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Bardbiz

Terence Hawkes, 22 February 1990

Rebuilding Shakespeare’s Globe 
by Andrew Gurr and John Orrell.
Weidenfeld, 197 pp., £15.95, April 1989, 0 297 79346 2
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Shakespeare and the Popular Voice 
by Annabel Patterson.
Blackwell, 195 pp., £27.50, November 1989, 0 631 16873 7
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Re-Inventing Shakespeare: A Cultural History from the Restoration to the Present 
by Gary Taylor.
Hogarth, 461 pp., £18, January 1990, 0 7012 0888 0
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Shakespeare’s America, America’s Shakespeare 
by Michael Bristol.
Routledge, 237 pp., £30, January 1990, 0 415 01538 3
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... in any case to engage in a Jacobean cultural practice which had its own oppositional ‘grain’. Hobbes himself warned that ‘they that live under a Monarch conceive an opinion that the Subjects in a Popular Commonwealth enjoy Liberty; but that in a Monarchy they are all Slaves.’ But this fails to account for the clout of the plebeian’s case, its ...

I want to love it

Susan Pedersen: What on earth was he doing?, 18 April 2019

Eric Hobsbawm: A Life in History 
by Richard J. Evans.
Little, Brown, 800 pp., £35, February 2019, 978 1 4087 0741 8
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... Romantics. He read Cicero and Virgil, Gibbon and Congreve, Goethe and Nestroy, Machiavelli and Hobbes, Gerard Manley Hopkins and Thomas Hardy, Mikhail Sholokhov and T.E. Lawrence, Baudelaire and Rimbaud, F.R. and Q.D. Leavis, Elizabeth Bowen and Virginia Woolf – this is just a small sampling. Basically, he read his way ...
... this is freedom as power, action unimpeded, in particular, by other people. Some thinkers, such as Hobbes and, some of the time, John Stuart Mill, think that this is the conception of freedom, and that it contains all that one knows or needs to know about its value. But this is to identify the seed and the plant, or the rhythm and the dance; it does not get us ...

Cute, My Arse

Seamus Perry: Geoffrey Hill, 12 September 2019

The Book of Baruch by the Gnostic Justin 
by Geoffrey Hill.
Oxford, 148 pp., £20, April 2019, 978 0 19 882952 2
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... don’t see why not.’ So while​ this is certainly a ‘literature of power’, in the terms of Thomas De Quincey, it is also ‘a literature of knowledge’. You either will or won’t recognise the references to Brueghel’s painting Dulle Griet, say, or Holbein’s Dance of Death, or Brecht’s 1940 radio play The Trial of Lucullus, or John Arthos’s ...

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