Search Results

“... later centuries. Tragically, a painting often has to shed its frame to retain its lovers. Kenneth Clark, seeking to persuade the Trustees of the National Gallery to purchase Ingres’s portrait of Madame Moitessier, had it removed from the florid gilt composition frame which the artist had probably selected (and possibly even designed) for it, fearing it ...”

“... his excellent introduction to the poem, published for the first time in 2015 by the Perdika Press, Peter Robinson suggests that to issue such a piece in the homophobic 1950s might well have proved ‘controversial’. The homoerotic charge Ashbery detected in Prince’s early poems is often what makes their Yeatsian rhetoric suddenly catch fire, driving the ...”

“... second time I saw him must have been a few years later at the Mermaid Theatre at a performance of Peter Luke’s play Hadrian VII with Alec McCowen. Then it was his characteristic walk that I noticed: he tripped down the aisle after the designer, Gladys Calthrop, his hands, fingers pressed together, half slipped into his trouser pockets ...”

“... true that some modern art has imitated the primitive energy, the folk spells, of graffiti. Peter Fuller’s Modern Painters, a quarterly ‘journal of the fine arts’, launched last spring, challenges many of the fashionable practices and assumptions which I have just reviewed. At first, its opponents in the art world said it wouldn’t last, then ...”

“... the Drop of a Brick’, a reference to Flanders and Swann’s At the Drop of a Hat and Peter Cook’s suggestion that we call it ‘Quite the best revue I’ve seen for some time. Bernard Levin’, the point being that whatever the notices this could go up at the front of house.27 January. A woman writes to me saying that having read a piece I’d ...”

“... serves as a metaphor for what has broken the quintessential female (Marilyn Monroe) and male (Clark Gable) – who ultimately set free the horses they have caught. It has been suggested that the ripper might be projecting onto horses the impulses that drove Jack the Ripper (or the Yorkshire Ripper) to rape women. But horses aren’t women – or are ...”

“... turn of Joan Littlewood at Stratford East and George Devine at the Royal Court. In recent years, Peter Brook has taken up the baton in Stratford and in Paris. All of them demonstrated, implicitly or explicitly, that the theatre is an art, a forum, a faith, something to be fought for. At the Royal Court George Devine instilled a system of values that gave the ...”

“... will be curable in the context of our boundless longevity?When do you stop being who you are?For Peter Pan, death was an awfully big adventure. For Saul Bellow, it was the black backing on the mirror that allows us to see anything at all.‘Nothing good ever really dies,’ a middle-aged man told me in the drinks queue at Abba Voyage in Stratford. ‘It just ...”

“... the extraordinary band of young artists, architects and critics (including Richard Hamilton, Peter and Alison Smithson, and Lawrence Alloway, among others) who developed, from within the Modernist Institute of Contemporary Art, a Pop sensibility of their own. His revised dissertation, Theory and Design in the First Machine Age, made his scholarly ...”

“... 13 January. One of Peter Cook’s jokes, several times quoted in his obituaries, is of two men chatting. ‘I’m writing a novel,’ says one, whereupon the other says: ‘Yes, neither am I.’ And of course it’s funny and has a point, except that Peter, I suspect, felt that this disposed of the matter entirely ...”

“... of a Blooming Fresh countenance that Officers have on leaving the Home Station,’ Lieutenant Peter Le Mesurier wrote to his sisters, ‘they return with a Tanny, Emaciated face, some wanting legs, others Arms & Eyes, &c, &c.’ In India, meanwhile, the slim chance of survival made marriage seem a distant dream. Some men had relationships with local ...”

“... room.’ It’s one of the great historical putdowns: the patrician Whig punchline to Kenneth Clark’s scrutiny of Counter-Reformation art and architecture in his incomparable TV series Civilisation, before he turns from the camera and walks away down the considerable length of the Map Room in the Vatican, an Englishman abroad. His stroll is accompanied ...”

“... and ‘Effect of music on’. She also has an ear for language and quotes judiciously. Thomas Clark, the proprietor of a menagerie in Exeter Change in London, had an Indian rhinoceros in 1790 which was extraordinarily docile and had a temperament ‘equal to that of a tolerably tractable pig’. It liked to drink sweet wine and would bleat like a calf ...”

“... as he looks.’ In that mode of feline understatement, nothing can overtake the words of Kenneth Clark (who was all eyes), that ‘Cyril was not conventionally handsome.’ The crayon sketch of Connolly on the jacket, by Augustus John, is no oil painting. But what might make us reluctant to spring to Connolly’s defence is that he said the same sort of ...”