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It won’t make the vase whole again

Nicole Flattery: Tove Ditlevsen, 3 June 2021

Childhood, Youth, Dependency: The Copenhagen Trilogy 
by Tove Ditlevsen, translated by Tiina Nunnally and Michael Favela Goldman.
Penguin, 384 pp., £9.99, January, 978 0 241 45757 3
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The Faces 
by Tove Ditlevsen, translated by Tiina Nunnally.
Penguin, 144 pp., £8.99, January, 978 0 241 39191 4
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... TV drama showing a girl finding her voice, her development signalled by her stylish clothes (‘a black coat with an ocelot collar’) and a near mystical level of haircare. Dependency, the last instalment in the trilogy, isn’t an uplifting coming-of-age story. Fame arrives for Ditlevsen, but self-assurance doesn’t. She becomes involved with Piet ...

Sinking Giggling into the Sea

Jonathan Coe, 18 July 2013

The Wit and Wisdom of Boris Johnson 
edited by Harry Mount.
Bloomsbury, 149 pp., £9.99, June 2013, 978 1 4081 8352 6
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... so moveable, that one can pin it down no more closely than by calling it ‘anti-establishment’. Michael Frayn may have excoriated that phrase – in his brief, brilliant introduction to the published text, Beyond the Fringe, in 1963 – as denoting ‘a spacious vacancy of thought’, but really, I don’t see how we can do any better. Any real ...

A Mess of Their Own Making

David Runciman: Twelve Years of Tory Rule, 17 November 2022

... know his party better’. Other senior Tories whom she also despised, including Boris Johnson and Michael Gove, were summoned back into the fold as cover for her inability to devise a winning Brexit strategy. But Osborne, never. He didn’t stand in the 2017 general election. The dilemma May faced was how to square the circle Brexit had conjured up: on the ...

Man-Eating Philosophers

Will Self: David Cronenberg, 18 June 2015

Consumed 
by David Cronenberg.
Fourth Estate, 288 pp., £18.99, October 2014, 978 0 00 729915 7
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... they slobber over: ‘Naomi had set up her three wireless Speedlight flash units with the chunky black wireless SU-800 Commander, which controlled and triggered the flashes using infrared pulses, locked in her D300s’s hot shoe.’ Since both thirtysomethings are photojournalists who ‘scratch and sample’ their stories into being, they at least have a ...

Utterly in Awe

Jenny Turner: Lynn Barber, 5 June 2014

A Curious Career 
by Lynn Barber.
Bloomsbury, 224 pp., £16.99, May 2014, 978 1 4088 3719 1
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... Beast’ herself, doing a photo-shoot for David Bailey, ‘sprawling with her legs wide apart, her black satin crotch glinting between her scrawny 55-year-old thighs’. Melvyn Bragg, filming his reaction shots for the South Bank Show, ‘smiling, simpering, giggling, looking down at his nails’. Richard Harris at the Savoy in 1990, ‘playing pocket ...

Yellow as Teeth

Nikil Saval: John Wray’s ‘Lowboy’, 11 June 2009

Lowboy 
by John Wray.
Canongate, 258 pp., £12.99, March 2009, 978 1 84767 151 6
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... Ezra Pound didn’t say the apparition of those faces in the crowd was like ‘petals on a wet, black bough’, and after a hundred such comparisons, riddling one paragraph after another (‘like bulletholes’, I am tempted to say), the device emerges for what it is: a tic. Similes, however, are perfect for suggesting the dissociative mental state of ...

Bardism

Tom Shippey: The Druids, 9 July 2009

Blood and Mistletoe: The History of the Druids in Britain 
by Ronald Hutton.
Yale, 491 pp., £30, May 2009, 978 0 300 14485 7
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... the shore facing the island of Mona (Anglesey), awed by an opposing army strengthened by women in black waving torches and druidae invoking curses. Roman discipline reasserts itself. The legionaries advance, mowing down any resistance and burning the groves with their bloodstained altars – a scene powerfully recapitulated in George Shipway’s novel of the ...

Theorist of Cosmic Ice

Christopher Clark: Himmler, 11 October 2012

Heinrich Himmler 
by Peter Longerich, translated by Jeremy Noakes and Lesley Sharpe.
Oxford, 1031 pp., £25, October 2012, 978 0 19 959232 6
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... and tone of the milieu in which Himmler had spent his early twenties in Bavaria. The clerical black garb spoke to the mysticism of a man who had forsaken Catholicism to embrace a raft of esoteric post-Christian fads. In the summer of 1940 he instructed the head of the Ahnenerbe (Ancestral Heritage), a research organisation within the SS, to investigate ...

Balls and Strikes

Charles Reeve: Clement Greenberg, 5 April 2007

Art Czar: The Rise and Fall of Clement Greenberg 
by Alice Goldfarb Marquis.
Lund Humphries, 321 pp., £25, April 2006, 0 85331 940 5
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... White to White features an aggressively encrusted pale rectangle with a second rectangle – black, white and brown – in its top left corner. Dated 1953, fairly early for such deliberately coarse abstraction, the painting landed in the collection of the famously plain-spoken art critic Clement Greenberg. Greenberg never published on the relatively ...

Drowned in Eau de Vie

Modris Eksteins: New, Fast and Modern, 21 February 2008

Modernism: The Lure of Heresy from Baudelaire to Beckett and Beyond 
by Peter Gay.
Heinemann, 610 pp., £20, November 2007, 978 0 434 01044 8
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... of the 20th century. The war radicalised but it also democratised these avant-garde instincts. Black humour was born in the trenches. Oscar Wilde’s clever formulations no longer sufficed. The five-foot-two eyes-of-blue Charleston danced by the ‘It’ generation required a leg position as awkward as the knock-kneed pose of Nijinsky’s corps de ...

Witchiness

Marina Warner: Baba Yaga, 27 August 2009

Baba Yaga Laid an Egg 
by Dubravka Ugrešić, translated by Ellen Elias Bursác, Celia Hawkesworth and Mark Thompson.
Canongate, 327 pp., £14.99, May 2009, 978 1 84767 066 3
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... sounds like Chandler, the heroine muses in a Woolfian fugue and so on (the veteran translator Michael Henry Heim was in action here). This time, Canongate has reproduced her polyphony of registers by commissioning three translators to work on the different parts of the book and give the memoir, fiction and essay a different feel. Ugrešić studied in ...

Your hat sucks

Gill Partington: UbuWeb, 1 April 2021

Duchamp Is My Lawyer: The Polemics, Pragmatics and Poetics of UbuWeb 
by Kenneth Goldsmith.
Columbia, 328 pp., £20, July 2020, 978 0 231 18695 7
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... into poetry. Not everything is up for grabs. In 2015, Goldsmith performed ‘The Body of Michael Brown’, which took and reordered the official autopsy report of the teenager shot and killed by police in Ferguson, Missouri. Although he claimed afterwards that his intention had been to expose the rhetorical violence of the report, Goldsmith faced ...

So Ordinary, So Glamorous

Thomas Jones: Eternal Bowie, 5 April 2012

Starman: David Bowie, the Definitive Biography 
by Paul Trynka.
Sphere, 440 pp., £9.99, March 2012, 978 0 7515 4293 6
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The Man Who Sold the World: David Bowie and the 1970s 
by Peter Doggett.
Bodley Head, 424 pp., £20, September 2011, 978 1 84792 144 4
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... than two decades since Moss was photographed by Corinne Day for the Face, those instantly iconic black and white images of a skinny 16-year-old on Camber Sands, wearing no make-up and very few clothes, grinning through her freckles and pointy teeth, all at once so English, so ordinary and so glamorous. And it’s four decades since David Bowie – wearing a ...

Two Armies in One

James Meek: What now for Ukraine?, 22 February 2024

... improvising drones to strike land targets deep inside Russia and, at sea, forcing the Russian Black Sea Fleet to retreat, lifting its blockade of Ukrainian ports, which are now exporting grain again. It would have found a previously unimaginable degree of solidarity with Western countries, acquiring billions of dollars’ worth of weaponry, to the point ...

The Cruiser

Christopher Hitchens, 22 February 1996

On the Eve of the Millennium: The Future of Democracy through an Age of Unreason 
by Conor Cruise O’Brien.
Free Press, 168 pp., £7.99, February 1996, 0 02 874094 7
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... infused with irony and paradox. That he should so heavily and sarcastically miss the point of a black joke is a sorry thing. And note the leaden, ordinary prose. (‘Chain of events’ is a cliché, and you can’t easily have a chain of any sort ‘set in motion’.) Not only is O’Brien being crass here, he is also being reactionary. He sounds like one ...

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