Retro-Selfies

Iain Sinclair: Ferlinghetti, 17 December 2015

I Greet You at the Beginning of a Great Career: The Selected Correspondence of Lawrence Ferlinghetti and Allen Ginsberg, 1955–97 
edited by Bill Morgan.
City Lights, 284 pp., £11.83, July 2015, 978 0 87286 678 2
Show More
Writing across the Landscape: Travel Journals 1960-2010 
by Lawrence Ferlinghetti, edited by Giada Diano and Matthew Gleeson.
Liveright, 464 pp., £22.99, October 2015, 978 1 63149 001 9
Show More
Show More
“... Kenneth Rexroth, the consigliore of radicalism, was master of ceremonies. Jack Kerouac, too self-conscious to read, acted as cheerleader: ‘Go! Go! Go!’ He passed out slopping gallon jugs of Californian Burgundy. There had been poetry readings in the Bay Area before this and the Six Gallery was hardly virgin territory. The space had once been a ...”

Diary

Alexander Clapp: Inside Golden Dawn, 4 December 2014

“... international governing bodies. Merkel is the mistress of that order. Golden Dawn stands for Greek self-sufficiency; other parties – even those who claim the mantle of the far right – are conspiring with the Order to sell Greece’s assets to foreign competitors. I became a Dawner in order to find out more about the party than I could from reading the ...”

Clarety Clarity

Colin Burrow: Herrick and His Maidens, 31 July 2014

The Complete Poetry of Robert Herrick 
edited by Tom Cain and Ruth Connolly.
Oxford, 504 pp. and 803 pp., £125, October 2013, 978 0 19 921284 2
Show More
Show More
“... and clubs in the London of the 1620s. Some of it evokes provincial intimacies rather than courtly self-display. Herrick laments the death of his spaniel Tracy, and bewails the loss of a finger. There are Devonian touches in poems written after 1630: several of his epigrams about dodgy low-life characters give them names found among families in the South ...”

Hamas’s Chances

Nathan Thrall, 21 August 2014

“... that the quiet on Gaza’s border was primarily the result of Israeli deterrence and Palestinian self-interest. Israel therefore saw little incentive in upholding its end of the deal. In the three months following the ceasefire, its forces made regular incursions into Gaza, strafed Palestinian farmers and those collecting scrap and rubble across the ...”

What is concrete?

Michael Wood: Erich Auerbach, 5 March 2015

Time, History and Literature: Selected Essays of Erich Auerbach 
by Erich Auerbach, edited by James Porter, translated by Jane Newman.
Princeton, 284 pp., £27.95, December 2013, 978 0 691 13711 7
Show More
Show More
“... their parasitic absence of function and common cultural ideal, la cour et la ville merged into a self-contained, homogenous society.’ That’s a lot to learn from a few key words, and the interest here is precisely in the social distinctions that can be drawn through close attention to language in context. Words are historical witnesses, we uncover their ...”

A Snake, a Flame

T.J. Clark: Blake at the Ashmolean, 5 February 2015

William Blake: Apprentice and Master 
Ashmolean Museum, until 1 March 2015Show More
Show More
“... more admired than the poem itself, which nevertheless is superior to them. Even the frighteningly self-absorbed stony old man of the famous frontispiece is not really adequate to Blake’s magnificent conception.’ I want immediately to quarrel with the judgment, and in any case to say that extracting the frontispiece from the overall texture of images in ...”

Almost Lovable

Sheila Fitzpatrick: What Stalin Built, 30 July 2015

Landscapes of Communism: A History through Buildings 
by Owen Hatherley.
Allen Lane, 613 pp., £25, June 2015, 978 1 84614 768 5
Show More
Show More
“... the larger-scale A Guide to the New Ruins of Great Britain (2010), reviewed in these pages by Will Self. Hatherley confesses to ‘nostalgia for the future’ in Militant Modernism, ‘a longing for the fragments of the half-hearted postwar attempt at building a new society, an attempt that lay in ruins by the time I was born’. It makes sense that he should ...”

Diary

Ardis Butterfield: Who was Chaucer?, 27 August 2015

“... be sure Chaucer committed. So my dark suspicions about the genre of biography may be rather self-serving. Not all literary biography fits the rubric of popular history. Some of it appeals more to the submerged fantasist, hoarder of dangerous titbits, or amateur detective. Merkin enjoys Panthea Reid’s account of Woolf as a guilty secret: she obviously ...”

Diary

Marina Warner: Medea, 3 December 2015

“... adrift with her two children, evoked in the wastes of Aftermath. The memoir was criticised for self-pity: here anger has taken up all the space where pity might cling on. The production – and the text – set aside the restless to and fro debate and shared anguish about the depths of human suffering and especially women’s sufferings that keeps ...”

In a Right State

Hilary Mantel: ‘In a Right State’, 18 February 2016

“... to me. If you’re under three and over ninety, okay. Anything in between, it indicates a loss of self-esteem. You’re in the way of the mopping, besides. Some supermarket spillage, soup or blood or butter, and before you can say, ‘It wasn’t me,’ a bell shrills: the cleaners are charging in with their yellow signs on legs, DANGER: MOPPING IN ...”

Corbyn’s Progress

Tariq Ali, 3 March 2016

“... front – for that is increasingly the common sense of many economists and others, including the self-declared democratic socialist Bernie Sanders – but in his desire to change foreign policy. His criticism of the absurdly high level of military expenditure is echoed by some prominent US economists in relation to their own country. Joseph Stiglitz (a ...”

Dead Man’s Coat

Peter Pomerantsev: Teffi, 2 February 2017

Memories: From Moscow to the Black Sea 
by Teffi, translated by Robert Chandler, Elizabeth Chandler, Anne Marie Jackson and Irina Steinberg.
Pushkin, 352 pp., £16.99, May 2016, 978 1 78227 169 7
Show More
Rasputin and Other Ironies 
by Teffi, translated by Robert Chandler, Elizabeth Chandler, Rose France and Anne Marie Jackson.
Pushkin, 224 pp., £8.99, May 2016, 978 1 78227 217 5
Show More
Subtly Worded 
by Teffi, translated by Robert Chandler, Elizabeth Chandler, Anne Marie Jackson, Natalia Wase, Clare Kitson and Irina Steinberg.
Pushkin, 304 pp., £12, June 2014, 978 1 78227 037 9
Show More
Show More
“... I stretched out my arms – and lost sight of my own fingers.’ The coming apart of the social self is accompanied by imagery of bodies being destroyed and returned to nature. There are stories from other refugees of children tortured to death by having their eyes gouged out, executions where the victims’ mouths and noses were filled with dirt until they ...”

From Lying to Leering

Rebecca Solnit: Penis Power, 19 January 2017

“... and his lips flapping and his face squinching into clownish expressions of mockery and rage and self-congratulation. He picked as a running mate buttoned-up patriarchy, the lean, crop-haired, perpetually tense Mike Pence, who actually has experience in government, signing eight anti-abortion bills in his four years as governor of Indiana, and going after ...”

A Grand and Disastrous Deceit

Philippe Sands: The Chilcot Report, 28 July 2016

The Report of the Iraq Inquiry 
by John Chilcot.
HMSO, 12 vols, 6275 pp., £767, 1 4741 3331 2
Show More
Show More
“... in an attempt to find a legal justification, offers an opportunity to explore the inquiry’s self-restraint.In his introductory words Chilcot explains that the inquiry ‘has not expressed a view on whether military action was legal’. With no lawyer among its members, and no legal counsel to assist it, the inquiry chose to sidestep this delicate ...”

I have nothing to say and I am saying it

Philip Clark: John Cage’s Diary, 15 December 2016

The Selected Letters of John Cage 
edited by Laura Kuhn.
Wesleyan, 618 pp., £30, January 2016, 978 0 8195 7591 3
Show More
Diary: How to Improve the World (You Will Only Make Matters Worse) 
by John Cage, edited by Richard Kraft and Joe Biel.
Siglio, 176 pp., £26, October 2015, 978 1 938221 10 1
Show More
Show More
“... each musician in his 14-piece ensemble to be a soloist – did not exist as a score but as a self-assembly kit consisting of loose-leaf instrumental parts, including a part for a conductor whose arms rotated like the hands of a clock, but whose movements had no bearing on the sound produced by the players. Each performance was different: Cage said he ...”