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“... Marginalia can sometimes seem the best way into a writer’s head. Those, like Blake and Coleridge, who could not help scribbling in the margins of what they were reading let us imagine their thoughts just as they spring into life. Inspiration and irritation can appear equally raw. If you want to catch sight of Alexander Pope in the hatching of his satire, and you have a British Library reader’s card, you can call up item C ...”

“... wrote, poetry makes nothing happen, then the poetry anthology has no such self-effacing qualms. Blake Morrison and Andrew Motion knew this, as did the predecessor they were tussling with, A. Alvarez’s The New Poetry (which was tussling with its predecessor, Robert Conquest’s New Lines). ‘This anthology,’ they wrote in their preface to the Penguin ...”

“... part of his case. For McGregor, in several articles, has himself developed the argument that George Fox and others used the odium of Ranterism as a useful disciplinary control, and, in the case of early Quakerism, this ‘undoubtedly contributed to the victory of group discipline’. But while Davis takes over this finding, he reproves and even scoffs at ...”

“... the Elder (b.1590), Samuel Cooper (b.1609), Richard Cosway (b.1742), John Smart (b.1741) and George Engleheart (b.1750).Miniatures pose many curatorial challenges. These are objects which were designed to be held in the hand and examined close to the eye, not encountered via a glass display case, in low light (a necessity, from the point of view of ...”

“... in the cells. A major disappearance is the railway bridge that once carried, along with promos for George Davis and Reggie Kray, passengers from Dalston Junction to Broad Street: a lovely aerial view of industry, canal, domestic and commercial property, Shoreditch to City. You saw, precisely, where you were. For a token fee (often no fee), you became a ...”

“... were at all well known, most of them had work published in the Listener and the New Statesman, and Blake Morrison calculated (in his 1980 study of the group, The Movement) that between June 1953 and July 1956 ‘there were over 240 Movement contributions to the Spectator.’ Almost immediately after the putative group identity was established, the denials and ...”

“... Panther movies. The CAA agent had got Peter Sellers three million dollars to do the film. He got Blake Edwards, who hated Sellers, the same amount (not to direct, but because he co-owned the rights). The agent also represented the scriptwriter, the director, and two of the producers. ‘It was about a $9 million package,’ the producer Adam Fields ...”

“... by his widow in a book called Explorations (1962). Yeats coined it to praise the philosophy of George Berkeley, the 18th-century bishop of Cloyne (and so a cleric, as well as ‘clerkly’), which Yeats thought had seen off a threat to civilisation no less deadly than that posed to Greece by Xerxes and his men: the enemy for Berkeley, as for Yeats, was not ...”

“... sound. Mavericks were common, but true outsiders not. Augustan conformity had its Collins and its Blake and Smart: its mad poets who kicked over the traces. Victorian poetry had to have its nonsense and its horror writers, its Lears and Carrolls and Cities of Dreadful Night. Our version of this today might be Larkinian lugubriousness and ...”

“... doesn’t seem the likeliest of conjunctions, neither of course does Mr Powell’s connection with George Orwell – described in an earlier volume and recalled here when he chooses the hymns for Orwell’s funeral. In Dru, he found ‘a friend of extraordinary brilliance and subtlety’, as well as efficiency in Military Intelligence (Liaison). But what he ...”

“... the Spenserian antique and ballad poetry, a combination which uses phrases that are heard again in Blake’s Marriage of Heaven and Hell and Keats’s ‘Ode to a Nightingale’: How dydd I know thatt ev’ry darte Thatt cutte the airie waie Mighte nott fynde a passage to my harte And close myne eyes for aie? ‘Half the poetry of the 18th century is ...”

“... between Chatterton, Wilde, T.S. Eliot and Dickens – all Ackroydian subjects (‘William Blake will be joining us shortly,’ Chatterton says). The fifth interlude recounts a face-to-face meeting between Dickens and Ackroyd (‘Some of my best friends are biographers,’ Dickens says. It’s the wittiest line he has in the book). In the seventh and ...”

“... 19th-century novelists were altogether weaker on concepts than their Continental colleagues. George Eliot, one of our leading intellectuals, is just not very interesting about radicalism in Felix Holt the Radical. French novelists continue to mull over the French Revolution, English novelists do not. Recalling that Hegel once dubbed Napoleon ‘an idea ...”

“... of which every thinking man is solicitous’. Priestley’s enemies were equally eloquent. William Blake, whose own spirituality entitled him to dismiss this kind of enlightenment as stupid and blind, reckoned Priestley’s much-advertised knowledge ‘not worth a button’. In Philadelphia, William Cobbett, under the pseudonym Peter Porcupine, launched biting ...”

“... along with Bloch, that all future-oriented thought is inherently utopian, forgetting that if Blake was a visionary, Pol Pot was too. Nor is he quite alert enough to a logical problem with what he sometimes unguardedly calls a ‘total’ historical rupture: by what criteria could we identify the future that followed from such a break as the future of our ...”