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Magnificent Pratfalls

Mike Jay: Ballooning’s Golden Age, 8 August 2013

Falling Upwards: How We Took to the Air 
by Richard Holmes.
William Collins, 404 pp., £25, April 2013, 978 0 00 738692 5
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... one in which the great scientific and literary figures are outnumbered by chancers, eccentrics and self-publicists, Holmes escapes the familiar Romantic canon and reveals the spirit of the age from fresh perspectives. If the story amounts to a chronicle of failures they are nonetheless unpredictable and sometimes delightful failures. An attempt at the altitude ...

Little was expected of Annie

Dinah Birch: The Story of an English Family, 19 October 2006

Faith, Duty and the Power of Mind: The Cloughs and Their Circle 1820-1960 
by Gillian Sutherland.
Cambridge, 262 pp., £40, March 2006, 0 521 86155 1
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... by her gender and class, persuaded her that she had found a vocation. Those who knew her as a self-effacing girl would have been astonished to learn that she became the first principal of Newnham College, Cambridge and a forceful figure in the gradual development of higher education for women. Sutherland’s book is mainly about her achievements, and ...

Don’t we all want to be happy?

Jonathan Coe: Satie against Solemnity, 14 August 2025

Erik Satie Three Piece Suite 
by Ian Penman.
Fitzcarraldo, 213 pp., £12.99, April, 978 1 80427 153 7
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... and developing its themes with time-consuming thoroughness and deliberation.Meanwhile, in Paris, a self-effacing young man of 22 – one of whose pieces of advice to composers would be to ‘keep it short’ – dashed off three miniature piano pieces, to which he gave the mysterious title Gymnopédies (it refers to a dance performed by naked young Spartan ...

The pleasure of not being there

Peter Brooks, 18 November 1993

Benjamin Constant: A Biography 
by Dennis Wood.
Routledge, 321 pp., £40, June 1993, 0 415 01937 0
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Isabelle de Charrière (Belle de Zuylen): A Biography 
by C.P Courtney.
Voltaire Foundation, 810 pp., £49, August 1993, 0 7294 0439 0
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... way necessary to his agitated soul. Years later Balzac would produce a telling portrait of the self-torturing romantic loves of George Sand, Franz Liszt and Marie d’Agoult in the (relatively little-read) novel, Béatrix. It’s hard to know who could have done justice to the upper-class intellectual-bohemian melodrama played out in and around Coppet ...

Unspeakability

John Lanchester, 6 October 1994

The Magician’s Doubts 
by Michael Wood.
Chatto, 252 pp., £18, August 1994, 0 7011 6197 3
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... the unmatchedly lively letters and journals, the funniest and most consistently readable extended self-portrait in the English language. Byron’s case, however, is exceptional. Perhaps no other project of authorial self-invention has been as successful – though there is a paradox here, because these ...

Tit for Tat

Margaret Anne Doody, 21 December 1989

Eighteenth-Century Women Poets: An Oxford Anthology 
edited by Roger Lonsdale.
Oxford, 555 pp., £20, September 1989, 0 19 811769 8
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... are at present under heavy philosophical battering, including the very idea of a stable inner ‘self’ and of a universally knowable ‘human nature’, and they deconstruct quite nicely under the Derridean wrecking ball. The Enlightenment was undoubtedly a mode of control, with its own orthodoxies. What needs to be emphasised at the moment, however, is ...

In the Gaudy Supermarket

Terry Eagleton: Gayatri Spivak, 13 May 1999

A Critique of Post-Colonial Reason: Toward a History of the Vanishing Present 
by Gayatri Chakravorty Spivak.
Harvard, 448 pp., £30.95, June 1999, 0 674 17763 0
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... the homespun, the rhetorical and the racy. One whiff of irony or humour would prove fatal to its self-regarding solemnity. In the course of this book, Spivak writes with great theoretical brilliance on Charlotte Brontë and Mary Shelley, Jean Rhys and Mahasweta Devi; but she pays almost no attention to their language, form or style. Like the old-fashioned ...

Mrs Stitch in Time

Clive James, 4 February 1982

Lady Diana Cooper 
by Philip Ziegler.
Hamish Hamilton, 336 pp., £9.95, September 1981, 0 241 10659 1
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... goes, the first volume of her autobiography, would be hard to better as a portrait of her young self or of any other bright young thing in that generation. As a writer she had energy, verbal invention, natural comic timing and a fastidious ear which would have ruled out the possibility of her ever using, as Mr Ziegler does, such a cloddish term as ...

The Poetry of John Ashbery

John Bayley, 2 September 1982

Shadow Train 
by John Ashbery.
Carcanet, 50 pp., £3.25, March 1982, 0 85635 424 4
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... Berryman and Lowell were the great contemporary narrators, compulsive tellers of stories about the self, and their style was sharply and wholly comprehensive, perfectly expressing what Berryman’s mentor R.P. Blackmur called ‘the matter in hand’, as well as ‘adding to the stock of available reality’. Such poetry invented the ...

Mailer’s Psychopath

Christopher Ricks, 6 March 1980

The Executioner’s Song 
by Norman Mailer.
Hutchinson, 1056 pp., £8.85, November 1979, 0 09 139540 2
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... is a fact of the matter, not the whole truth of it. Mailer here has better things to do with his self than to attend to it or upon it. You could call the book a feat of self-abnegation if the word ‘feat’ didn’t suggest a bravura. Gilmore, who had no self-control once he had decided ...

Animal Happiness

Brigid Brophy, 5 June 1980

Practical Ethics 
by Peter Singer.
Cambridge, 237 pp., £10, February 1980, 0 521 22920 0
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... namely, you. Ethics, however, Peter Singer begins his argument by declaring, transcends individual self-interests. Indeed, he locates the early stirrings of ethical thought in what he calls ‘the “Golden Rule” attributed to Moses’, which ‘tells us to go beyond our own personal interests and “do unto others as we would have them do unto ...

Names

Christopher Norris, 20 February 1986

Signéponge/Signsponge 
by Jacques Derrida, translated by Richard Rand.
Columbia, 160 pp., $20, March 1984, 0 231 05446 7
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... unremarked by Anglo-American opponents who assume that no Frenchman has ever paid attention to a self-respecting ‘logical’ argument.) The operative concept is that which distinguishes ‘proper’ from ‘common’ names, the former marked out by the fact that they refer directly to some unique individual (person, object or event). With common names, on ...

Seven Centuries Too Late

Barbara Newman: Popes in Hell, 15 July 2021

Dante’s Bones: How a Poet Invented Italy 
by Guy Raffa.
Harvard, 370 pp., £28.95, May 2020, 978 0 674 98083 9
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Poetry in Dialogue in the Duecento and Dante 
by David Bowe.
Oxford, 225 pp., £60, November 2020, 978 0 19 884957 5
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Dante’s Christian Ethics: Purgatory and Its Moral Contexts 
by George Corbett.
Cambridge, 233 pp., £75, March 2020, 978 1 108 48941 6
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Why Dante Matters: An Intelligent Person’s Guide 
by John Took.
Bloomsbury, 207 pp., £20, October 2020, 978 1 4729 5103 8
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Dante, Petrarch, Boccaccio: Literature, Doctrine, Reality 
by Zygmunt Barański.
Legenda, 658 pp., £75, February 2020, 978 1 78188 879 7
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... lady he cherished on Earth.Throughout his life, Dante engaged in an audacious project of self-exegesis and self-correction. The Vita Nuova anthologises his earlier lyrics and frames them in a prose narrative that supplies formal criticism as well as autobiographical context. It also reveals Dante’s deep ...

A Bit Like Gulliver

Stephanie Burt: Seamus Heaney’s Seamus Heaney, 11 June 2009

Stepping Stones: Interviews with Seamus Heaney 
by Dennis O’Driscoll.
Faber, 524 pp., £22.50, November 2008, 978 0 571 24252 8
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The Cambridge Companion to Seamus Heaney 
edited by Bernard O’Donoghue.
Cambridge, 239 pp., £45, December 2008, 978 0 521 54755 0
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... at St Columb’s. Hopkins’s ‘whole theology of suffering’, his determined enunciations of self-denial, also echoed Heaney’s ‘mother’s situation … doomed to biology, a regime without birth control, nothing but parturition and potato-peeling’, ‘toiling on in the faith that a reward was … in heaven’.The religious sensibility that led ...

Elsinore’s Star Bullshitter

Michael Dobson, 13 September 2018

Hamlet and the Vision of Darkness 
by Rhodri Lewis.
Princeton, 365 pp., £30, November 2017, 978 0 691 16684 1
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... theatre built on a similar brutalist scale to the National in London but with less of its self-effacing eagerness to fit in. Or rather I saw Hamlet not in the Ivan Franko Music and Drama Theatre but under it. The theatre’s ambitious artistic director, Rostislav Derzhypilsky, had discovered that beneath the public areas of the building there was a ...

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