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“... by a man obsessed with time. Jonathan Richardson (1667-1745), the son of a London silk weaver, rose to prominence in the early decades of the 18th century as England’s leading art theorist and portraitist. Abandoning a career as a scrivener, he went on to paint writers (Pope, Steele, Prior), aristocrats (the Marquess of Rockingham, Lady Mary Wortley ...”

“... the medieval historian Bruce McFarlane, would be much exercised by the discovery of the body of Richard III, though there would be some mild satisfaction in finding the king exactly where the sources said he was. McFarlane wouldn’t have thought the body particularly informative as compared with the real stuff of history, some of the ex-duke of York’s ...”

“... The other, less flattering image comes from the gathering in the Queen’s Gallery to hear Richard von Weisaecker make an address. The President of West Germany, speaking a crystalline, virtually unaccented English, spoke for about half an hour with restraint, wisdom and the quiet earnest of a man gravely engaged upon serious things. He had been ...”

“... of pure doctrine left or remaining, this aforesaid Wickliff, by God’s providence, sprang and rose up, through whom the Lord would first waken and raise up again the world.’ Wyclif the morning star, Wyclif aka John the Baptist, Wyclif the proto-Protestant. For his 19th-century editor, a German schoolteacher called Rudolf Buddensieg, Wyclif was ‘the ...”

“... both tedious and dangerous. Sir Thomas Wyatt was born in 1503, high and close to the throne, and rose higher and closer. He was the eldest son of Sir Henry Wyatt, who had been a courtier and soldier, a privy counsellor and a bureaucrat of the old school. Henry had remained loyal to Henry Tudor throughout Richard III’s ...”

“... distinguished her from every other celebrity he had ever met. Most simply, however high her star rose, Monroe never let go of her roots. ‘I would have never thought that our ordinary lives would have interested someone like her but they did,’ Lena Pepitone, her personal maid in the last years of her life, said in Marilyn Monroe – Confidential, written ...”

“... a Mistress Greffine or Griffin, and among its frequent guests was a Stratford businessman called Richard Quiney. From here, on 25 October 1598, Quiney wrote a short letter addressed on the verso ‘To my Loveinge good ffrend & contreymann Mr Wm Shackespere’ – the only item of Shakespeare’s correspondence to survive. It is a request for a loan of ...”

“... not written into any contract: self-respect, stability, social standing. Work is ‘a road’, as Richard Sennett once wrote, ‘to the unification of the self’. Except that it doesn’t usually end up like that, which is the reason the next page of the Guardian has Jeremy Bullmore, a sage and doleful-looking ‘agony uncle’, fielding people’s problems ...”

“... As Michael Hattaway reminds us in his eloquent new study of Elizabethan Popular Theatre, the Rose, the Curtain, the Globe and the rest did not define the drama that they housed. Far more important than the ‘wooden O’ and ‘cockpit’ were those shared attitudes to language and illusion, spectacle and narrative that generations of actors and ...”

“... to the Turks, who were often denounced for degeneracy – swords, slippers and sexual excess, as Richard Cobden put it – the Arabs were often admired for manly simplicity. David Urquhart, secretary at the embassy in Constantinople, wrote that Islam was not a false religion to be ridiculed: it taught no new dogmas, propounded no fanciful revelation and ...”

“... Richard Florida​ has been having second thoughts. In 2002 he argued in The Rise of the Creative Class that the future of advanced economies lay not in manufacturing but in high-skilled areas of the service sector: engineering, design, fashion, media, finance, medicine and law. The industrial revolution had largely originated in cities, but in the 20th century, industry started to move away from them ...”

“... loss to anthropology proper, however much of a loss it might be to humanity in general. Turnbull rose to popular fame (and fortune) with his work on the gentle Mbuti and the abominable Ik, and Peter Brook added to his fame with the theatrical version of the latter (Les Iks, to be exact). Anthropologists were tolerant of The Forest People (1961) despite its ...”

“... He knew not what to do – something, he felt, must be done – he rose, drew his writing-desk before him – sate down, took the pen – – found that he knew not what to do. Fond readers who dream of the poems Keats might have written had he lived past 25 and speculate about what works died with Shelley at 29, humane readers who deplore tuberculosis and drowning (together with rheumatic fever, arsenic and other wasters of Romantic genius), entertain a different and darker regret when they turn their attention to Coleridge, wishing, not that he had lived longer, but that he had died sooner ...”

“... to a particular artist based on its ‘general impression’, as though the essence of Botticelli rose off the surface like a scent. Morelli proposed a more robust methodology. What mattered was examining the forms within a painting, the peculiar way each artist configured human anatomy or drapery or haloes. ‘The only true record for the connoisseur is the ...”

“... member of a big, effective clan bears out pretty well the sense implicit in her lightning sketch. Richard Perceval is the son of John, Robert’s youngest brother, who was also snubbed, patronised and cold-shouldered. Richard Perceval has written excellent studies, admirably researched, of A.E. Housman and of the Powys ...”