Search Results

“... bedroom and see some of his books: Wordsworth (whom he has already mentioned in the car), David Foster Wallace and Pauline Kael, both of whom feature later in the film. But interesting isn’t quite the word for Lucy’s finding in one of Jake’s books – Rotten Perfect Mouth (2015) by Eva H.D. – a poem we heard her recite to Jake as one of her ...”

“... 155 east-west streets drawn on open land in 1807. The grid was a piece of real estate speculation (John Jacob Astor made his fortune not by trading furs, as American folklore has it, but by buying up blocks as the city pushed north); nevertheless, Koolhaas calls it, with Corbusierian hyperbole, ‘the most courageous act of prediction in Western ...”

“... and POMO lapsed into obscurity, until a strange thing, a kind of historical rhyme, occurred. Elton John bought Watford Football Club and appointed the energetic Graham Taylor as manager. Taylor, looking for a way of fulfilling his boss’s ambition of making Watford into a First Division team, came across a statistical survey which showed that the majority of ...”

“... New York Sun ran a sensational scoop: the ‘Great Astronomical Discoveries, Lately Made by Sir John Herschel, L.L.D., F.R.S., &c, at the Cape of Good Hope’. Herschel – former president of the Royal Astronomical Society and son of William Herschel, the discoverer of Uranus – had sailed from Britain to South Africa two years before with a giant ...”

“... Their artistic and romantic partnership would last until 1961; the company they kept included John Cage and Merce Cunningham. In this heady atmosphere, Johns chose, in autumn 1954, to destroy all his prior work, and to begin the paintings that made his name when they were shown four years later: flags, targets and numbers crafted in encaustic (pigment ...”

“... motorways which currently criss-cross pastoral England. One would have to go back to the days of John Buchan to find an English fictional hero capable of squeezing so much fun out of driving a car. Should Cullen blow the gaff on Lord Moggerhanger’s exploits? And could the British social fabric survive their exposure? Life goes on has a plot which hinges on ...”

“... enjoying his well-told story as an adventure yarn, a mystery. His narrator, John Baltasar, is an American journalist of Dutch descent. Travelling in Spain, during Franco’s regime, he got involved with terrorists, the Basque nationalist movement, and he feels guilty that he was too frightened to help them. Spain preys on his mind in ...”

“... engineers – under the pressure of extraordinary circumstances are compelled to act like heroes. John le Carré once called him ‘the source on which we all draw’. Alan Furst has been drawing on him for nearly twenty years: ‘The first paragraph of Kingdom of Shadows is a direct citation of Eric Ambler,’ he told an interviewer when that novel came out ...”

“... that it addresses is itself antinomic. After contrasting Matisse with artists as different as John Heartfield and Andy Warhol, Clark concludes: ‘The choice, however, is a false one. For it seems to be the very nature of the 20th century that it invites, in a sense prescribes, entirely opposite and contradictory art tactics in face of its ...”

“... David Foster Wallace’s parents, Sally and Jim, were the sort of couple who read each other Ulysses in bed while holding hands. Jim read David and his younger sister Amy Moby-Dick as a bedtime story. It wasn’t inevitable that the boy would grow up to write an epic novel, but it wasn’t accidental. Jim was a philosophy professor at the University of Illinois; Sally taught English at a community college, and at home with her children was what her son in his fiction would term a ‘militant grammarian’, constantly monitoring their usage and syntax, turning it into a game ...”

“... gratifying that people die while watching it, round and round for ever, in an endless loop. David Foster Wallace always had trouble finishing his novels. And yet he put in this one a thought so absorbing and delightful that you could easily imagine yourself, like the rat in the experiment, pressing the lever over and over. ‘Thousands of times an hour,’ as ...”

“... mundane infrastructure becomes poetry. They aren’t as majestic as great masonry multi-spans like John Rennie’s Waterloo Bridge (with its demolition in the 1930s the Thames lost its finest crossing), or as Promethean in their ambitions as the great American suspension bridges, but the low curves of Maillart’s spans manage to look as if, for once, an ...”

“... sex, on the one hand, and adoration, tenderness or sacrifice, on the other: and the same desire to foster a comparable pattern of life among a few close friends. Butler was greatly agitated if he thought that his beloved Henry Festing Jones (who incidentally shared his weekly woman) might be contemplating marriage, and he had similar fears about his previous ...”

“... authority of the ‘Wizards’ – masters and architects of the game. The more democratic MOOs foster role-playing of an exploratory kind. The environment of the MOO is an infinitely extendable constellation of ‘rooms’ and conversazioni. Two variants have proved successful. With social MOOs you can hang out, develop your assumed character and interact ...”

“... In A Good Place to Die, they describe the state of mind of its narrator, a young Englishman named John Pitt, as he stares into an antique photograph, straining to make out words contained in a frame depicted within it. ‘I am drawn into that silver frame within a frame,’ John reports, ‘am cast back and forth between ...”