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“... the centre of attention. But it is a curious phenomenon even so: hundreds of people transfixed by the presence of an artist whose appearance is as distinct and as recognisable as his work. Self-portrait by Annibale Carracci (c.1575) Portrait of the Artist, an exhibition at the Queen’s Gallery (until 17 ...”

“... claims in his biographical account of Verrocchio, and it makes perfect sense. Indeed, it may be the only way to explain the two paintings in the National Gallery that have long been associated with Verrocchio. ‘Tobias and the Angel’ (c.1470). Tobias and the Angel (c.1470) may be an appealing composition, but it ...”

“... Until this week I had read no work written by G.M. Trevelyan since my schooldays. No Cambridge supervisor that I can recall ever recommended any of his books, and I have certainly never prescribed them to my own students. Like most people, I knew – or thought I knew – that he had defined social history as ‘history with the politics left out’, and that he was one of the chief stuffed carcasses in the mausoleum of Whig history ...”

“... Guest’s starting-point is Donald Davie’s suggestion in 1958 that Christopher Smart might be considered ‘the greatest poet between Pope and Wordsworth’. Her intelligent and carefully argued book does not deliver quite the far-reaching reassessment of Smart’s status Davie must have had in mind. He wanted Smart to ...”

“... spewing. Just so you know. Humble Pie Various flavours recite us. Meanwhile the inevitable Caspar David Friedrich painting of a ship pointing somehow upward has slipped in like fog, surrounding us with vowels of regret for the things we did not do rising like a great shout above the rain barrel. I was going to say I kissed you once when you were asleep, and ...”

“... Thomas projected a trilogy and a quartet. In the event, ‘Russian Nights’ has turned out to be five novels long. Five novels too long, some might say. Thomas admits in his preface that ‘I kept changing my mind about whether the work was finished. I should have realised that an author does not decide this; the work itself decides, ...”

“... which a poet with a nostalgia for those times past, when poets could write in the grand manner all by themselves, can still contribute, provided he will take the pains to learn the métier and is lucky enough to find a composer he can believe in’. Paul Muldoon, who ranks with Auden as a poet for whom the intricacies of verse and rhyme are endless and ...”

“... In the Thirties and early Forties the English poet David Gascoyne was much enamoured of the Continental, Late Romantic image of writing and of the writer as a visionary misfit. By the end of the Thirties, his place in the great Euro-Visionary Song Contest was almost secured. He confessed his ambition in his Journals in 1938: Want to write an essay on ‘The Apotheosis of Lautréamont ...”

“... of the performing arts in the Western world, imperiously consuming resources and insisting that it be kept properly dusted and aired. Its pretensions have not been reduced by the exigencies of Modernism, by media technology, or by the brutalities of ...”

“... sophisticated, ambitious, self-doubting, hungry for experience, politically engaged, and racked by despair. Born into the comfortable if emotionally suffocating world of the Austro-Hungarian Jewish bourgeoisie, he saw the world of his childhood destroyed, and was never again able to find a place in which to belong. As ...”

“... Their Word or Ours?’ (the most original contribution to the volume edited by David Childs), the term ‘Eurocommunism’ constitutes in the first place a resource in the ideological repertoire of certain commentators who are vehemently opposed to the arrival in power, for purposes of serious social transformation, of any Communist ...”

“... It would seem improper to begin a review of a biography by considering whether its subject was better described as ‘fair of face’ or‘ill-favoured’ if the subject were not Christina Stead (1902-83) and the question had not figured so importantly in her conception of herself. The pictorial evidence is contradictory; but it appears that as a young woman she had good features, a fine, keen, intelligent face, somewhat spoiled by prominent front teeth, which were removed when she was 40 ...”

“... poems, letters, plays, travel writings and literary/philosophical ‘pollyanalytics’, most by now the fodder for countless critical treatises, and even apart from his still oddly scandalous paintings at which, David Ellis reports, 13,000 visitors to London’s Warren Gallery gawked in the early summer of 1929, he was ...”

“... Bible (KJB) sits on my desk as I write: a satisfying artefact in its chocolate livery enriched by opulently gilded top, tail and fore edges, with stout chocolate slipcase to match, impressive in its folio bulk, though not nearly as bulky as the originals of 1611, which needed a sturdy lectern to bear them, announcing their presence with a swagger equal to ...”

“... There are two major problems with contemporary British society, according to David Goodhart in The British Dream, and both are primarily caused by immigration. The first problem is economic: the plight of the white working class, especially the young, and the decline of social mobility ...”