At Tate Liverpool
Alice Spawls: Leonora Carrington, 23 April 2015
“... as manifested in The Giantess (c.1950), whose colossal central figure towers over the scene like a Madonna della Misericordia. She cradles an egg; geese fly out from beneath her pallium; her golden hair is a field of wheat. Around her feet a hunt is taking place – Uccello’s Hunt in the Forest but with a sylph instead of a stag – while the sea behind is ... ”