Search Results

“... barefoot or otherwise. I then went to see K. B. McFarlane. My special subject in Schools was Richard II so I had been to McFarlane’s lectures on the Lollard Knights; I also had a copy of some notes on his 1953 Ford Lectures that was passed down from year to year in Exeter. I knew of his austere reputation and of his reluctance to publish from David ...”

“... Schurman began her Latin tract on Women’s Aptitude for Knowledge and Higher Learning (or, as the English translation subtitled it ‘Whether a Maid may be a Scholar?’) of 1641 by acknowledging that ‘few are fortunate to have parents who either want or are able to educate them themselves.’ On his deathbed, Van Schurman’s father, her first ...”

“... and Memoirs – had covers easily recognisable as ‘SF art’. The jackets were designed by Richard Powers, whose unmistakable paintings were usually found on Ballantine mass-market paperbacks by Isaac Asimov, Frederik Pohl, Clifford Simak and others. Powers’s designs screamed of the ‘paraliterary’, of druggy, trippy, sci-fi – just the boy’s ...”

“... of ‘crimes against taste’. David Lodge made him a twee subject of nostalgic research for the English hero of Small World, Philip Swallow, hopelessly outgunned by the vulgar but irresistible American, Morris Zapp. Lodge had got his significant detail wrong – Swallow should be a scholar of Charles Lamb (the ‘gentle-hearted’) – but the broad ...”

“... Stanford University, I was given the chance to spend a year in the Creative Writing Program in the English Department. I was not at all convinced that creative writing could be taught in the classroom, but I felt I could do with a year’s time to think and write. For two afternoons each week I and about ten of my fellow students would gather for two hours in ...”

“... point here: The term ‘outsider art’ was coined by the art critic Roger Cardinal in 1972 as an English synonym for ‘art brut’ (‘raw art’ or ‘rough art’), a label created by the French artist Jean Dubuffet to describe art created outside the boundaries of official culture; Dubuffet focused particularly on art by insane-asylum inmates. While ...”

“... is. And how far from being resolved, or even fully articulated. Henry Louis Gates, professor of English and chairman of Afro-American Studies at Harvard, has been one of the most articulate commentators on the subject. His first scholarly interest was the recovery and editing of ‘lost’ and ignored texts, primarily slave narratives. By way of his ...”

“... in some ways rather proper, had a taste for the risqué: his literary adviser in the early days, Richard Le Gallienne, poetaster, philanderer and drinker, had an instinct for the mood of the times. The Bodley Head rapidly became a succès de scandale as well as modestly profitable for some years. Aubrey Beardsley and Charles Ricketts were among the ...”

“... with a knife. The boys turned and ran back outside.   ‘Are you well?’ the man asked in English. Mona flies back to Albuquerque, and goes straight from the airport to the trailer where her husband has been waiting for her. He sat on the edge of the bed. On the table his outfit was ready and waiting. ‘Let me see it.’ I handed him the ...”

“... to wobble somewhat as to the chops.)’ To this and other tips and observations the long-suffering Richard Ryder replied, poker-penned: ‘The contents of your correspondence have been carefully noted,’ and – doubts obviously stirring – returned Henry’s usual enclosure of £1 ‘with best wishes as always’. The Further Letters of Henry Root, in other ...”

“... of the right and proper use of character stereotypes, and of Mayhem Parva, her own special English village fantasy with its definitions of the middle class under pressure. While not caring for some of her attitudes, he seems right to respect ‘the typically Christiean lack of compassion’. Uncondescending and highly perceptive, it’s the first book ...”

“... on which the artist feasted for a fortnight. Spencer’s enthusiasm for garbage is not unique in English art. According to Ruskin, Turner ‘not only could endure, but enjoyed and looked for litter, like Covent Garden wreck after the market’. His pictures are ‘often full of it, from side to side’ and he ‘delights in shingle, débris, and heaps of ...”

“... in 1764. Woodcut illustrations, scanty before the 19th century, can be found as early as 1681 in Richard Burton’s Historical Remarques. The great age of the London guidebook began, however, in the middle of the 19th century, as David Webb has shown in the London Journal (1980, No 2). One important development illustrates nicely that odd relationship ...”

“... siuzhet,’ Belknap continues, ‘is more Rabelaisian: the first ten words in the English translation produce an expectation of prating piety. The last two words frustrate that expectation.’ That’s putting it mildly. One could write another short book about the literary effects hiding in the word ‘frustrate’. Belknap puts in a good ...”

“... the seventh magic bullet and literally all Hell breaks loose. The playbill for a production at the English Opera House makes no mention of the music, which must have been inaudible, promising instead a ‘Storm and Hurricane’ during which ‘the Daemon of the Hartz Mountains appears, the Rattle of Wheels and the Tramp of Horses are Heard.’ The mounting ...”