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“... The celebratory shenanigans – the conferences, public lectures, biographies and privy pieces of self-promotion that in our wicked age accompany all major anniversaries – are over. But one key question remains unanswered. How is it possible to like Milton? There is certainly a great deal to dislike. Most people would think of him as an overlearned poet who ...”

“... of German history. Very much like the US, German elites project what they collectively regard as self-evident, natural and reasonable onto their outside world, and are puzzled that anyone could possibly fail to see things the way they do. Perhaps the dissenters suffer from cognitive deficits and require education by Schäuble in the Eurogroup classroom? One ...”

“... officers were questioning five other men at the flat. Eight of the suicides have been cases of self-immolation. Israfil Shiri, a destitute Iranian asylum seeker, for example, set himself alight in the offices of Refugee Action in Manchester. These vivid cases account for only a fraction of the deaths Athwal lists. Here is a passage taken at random from the ...”

“... at its most respectable. The Antaeus piece is the jazzier and more anecdotal, though the level of self-exposure is modest (Davenport owns up to living by preference on fried baloney, Campbell’s soup and Snickers bars). The title is ‘The Anthropology of Table Manners from Geophagy Onward’, ‘geophagy’ being the eating of clay, something that Davenport ...”

“... Screen on the Green, which mixed rad new post-punk bands with Herzog films. (Memo to my younger self: really not a good idea to take amphetamines before going to see 16-rpm directors like Herzog and Tarkovsky.) Artists like Fassbinder and Kiefer also aimed for something like Schütte’s beloved Gesamtkunstwerk, but theirs was a far messier business; it ...”

“... in Paris in 1924, at the age of 19. He had already been bowled over by Hume’s argument that the self is an illusion, and he was fascinated by Nietzsche, describing him rather enviously as ‘a poet who had the bad luck to be mistaken for a philosopher’. He also took an interest in Karl Jaspers, contributing to a translation of a recent treatise on ...”

“... he was intolerant of humbug: detecting it (and quite often mistakenly), he would fly into a huge self-fuelling rage which propelled him into yet more fantasy and even funnier jokes. So it’s hard to praise him to his face, even his dead face, that quizzical smile never very far away, making a mockery of the sincerest sentiments. So he would be surprised, I ...”

“... City’ (1964) In the sixty years since its founding, Archigram has become a self-mythologising, energetically self-celebratory bastion of old-fashioned avant-gardism, as tied to its era as popping out to a Schooner Inn for a half of Red Barrel. The former members have sedulously controlled their ...”

“... the strident Marinetti, these artists, architects, photographers, writers and composers were the self-appointed shock troops of the new. They were ready, rhetorically at least, to ditch traditional culture, calling for museums to be set ablaze and Venice to be paved over, and disdained liberal institutions, railing against the vagaries of parliamentary ...”

“... genre’s suppositions and implicit bargains. That is the point. They are awkward, resplendent, self-possessed men. Working men, enduring the attention of the odd son of a dead banker (who paid well). They are, it now seems possible to see, monuments to a specific way of life – to another kind of balance between inwardness and exteriority – but we are ...”

“... you call fanaticism when you’re trying to be creepy rather than dogmatic. In one corner, the self-punishing, war-loving, homophobic (no connection to those ‘boy-loving’ Athenians) Spartans, who on grounds that escape me completely are meant to represent reason, justice, law, freedom and logic, to borrow a few grand words that appear in both book and ...”

“... proportion of the dozen or so pictures safely attributed to Fabritius are on show here: two self-portraits, The Goldfinch from the Mauritshuis, a sleeping sentry and the National Gallery’s own perspective peepshow. The finish of his pictures (also unlike Delft) is painterly, not smooth. In the goldfinch you can count the strokes – one for each wing ...”

“... undermines her ego and her lofty Saint Theresa aspirations. She starts her life’s journey to self-extinction and the unvisited grave. J. Hillis Ladislaw (né Brooke) would have ended up teaching at some godforsaken community college in the middle of nowhere. Or perhaps he would have become a Mr Chips, beloved by generations of school children. He would ...”

“... farce and brutal jokes pervade her works. ‘The search for identity, egoism, embarrassment, self-destruction, emotional blackmail’ are listed as the subjects that interested her most; ‘drift, inconsequentiality and anti-climax’ as her constructive principles. Revolt against the pattern of female submission laid down in the contemporary courtesy ...”

“... surface, the dichotomy pointed to by Mencken. One a British peer of ancient lineage, the other a self-made man who, through investing skill and fanatical diligence, became the richest of all Americans, in ‘essential character’ they were poles apart. True, they had certain obvious things in common: each had many marriages (four for Bend’Or, five for ...”