“... Albert consulted the phrenologist about the upbringing of their children, he observed that the young prince’s ‘Amativeness is large and I suspect will soon give trouble’. Combe’s own amative region, he said, was small – he had not known the ‘wild freshness of morning’, even in his youth. Isabella’s bumps were against her: Love of ...”

“... can’t make out with him because if she did he might turn evil; a reader would have to be very young and/or very ignorant not to feel she had seen this sort of thing before. Didn’t something very much like it form the Big Bad – the major villain-arc – in Buffy the Vampire Slayer, season 2? (Or am I merely showing my age by remembering a TV programme ...”

“... Jean Cocteau​ had a genius for being seen. As an elegant young man, with the cult poet Anna de Noailles on his arm, thanks to an introduction from Proust, he danced the polka at the Bastille Day ball in 1912, careful, first, to alert the photographers. ‘If I were to take a picture of a village wedding,’ a photographer once remarked, ‘Jean Cocteau would appear between the bride and groom ...”

“... house in Cheshire and his mind would all his life pullulate – like that of his mother’s cousin Robert Louis Stevenson – in a ‘nursery-sickroom atmosphere’. His father, a captain in the York and Lancasters, was killed at Ypres in May 1915. His maternal grandmother, Emily, was ‘a great psychosomatic virtuoso’. And his mother Kathleen’s ‘intense ...”

“... going to the victory feast in Hall. Put on at the last moment, it was not well attended and John Young had invited half a dozen representatives of the lower tables to swell our party ... Roast duck and mulberry tart were the chief dishes and there was champagne. My place was third from the oriel window on the west side of the table between Holmes and ...”

“... listen that he was headed for the White House. He mapped out a plan to get there from which, as Robert Caro writes, ‘he refused to be diverted.’ It meant first establishing himself in state politics, then winning a seat in the House of Representatives, then moving up to the Senate and finally to the highest office. He was undaunted by the fact that no ...”

“... of macaroni and the wine. That’s how fiction works.) But what the novel takes for granted is the young hero’s military status. Ernie didn’t. Every other letter through the latter half of 1917 into 1918 is filled with hopes of a secondment, but the truth is he missed most of the war and made a great deal of the skirmish that cut his legs. (No bones were ...”

“... getting the clap,’ he remembered. In descriptions by himself and others, he emerges as a feral young fellow who did not let much bother him. But there are interesting moments when he takes a moral position; for example, when Dylan Thomas, who annoyed him by making assumptions about his relationship with Spender, irritated him further by boasting how well ...”

“... taking clients for 15 shillings a time. But soon he’d had enough of her – he had met some young French girls who seemed more promising – and sold her to another pimp. When she was picked up by the police soon afterwards, Harvey told them she’d had no choice but to do what was asked of her: ‘I had no money and no proper clothes.’ In her witness ...”

“... they have interest, too, for students of poetry. Mrs Eliot includes a series of letters from the young man to his Harvard professor J.H. Woods, which seem to have eluded Gordon. These have a certain dry interest. Eliot, at 26, was at Oxford, and engaged in the serious professional study of philosophy. He kept in touch with Woods, who had taught him some ...”

“... satire and after. He asks me if we ever had any alternative titles to Beyond the Fringe, which was Robert Ponsonby’s contribution and not popular with us at the time. I can’t think of any but J. Miller later remembers ‘At the Drop of a Brick’, a reference to Flanders and Swann’s At the Drop of a Hat and Peter Cook’s suggestion that we call it ...”

“... in, and she enters the crypt alone. ‘Three kinds of space dominate all Tarkovsky’s films,’ Robert Bird writes: ‘nature, the home, and the shrine or cathedral.’ The ‘cathedral space is demonstrated most fully at the beginning of Nostalghia . . . in the rigorously geometrical yet disconcertingly elusive space of a columned crypt’. One reason ...”

“... the record’s contents. He’d been using the alias since the summer of 1960. His given name was Robert Zimmerman and he had grown up in Hibbing, a small mining town in Minnesota; he was the son of Abe, an electrical goods supplier, and Beatty, and the grandson of Jewish immigrants from Eastern Europe. The name he chose has often been said to be a tribute to ...”

“... and that ‘the crazed parataxis still flashes the voltage of the street.’ We are told that Robert Southey’s ‘over-long nose’ gave his face a ‘workmanlike quality, and his work ethic is what he is largely remembered for’. And this, of a representation of melancholy: ‘He wears only linens over his loins. If they are soiled, we don’t ...”

“... we are about to set off for the crematorium in the pouring rain when as we turn the car round a young pheasant skitters across the road. Nothing unusual in that except that this pheasant is pure white. I’m not given to a belief in signs or portents but it’s nevertheless quite cheering to feel that she’s still around. The service in the village church ...”