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“... muse lets rip through the rat-a-tat of Blind Hary’s Wallace; and in the brassy Reformation of John Knox it blares even in the sophisticated George Buchanan’s over-the-top ‘Elegy for Jean Calvin’. The volume remains high in some of Robert Fergusson’s sophistic-performative street-talk, Burns’s on-off, rip-roaring ‘Tam ...”

“... Haskell was obviously suspect, since he had a Russian mother and a Russian wife and had been to King’s College, Cambridge, so the press surrounded his house, making it impossible for him to go out. I was staying there at the time and had to push my way past them to obtain basic provisions. They also repeatedly telephoned in the early hours of the ...”

“... was a source of friction and complaint. On the cold evening of 5 March 1770 a crowd gathered on King Street and began to throw snowballs and oyster shells at a sentry. After calling for assistance, the sentry was joined by Captain Thomas Preston and eight men. The mob pushed and shoved on the icy ground, and in the melee the soldiers fired, killing five ...”

“... presented a novelty of a still more dangerous sort, according to the dramatist and man of letters John Dennis. Heretics misconstrued religion, but did not set out to overturn the moral order. Mandeville, however, presented himself as ‘a serious, a cool, a deliberate champion’ of vice and luxury; a new kind of intellectual renegade such as ‘has never ...”

“... idea of the ‘world turned upside down’: in moments of inversion during carnival when a pauper king was crowned and the pressures of a deeply unequal society released. But what emerges from the tangle of stories in John Henderson’s book is a sense that for many the world stood still during the plague. The disease waned ...”

“... flowers to the wire fencing around the Rose and the Globe, had a familiar whiff.Andrew Gurr and John Orrell’s Rebuilding Shakespeare’s Globe concerns a project conceived well before the recent discoveries. But its primary aim – to present the case for a ‘reconstruction’ of the Globe Theatre in Southwark near the site of the original – might well ...”

“... seen at first sight’ was another of his aphorisms, one that he borrowed from Gotthold Lessing or John Opie, magpie that he was. ‘Every glance is a glance for study,’ he also said. The scene in Rain, Steam and Speed is of an imminent death, the instant of an action caught by a glance. A train rushes across a bridge and is bearing down on a hare that’s ...”

“... in one of his late poems.In Notebook of a Return to My Native Land, his most celebrated poem (John Berger and Anna Bostock’s reissued translation omits the first three words of the title), Césaire is unsparing about Martinique. The Antillean islands are ‘pitted with smallpox’ and ‘dynamited by alcohol’. His home town is ‘inert’ and ...”

“... discovery of the body of Richard III, though there would be some mild satisfaction in finding the king exactly where the sources said he was. McFarlane wouldn’t have thought the body particularly informative as compared with the real stuff of history, some of the ex-duke of York’s receiver’s accounts, say, or records of Yorkist estate management.The TV ...”

“... with the play’s own title. Both the printing of the play in the First Folio, and the law student John Manningham’s account of the production at Middle Temple in 1602, stress that the play’s full title is Twelfth Night, or What You Will – with the suggestion that the second phrase modifies the first rather than substitutes for it. In 1662 Samuel Pepys ...”

“... that had scarcely yet been explored. More empirical work is needed before theory can advance, and John Springhall’s Youth, Empire and Society: British Youth Movements, 1883-1940 (1977) offered one way forward: the systematic study of organisations designed for children. This approach has the additional advantage of illuminating many other dimensions of ...”

“... the catalogue commentary requires the combined efforts of Colin Amery, Mary Lutyens, Jane Brown, John Cornforth, Gavin Stamp and John Summerson to do justice to an architect whose career, in its range, dimensions and achievements, outshines Wren, Vanbrugh and the Adam brothers. Cloud-capp’d towers, gorgeous ...”

“... of friendship and common intellectual excitement at Cambridge was enormous. When James Klugman and John Cornford, the Panza and Quixote of Cambridge student Communism, came to his rooms in Trinity to recruit him for the Socialist Society, they found a natural, eager joiner. Dazzled by their friendship, he found his way to the Communist core of the society, of ...”

“... to know nothing of ‘the world’. ‘I am a child you know,’ he tells the young wards of John Jarndyce. ‘You are designing people compared with me.’ Skimpole’s main similarity to his real-life source, apart from a talent for accepting handouts, is his conversational manner, which is peculiarly fanciful, fluent and charming, but there are other ...”

“... In the summer of 1831, James Woods, master of St John’s College, Cambridge, and Wordsworth’s former tutor, decided that his college should have a portrait of its most celebrated living alumnus. He commissioned Henry William Pickersgill – an apprentice Spitalfields silk-weaver turned Royal Academician – to produce a full-length oil painting of Wordsworth in an appropriately sublime setting, and in the early autumn of 1832 Pickersgill made the journey to Rydal Mount ...”