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Mise-en-Scène for a Parricide

Angela Carter, 3 September 1981

... must be crude and the design profoundly simplified for the maximum emblematic effect. Write John Vinnicum Morse out of the script. One old man and three of his women sleep in the house on Second Street. The City Hall clock whirrs and sputters the prolegomena to the first stroke of six and Bridget’s alarm clock gives a sympathetic skip and click as the ...

The Olympics Scam

Iain Sinclair: The Razing of East London, 19 June 2008

... in its exposure of the coming land-piracy that it seemed prophetic. It was efficiently directed by John MacKenzie, but the meat of the thing is in Barrie Keeffe’s script, his intimacy with tired ground that is about to be invaded, overwhelmed, rewritten. The advent of Margaret Thatcher was announced, as MacKenzie’s crime fable makes clear, by a slippery ...

Trains in Space

James Meek: The Great Train Robbery, 5 May 2016

The Railways: Nation, Network and People 
by Simon Bradley.
Profile, 645 pp., £25, September 2015, 978 1 84668 209 4
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... of railways into spaces where they had previously been completely absent, preservationists like John Ruskin and William Wordsworth (‘Is then no nook of English ground secure/From rash assault?’). The agents of Network Rail, who are building the Ordsall Chord, can and do portray themselves playing the Stephenson role. They claim originality: the ...

Don’t Ask Henry

Alan Hollinghurst: Sissiness, 9 October 2008

Belchamber 
by Howard Sturgis.
NYRB, 345 pp., £8.99, May 2008, 978 1 59017 266 7
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... panics, his horse bolts, he faints and falls and breaks his hip. When the great surgeon (‘Sir John’) who tends him reluctantly confirms that he will never be able to ride again, Sainty ‘heaved a sigh of unmistakable relief. “Ah! well, that’s a comfort, anyhow,” he said.’ From now on, Sainty’s lameness will be the useful badge of his ...

Wanting to Be Something Else

Adam Shatz: Orhan Pamuk, 7 January 2010

The Museum of Innocence 
by Orhan Pamuk, translated by Maureen Freely.
Faber, 720 pp., £18.99, December 2009, 978 0 571 23700 5
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... in his dispassionate intelligence and arabesques of introspection suggests Proust,’ John Updike wrote in the New Yorker, while the New York Times Book Review announced that ‘a new star has risen in the East.’ Since then, Pamuk has been compared to Joyce and Musil, Kafka and Calvino, and almost never – a further compliment – to the ...

New Man from Nowhere

James Davidson: Cicero, 4 February 2016

Dictator 
by Robert Harris.
Hutchinson, 299 pp., £20, October 2015, 978 0 09 175210 1
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... phylactery shouted out by Verres’ victims pleading for a stay of crucifixion), recycled by John F. Kennedy with unavoidable bathos as ‘Ich bin ein Berliner.’ This great and by no means guaranteed victory against the establishment, as well as the addition of an entire province to his list of clients, helped ease Cicero’s way. But as consul he was ...

Murder in Mayfair

Peter Pomerantsev, 31 March 2016

A Very Expensive Poison: The Definitive Story of the Murder of Litvinenko and Russia’s War with the West 
by Luke Harding.
Faber, 424 pp., £12.99, March 2016, 978 1 78335 093 3
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... the restaurant Sexy Fish, all lava-coloured couches, fountains streaming down the windows and a 13-foot Frank Gehry crocodile on the wall. Sexy Fish is the creation of Richard Caring, most famous for the Ivy, the restaurant in Soho that flaunts its exclusivity by being as apparently modest and downbeat as possible. That works for the posh English, but modern ...

Snap among the Witherlings

Michael Hofmann: Wallace Stevens, 22 September 2016

The Whole Harmonium: The Life of Wallace Stevens 
by Paul Mariani.
Simon and Schuster, 512 pp., £23, May 2016, 978 1 4516 2437 3
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... drummer, Robert Wyatt, his Cockney tenor cracking with fervour, once sang:I’m nearly five foot seven tallI like to smoke and drink and ballI’ve got a yellow suit that’s made by Pamand every day I like an egg and some teabut most of all I like to talk about me.The American poet Wallace Stevens liked his tea – he took to it in connoisseurship and ...

Beyond Borders

Adam Shatz: Adolfo Kaminsky’s Forgeries, 16 February 2023

... Jews to immigrate, but turned down repeated offers of a medal from Israel and refused ever to set foot there again.In the 1950s, Kaminsky established himself as a commercial photographer, with a studio on the rue des Jeûneurs. He took portraits, reproduced artworks and made film stills, collaborating with the set designer Alexandre Trauner on a film by ...

Diary

Alan Bennett: Where I was in 1993, 16 December 1993

... too in that you’re not blitzed with information, exhibitions and outreach as soon as you set foot in the door. Here is Collingwood, Nelson’s admiral, and an 18th-century general in the Deccan Rifles, dead on the voyage out; surgeons and solicitors of the town, neat, kneeling Tudors, plump Augustan divines and an atmosphere of piety, property and Pledge ...

Australia’s Nineties

Clive James, 15 July 1982

Christopher Brennan: A Critical Biography 
by Axel Clark.
Melbourne, 358 pp., £20, May 1980, 0 522 84182 1
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... again. His closeness to it was literary. Paris, the city of his modern heroes, he did not set foot in. It could be said that he wanted to be a big fish in a small pond. But his closeness to Australia was literary too. Even in those fragments which one would like to think of as representing his characteristic voice, there is not much specific about the ...

The Basic Couple

Benjamin Kunkel: Norman Rush, 24 October 2013

Subtle Bodies 
by Norman Rush.
Granta, 234 pp., £14.99, October 2013, 978 1 84708 780 5
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... of Rush’s reasonable and deliberative characters – she is venturing into the Kalahari on foot, with two donkeys, to investigate the experimental village Denoon has set up there. Tsau turns out to be a solar-powered refuge of some two hundred homesteads for poor, mainly spurned and elderly women, run on democratic and egalitarian lines, with only a ...

Atheist with a Wooden Leg

Edmund Gordon: Flannery O’Connor’s Judgments, 19 March 2026

Good Country People and Other Stories 
by Flannery O’Connor, edited by Lauren Groff.
Faber, 286 pp., £9.99, October 2025, 978 0 571 39633 7
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Flannery O’Connor’s ‘Why Do the Heathen Rage?’: A Behind the Scenes Look at a Work in Progress 
by Jessica Hooten Wilson.
Brazos, 192 pp., £19.99, March 2024, 978 1 58743 618 5
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... her’. The only snag is that General Sash isn’t actually a general: ‘He had probably been a foot soldier; he didn’t remember what he had been; in fact, he didn’t remember that war at all.’ He was given the uniform to wear at ‘the preemy’, where after being introduced to the crowd as General Tennessee Flintrock Sash of the Confederacy, he stood ...

Francis and Vanessa

Peter Campbell, 15 March 1984

Francis Bacon 
by Michel Leiris, translated by John Weightman.
Phaidon, 271 pp., £50, September 1983, 0 7148 2218 3
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Vanessa Bell 
by Frances Spalding.
Weidenfeld, 399 pp., £12.95, August 1983, 0 297 78162 6
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The Omega Workshops 
by Judith Collins.
Secker, 310 pp., £15.95, January 1984, 0 436 10562 4
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The Omega Workshops 1913-1919: Decorative Arts of Bloomsbury 
Crafts Council, 96 pp., £6.95, March 1984, 0 903798 72 7Show More
The Omega Workshops: Alliance and Enmity in English Art 1911-1920 
Anthony d’Offay Gallery, 80 pp., £4.95, February 1984, 0 947564 00 4Show More
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... disturb the eye and serve no useful purpose; carpets and rugs cry out from the floor to rebuke the foot that would tread upon them; and restless screens seem to topple under the weight of cramped Post-Impressionist landscapes that offer neither beauty nor illusion. The overall effect of the cases in the Crafts Council exhibition is not so far from this. The ...

Loose Canons

Edward Mendelson, 23 June 1988

History and Value: The Clarendon Lectures and the Northcliffe Lectures 1987 
by Frank Kermode.
Oxford, 160 pp., £15, June 1988, 0 19 812381 7
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Nya 
by Stephen Haggard and Frank Kermode.
Oxford, 475 pp., £5.95, June 1988, 0 19 282135 0
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British Writers of the Thirties 
by Valentine Cunningham.
Oxford, 530 pp., £30, February 1988, 0 19 212267 3
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... to sound serious but to sound serious at exactly the right time. He suspects them of impenitent foot-dragging. If they turn serious at all, they do so because the pressure of world events won’t let them wriggle out of it, although they do their best to try. Cunningham pounces triumphantly on any writer whose bad timing causes him to write about a serious ...

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