And That Rug!

Michael Dobson: Images of Shakespeare, 6 November 2003

Shakespeare’s Face: The Story behind the Newly Discovered Portrait 
by Stephanie Nolen.
Piatkus, 365 pp., £18.99, March 2003, 0 7499 2391 1
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Imagining Shakespeare: A History of Texts and Visions 
by Stephen Orgel.
Palgrave, 172 pp., £25, August 2003, 1 4039 1177 0
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Shakespeare in Art 
by Jane Martineau et al.
Merrell, 256 pp., £29.95, September 2003, 1 85894 229 2
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In Search of Shakespeare 
by Michael Wood.
BBC, 352 pp., £20, May 2003, 9780563534778
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... You’d have thought that by now his publicity people would have come up with something a little more attractive.Martin Amis, MoneyWell, they keep trying. Look here upon this picture, and on this. Both are unsigned 17th-century portraits, one depicting a man, the other a child. The man is an affable-looking chap, reminiscent of Phil Hopkins, a percussionist ...

Frisking the Bishops

Ferdinand Mount: Poor Henry, 21 September 2023

Henry III: Reform, Rebellion, Civil War, Settlement 1258-72 
by David Carpenter.
Yale, 711 pp., £30, May, 978 0 300 24805 0
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Henry III: The Rise to Power and Personal Rule 1207-58 
by David Carpenter.
Yale, 763 pp., £30, October 2021, 978 0 300 25919 3
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... Henry’s reign, surfacing for example in the warning from the mayor of London, the redoubtable Thomas fitzThomas, at St Paul’s in 1265: ‘As long as you wish to be a good king and lord to us, we will be faithful and devoted to you.’After this unpromising start – a civil war in which the barons only narrowly opted in the end for the child Henry ...

Stewed, roasted, baked or boiled

Claude Rawson, 6 August 1992

The Intelligencer 
by Jonathan Swift and Thomas Sheridan, edited by James Woolley.
Oxford, 363 pp., £50, March 1992, 0 19 812670 0
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Jonathan Swift: A Literary Life 
by Joseph McMinn.
Macmillan, 172 pp., £35, May 1991, 9780333485842
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... The Intelligencer was a periodical mainly but not exclusively of Irish interest. It ran to 19 more or less weekly numbers between May and December 1728, with a longish interruption in the summer, and a single further number in May 1729. It was written by Jonathan Swift and his friend Thomas Sheridan, a clergyman, schoolteacher and man of letters, and grandfather of the playwright ...

The Saudi Lie

Madawi Al-Rasheed, 21 March 2019

... most esteemed foreign reporters and analysts, including David Ignatius of the Washington Post and Thomas Friedman of the New York Times. But then, on 2 October last year, the journalist Jamal Khashoggi was murdered in the Saudi consulate in Istanbul and dismembered with a bone saw, causing outrage in the West. Even then, MBS’s biggest fans continued to ...

Collective Property, Private Control

Laleh Khalili: Defence Tech, 5 June 2025

The Technological Republic: Hard Power, Soft Belief and the Future of the West 
by Alexander C. Karp and Nicholas W. Zamiska.
Bodley Head, 295 pp., £25, February, 978 2 84792 852 5
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Unit X: How the Pentagon and Silicon Valley Are Transforming the Future of War 
by Raj M. Shah and Christopher Kirchhoff.
Scribner, 319 pp., £20, August 2024, 978 1 6680 3138 4
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... and describes himself as a ‘socialist’ (his socialism may need some sort of qualifier). He is, more than anything else, a consummate salesman. He appears on Palantir’s earnings calls dressed in standard-issue white T-shirts and with a quasi-punk haircut. He rattles off quarterly earnings and throws out jargon like ‘ontology’ and ‘user-centred ...

Short Cuts

John Lanchester: The demise of Woolworths, 29 January 2009

... head always wishes that someone was making the counter-argument against a thriving car industry. Thomas Friedman recently said in the New York Times that the Detroit bail-out was ‘the equivalent of pouring billions of dollars of taxpayer money into the mail-order-catalogue business on the eve of the birth of eBay’. There’s something in that; when I ...

Lachrymatics

Ferdinand Mount: British Weeping, 17 December 2015

Weeping Britannia: Portrait of a Nation in Tears 
by Thomas Dixon.
Oxford, 438 pp., £25, September 2015, 978 0 19 967605 7
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... in his blue-bloodshot eyes as he read his favourite poems to us. John Dowland’s ‘Weep you no more, sad fountains’ was a favourite. Another was Christina Rossetti’s ‘When I am dead, my dearest, sing no sad songs for me’. Both injunctions not to cry made us cry too, as such injunctions do, the admonishment of the dying Socrates to his support team ...

Wilderness of Tigers

Michael Neill: Shakespeare’s Latin, 19 March 2015

Shakespeare and Classical Antiquity 
by Colin Burrow.
Oxford, 281 pp., £16.99, September 2013, 978 0 19 968479 3
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... education was essentially an inheritance from the curriculum of Tudor grammar schools; after more than four centuries it came to seem part of the natural order of things – an ornament of gentlemanly education which served to mark and reinforce class privilege. In Shakespeare’s day, however, study of the classics was a pragmatic ...

Insouciance

Gordon A. Craig, 17 July 1997

Ernst Jünger and Germany: Into the Abyss, 1914-45 
by Thomas Nevin.
Constable, 280 pp., £20, January 1997, 0 09 474560 9
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... the Weimar period and his service under Hitler may have seen in Venator a defiant self-portrait. Thomas Nevin, in what might be an oblique reference to the passage, reminds them that there is a difference between literature and politics and that ‘the Autor, the anarch, is a Rousseauist construct, safeguard of an egoism that takes itself as the only ...

When in Bed

David Blackbourn, 19 October 1995

Reflections on a Life 
by Norbert Elias.
Polity, 166 pp., £35, October 1994, 0 7456 1383 7
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The Civilising Process 
by Norbert Elias.
Blackwell, 558 pp., £50, March 1994, 0 631 19222 0
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... from European governments. Far from basking in this acclaim, Elias stepped up his output, writing more books in his eighties than in all his previous decades put together. He also acquired disciples, especially in the Netherlands and Germany, who tended the flame after 1990 by issuing unfinished fragments and materials, such as Reflections on a Life. This ...

Rub gently out with stale bread

Adam Smyth: The Print Craze, 2 November 2017

The Print Before Photography: An Introduction to European Printmaking 1550-1820 
by Antony Griffiths.
British Museum, 560 pp., £60, August 2016, 978 0 7141 2695 1
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... Parshall’s The Renaissance Print 1470-1550 (1994) did for an earlier period: 31 chapters, with more than three hundred illustrations, which constitute a riveting anatomy of the technical production of plates and their images, the mechanisms of distribution and circulation, and the habits of consumption, use and preservation. For all his cautious ...

Diary

Eric Hobsbawm: Memories of Weimar, 24 January 2008

... daytime cafés full of men in trilbys like my uncle were the habitat of Berlin teenagers. We were more likely to think of boats on the Wannsee, a place not yet associated with planned genocide. It is hard to remember, though Hitler made it the staple of his rhetoric in the ironic plethora of voting that took place in its last year, that the republic lasted ...

Wagner’s Fluids

Susan Sontag, 10 December 1987

... is a positive version, appears in Parsifal with both the negativity and the eroticism made far more explicit. The person who flies in, early in Act One, bearing a vial of medicinal balm for the stricken king – it can relieve but not cure him – is the same person who caused the king’s wound. Wagner makes Kundry systematically dual: in her service ...

What Europeans Talk about when They Talk about Brexit

LRB Contributors: On Brexit, 3 January 2019

... denunciations, and yet things are no further advanced than the day after the referendum. I found more preparation for Brexit on Zeebrugge port’s website than I’ve seen, read or heard from British politicians or (most of) the media. Zeebrugge will be ‘entirely Brexit-proof’, the port authority says. The view from Belgium is that the only place that ...

Negative Honeymoon

Joanna Biggs: Gwendoline Riley, 16 August 2007

Joshua Spassky 
by Gwendoline Riley.
Cape, 164 pp., £11.99, May 2007, 978 0 224 07699 9
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... comes only thirty pages before the novel’s end. And of their first meeting we are not told much more than that Joshua had been ominously introduced by a friend as ‘the man himself’. Riley is interested in a lot of things – looking closely, remembering, restraint – but is most interested in telling an old story in a new way. She tries out several ...