenticating touch and postmodernism dumped the idea of the author. Gerard Malanga, Andy Warhol’s astonishingly industrious assistant, compared the studio on East 47th Street to ‘a production line in a surrealist sweatshop’. Warhol’s Factory is at once the climax and the subversion of the story ...”