Where could I emote?

Bee Wilson: Looking for Al Pacino, 26 June 2025

Sonny Boy: A Memoir 
by Al Pacino.
Century, 369 pp., £25, October 2024, 978 1 5299 1262 3
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“... Paramount’s jitteriness about casting an unknown. The studio, which was also reluctant to cast Robert Duvall and Brando, wanted many actors more than they wanted Pacino. ‘They wanted Jack Nicholson. They wanted Robert Redford. They wanted Warren Beatty or Ryan O’Neal.’ Imagine The Godfather with ...”
Stalin’s Spy: Richard Sorge and the Tokyo Espionage Ring 
by Robert Whymant.
Tauris, 368 pp., £25, October 1996, 1 86064 044 3
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“... to him. This enthralling new account of Sorge, by the veteran British journalist and old Asia hand Robert Whymant, confirms what I had long suspected: Sorge and Philby were psychic twins, two textbook examples of the rare species we might call Homo undercoverus – those who find the dull, unclassified lives that the rest of us lead simply not (Sorge ...”

Trapped with an Incubus

Clair Wills: Shirley Hazzard, 21 September 2023

Shirley Hazzard: A Writing Life 
by Brigitta Olubas.
Virago, 564 pp., £12.99, June, 978 0 349 01286 5
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“... at the church across the square and she overheard them at a nearby table fumbling for a line of Robert Browning’s ‘The Lost Mistress’:Tomorrow we meet the same then, dearest?May I take your hand in mine?Mere friends are we – well, friends the merestKeep much that I resign …Yet I will but say what mere friends say,Or only a thought stronger;I will ...”

Discord and Fuss

Clare Bucknell: Robert Frost’s Ugly Feelings, 4 December 2025

Love and Need: The Life of Robert Frost’s Poetry 
by Adam Plunkett.
Farrar, Straus, 500 pp., £30, March 2025, 978 0 374 28208 0
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“... In later life​, the worst thing you could call Robert Frost was ‘literary’. ‘If I’m somewhat academic (I’m more agricultural) and you are somewhat executive, so much the better,’ he wrote to Wallace Stevens teasingly in 1935. ‘It is so we are saved from being literary … Our poetry comes choppy, in well-separated poems, well interrupted by time, sleep and events ...”

Bournemouth

Andrew O’Hagan: The Bournemouth Set, 21 May 2020

“... Robert​ Louis Stevenson was always ill, that’s what people said, and in the late summer of 1884 he decided he wouldn’t return to the South of France, where he’d spent the past year and a half in a house called La Solitude. His wife, Fanny, sought the advice of his London doctors, who recommended Davos in the Swiss mountains as being cholera-free, but Stevenson fancied southern England ...”

Dangerously Insane

Deyan Sudjic: Léon Krier, 7 October 2010

The Architecture of Community 
by Léon Krier.
Island, 459 pp., £12.99, February 2010, 978 1 59726 579 9
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“... architectural policy of the next British monarch, as well as of the current mayor of Rome. Robert Stern, once a board member of the Disney Corporation, now dean of Yale’s School of Architecture and the author of the introduction to Krier’s latest book, is the architect of the presidential library of George W. Bush, now under construction in ...”

Aunt Twackie’s Bazaar

Andy Beckett: Seventies Style, 19 August 2010

70s Style and Design 
by Dominic Lutyens and Kirsty Hislop.
Thames and Hudson, 224 pp., £24.90, November 2009, 978 0 500 51483 2
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“... but overabundance. Lutyens and Hislop are not the first to notice this. In 1986, the historian Robert Hewison called his fine study of British culture between 1960 and 1975 Too Much. In Mike Leigh’s play Abigail’s Party, the claustrophobic lounge, crammed with 1970s products (like a cruder suburban version of Peter Cook’s showy living-room) is as ...”

Rough Wooing

Michael Brown: Flodden, 23 January 2014

Fatal Rivalry: Flodden 1513 
by George Goodwin.
Weidenfeld, 288 pp., £20, July 2013, 978 0 297 86739 5
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“... scale of the loss accounts for Flodden’s place in the history of Scotland. Writing in the 1560s, Robert Lindsay of Pitscottie claimed that on the night the army left Edinburgh, a ghostly voice named a long list of individuals summoned to appear before the devil within forty days. Only one of them returned from Flodden. Artists, writers and musicians have ...”

23153.8; 19897.7; 15635

Adam Smyth: The Stationers’ Company, 27 August 2015

The Stationers’ Company and The Printers of London: 1501-57 
by Peter Blayney.
Cambridge, 2 vols, 1238 pp., £150, November 2013, 978 1 107 03501 0
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“... is able to trace bonds of professional exchange, kinship and allegiance. When Reyner Wolfe printed Robert Recorde’s The Ground of Arts – a bestseller, ‘teachyng the worke and practise of arithmetike, moch necessary for all states of men’ – Wolfe borrowed eight initials, two ornaments and some textura fonts from John Herford. And a small number of ...”

I have written as I rode

Adam Smyth: ‘Brief Lives’, 8 October 2015

‘Brief Lives’ with ‘An Apparatus for the Lives of Our English Mathematical Writers’ 
by John Aubrey, edited by Kate Bennett.
Oxford, 1968 pp., £250, March 2015, 978 0 19 968953 8
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John Aubrey: My Own Life 
by Ruth Scurr.
Chatto, 518 pp., £25, March 2015, 978 0 7011 7907 6
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“... round … wears boots of Spanish leather, laced or tied along the side with black ribbons’. That Robert Hooke is ‘melancholy and giddy … and … has strange dreams of riding and eating cream’. That Mary Sidney, countess of Pembroke, with her lovers, peered through a ‘vidette’ or peephole to gaze on mating horses at Wilton House. That William Harvey ...”

Fog has no memory

Jonathan Meades: Postwar Colour(lessness), 19 July 2018

The Tiger in the Smoke: Art and Culture in Postwar Britain 
by Lynda Nead.
Yale, 416 pp., £35, October 2017, 978 0 300 21460 4
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“... is a woolly conceit, almost a faith. Proof isn’t required. A Brighton film of two years earlier, Robert Hamer’s delightfully sinister Pink String and Sealing Wax, set, to judge by the costumes, in the 1880s, does indeed have ‘Victorianism’ written all over it, as does Hamer’s subsequent Kind Hearts and Coronets. But neither of these is scrutinised by ...”

Rub gently out with stale bread

Adam Smyth: The Print Craze, 2 November 2017

The Print Before Photography: An Introduction to European Printmaking 1550-1820 
by Antony Griffiths.
British Museum, 560 pp., £60, August 2016, 978 0 7141 2695 1
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“... The Compleat Drawing-Book​, published by Fleet Street printseller Robert Sayer in 1755, is a handbook for the amateur artist that aims to provide ‘Proper Instructions to Youth for their Entertainment and Improvement in this Art’. The core of the book is a series of ‘Many and Curious Specimens’: prints from images ‘engrav’d on one hundred copper-plates’ that present vignettes to study and copy ...”

Buckle Up!

Tim Barker: Oil Prices, 1 June 2017

Crude Volatility: The History and the Future of Boom-Bust Oil Prices 
by Robert McNally.
Columbia, 300 pp., £27.95, January 2017, 978 0 231 17814 3
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“... When​ Donald Trump nominated Rex Tillerson, the CEO of Exxon, as secretary of state, Robert McNally found the choice unremarkable. ‘The closest thing we have to a secretary of state outside government is the CEO of Exxon,’ he said. McNally is an energy consultant, a former adviser to George W. Bush, Mitt Romney and Marco Rubio, and a member of the National Petroleum Council ...”

Mortal, can these bones live?

Anne Enright: Marilynne Robinson’s Perfect Paradox, 22 October 2020

Jack 
by Marilynne Robinson.
Virago, 309 pp., £18.99, September 2020, 978 0 349 01181 3
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“... racism. Her father is a preacher in Memphis; Jack’s father is a preacher in Iowa: he is the Robert Boughton we’re introduced to in Gilead (2004), the first novel in the series, the broken-hearted apologist for his irredeemably wayward son. The fact that the characters live on either side of a racial divide is less important to their conversation in ...”

Frets and Knots

Anthony Grafton, 4 November 1993

A History of Cambridge University Press. Vol. I: Printing and the Book Trade in Cambridge, 1534-1698 
by David McKitterick.
Cambridge, 500 pp., £65, October 1992, 0 521 30801 1
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“... and rhythms of the printers’ working lives. In the wake of brilliant studies by McKenzie, Robert Darnton and others, McKitterick reconstructs the economics of book production: the costs of type, copper plates and paper, the sizes of editions, the prices per sheet of the resulting books (slightly lower than London ones). Moving from the warehouse to ...”