High-Step with a Bull
T.J. Clark: Picasso, The Vollard Suite, 2 August 2012
“... or just seriously enough: getting involved in the tempo and pressure of the scene’s ultra-thin marks, and seeing in the etcher’s short-cutting certainty (the way the sculptor’s hand is done, for instance, or the scribbled flowers, or the long lines of the curtain, or the throwaway scratches that stand for mattress and bed) enough of pathos, or even of ... ”