“... while others were calling it a ‘breakthrough’. What would they have made of the nude Victor Hugo in plaster in the Luxembourg Garden? Or ‘The Kiss’ (‘Rather too suggestive’?) in marble. Unfailingly, one would have heard judgments as to what was permissible and impermissible in art. James himself, however unversed in politics he might ...”

“... She was not so much a Muse, though that was how she was known, as a confidante of great men: Victor Cousin, Hugo, Mussel, Vigny. Yet she lacked a sense of self-preservation; she could have lived with either Cousin or Vigny and been comfortable and cared for. In fact, she was fallible and perhaps less than ...”

“... move him to use ‘shudder’ as a laudatory critical term? Of course we may say that Victor Hugo had already done this when he told Baudelaire that in writing Les Fleurs du mal he was creating ‘un frisson nouveau’. And many of us remember the days when ‘the metaphysical shudder’ was a stock term in discussions of Donne and his ...”

“... that her son is destined for fame. In France, she tells him, he will become ‘a d’Annunzio, a Victor Hugo, a Nobel Prize winner’, and an ambassador who has his suits made in London. When the war comes, she’s certain he’ll cover himself in glory, and her letters, filled with stirring generalities, sustain his fighting spirit. But there’s a ...”

“... Pirandellian tension, the feeling that Hamlet never belongs in the play he inhabits but seems, as Victor Hugo put it, like a somnambulist. He addresses the Western imagination with extraordinary power, but never addresses his own situation with as much intellectual acuity as we might confidently expect from a Banquo. If this is true, it is not surprising ...”

“... subjected his children to a strict regime of supplementary classes in French at 6 a.m. and read Victor Hugo to them at night.Césaire began writing Return to My Native Land on holiday on Yugoslavia’s Adriatic coast during the summer of 1935. He was 22. Earlier that year, he had published an essay in the journal L’Étudiant noir in which he railed ...”

“... of legal controls over monarchical power’. Exiled in Guernsey after Napoleon III’s coup, Victor Hugo wrote Le Romancero du Cid (1859), which includes a dialogue between the Cid and the sovereign on the subject of perjury. ‘King, you swear on the gospel/with a hand full of night,’ the Cid declares. Painting the scene in 1889, the Cuban artist ...”

“... Janet records the young Roussel predicting that his glory would one day outshine that of Victor Hugo or Napoleon, that he felt himself the equal of Dante and Shakespeare. His final testament more modestly hopes that, ‘faute de mieux’, his books may one day gain some measure of posthumous recognition. It was while composing La Doublure, which ...”

“... its official history seems to need the reassurance of those novelists – Stendhal, Dumas, Balzac, Hugo, Zola – who tried their hand at storytelling.This anthology is the latest Penguin national showcase (volumes of Italian, Spanish and British stories have already appeared). It opens with a group of tales from the late 15th century, often seen as the first ...”

“... limp and ravaged. Among the Bernhardt breakout roles: Doña Marie, the tragic Queen of Spain in Hugo’s Ruy Blas (1872); Racine’s Andromaque (1873) and Phèdre (1874); Doña Sol in Hugo’s Hernani (1877); Marguerite in La Dame aux camélias (1880); Adrienne Lecouvreur, in Scribe and Legouvé’s eponymous tear-jerker ...”

“... his advice that she marry the philosopher (and inventor of the phrase ‘Art for art’s sake’) Victor Cousin. But the real disaster was his advice to his adored niece Caroline. He conspired with old Mme Flaubert to dissuade her from making a bohemian liaison with her drawing teacher, Johanny Maisiat, with whom she was in love, and urged her to marry Ernest ...”

“... complete works again of Count Leo Tolstoy’, Conan Doyle, George Eliot, Thackeray, Victor Hugo, Flaubert, Balzac and ‘any unflinching book on the World War’ – suggests that Salinger, whose forty-year silence followed its appearance, may have reached the same conclusion. But maybe not. Salinger’s enthusiasm for his characters is ...”

“... seemed to bring the nation together, as Ben-Amos suggests. The Pantheonisation in 1885 of Victor Hugo, the first burial there for over half a century, was a spectacular public ritual attended by many hundreds of thousands. The various stopping places were elaborately staged; there was media attention galore and later a civically appropriate spin ...”

“... Where the Palliser version acquires more credence is with the arrival in power of the future victor in the Falklands War. As these witnesses plot the story, the Thatcher Government consciously chose to neglect the obscurely festering problem. Settling Rhodesia became not only the prime objective of post-colonial diplomacy but the only front on which ...”

“... the dormant faculties of women than embroidery and domestic drudgery.’ She was then reviewing Victor Cousin’s Madame de Sablé, and Cousin had been briefly the lover of a woman whom Marian Evans (or George Eliot) already knew, and was to know better: Mary Clarke Mohl, whose style of writing and life might epitomise Marian Evans’s trenchant early views ...”