On the Wall
Nicholas Penny, 7 March 2024
“... by adding facial hair, Duchamp linked Leonardo’s ‘homosexuality to this intellectually aloof lady’ and thus ‘exposed the raw sexual ambivalence underlying her image’. We may imagine a lawyer representing Titch Thomas (who, in Larkin’s poem, has signed the desecrated poster) justifying the action thus to a perplexed magistrate. For the ... ”