“... In Tom Stoppard’s Jumpers, Dorothy Moore – a retired music-hall chanteuse and the wife of a moral philosopher called George Moore – is going dotty in her bedroom. The precipitating cause is a televised fight between the first two astronauts to land on the Moon about who gets to go back home on a damaged lunar ascent module that can carry only one ...”

“... is not very natural. The sentences refuse to lie down, and often he turns the page into a lecture hall. Even the best essay in the book, his fine celebration of Nabokov, has a kind of aural clatter: ‘I may also seem to be saying that if Lolita, the supreme novel of love in the 20th century, is a parody of earlier love novels, we should not be ...”

“... never-never land of Peter Ackroyd’s English Music. He shares with Ackroyd a love of music-hall, or its wilder sibling, the Punch and Judy show. On one level, that is what A Perfect Execution is. An exhibition in a tent or a glass box at the end of the pier. Pantomime horror, like the female hanging that opens Ackroyd’s Dan Leno and the Limehouse ...”

“... Fox says, ‘the spirit of the new entered Houston.’ Nearly twenty years later he designed with John Burgee the first of his giant commercial buildings, Pennzoil Place. It stands towards the edge of the Downtown cluster of corporate towers, and makes a subversive play on them by actually being two towers, only ten feet apart. Their surface is refinedly ...”

“... to be played in an orchestral suite first performed in New York in 1915. When the Royal Festival Hall opened in 1951 it was complete with a light console, descended from these experiments. But we had to wait for the end of the century. Robert Wilson, designer/director of Philip Glass’s Monsters of Grace, ‘a digital opera in three dimensions’ which has ...”

“... in fact, Mary Beard herself, but some textual twin. The letter purports to have been sent from New Hall. Mary Beard, however, is at Newnham. Textual twins, avatars and the vicarious, are one of the book’s major themes. The medium is very definitely the message. Or take hard-case Hartmut, and his partner Heidi, from Heidelberg, an expert in church ...”

“... My role involved sitting on a set of steps to one side of the stage in Silchester village hall, and reading out, from a primitive autocue – a series of large sheets of white cardboard, the text handwritten on them in thick felt-tip pen – the story of the first Christmas, as my contemporaries performed what I spoke. The most thrilling scene for me ...”

“... is visiting Long Beach,’ she declared, urging the manager to hold a reception for King at City Hall. He refused: ‘He’s a troublemaker and we don’t want him here.’ This minor incident goes unmentioned in Jonathan Eig’s new biography of King, of course. But it illustrates a theme to which Eig returns several times. People of every political ...”

“... in his filial loyalty. An early test of parliamentary allegiance arose in 1769 after the outlawed John Wilkes returned to London to contest the seat of the City of London and his supporters were fired on by soldiers. Fox, still on good terms with North and his ministers, spoke against Wilkes in the Commons, where his chief antagonist was Burke. Burke told the ...”

“... been brought up by her grandparents, both of whom died before she was nineteen. She had one child, John, with her first partner; two, Robert and Shannon, with her second; and two more, Chloe and William, with her third. By the time William was born, Christine had endured beatings, depression and at least one suicide attempt. She drank heavily and abused ...”

“... you whole again, a claim that Stephen must have seemed to epitomise as he strode back into Trinity Hall with a fresh Alp in his pocket; and Meredith would have warmly agreed. The climactic episode in The Ordeal of Richard Feverel is a walk through the woods, a breezy aesthetic experience which marks the hero’s moral regeneration. (You are reminded of Irving ...”

“... Grover Cleveland. Her parents were married in Westminster Abbey and she grew up in Kirkleatham Old Hall near Middlesbrough, a house with sixteen bedrooms. In her social class, girls were simply not educated; Foot spent a lot of time riding, and was taught chiefly at home by governesses who, she said, ‘didn’t know anything’. But she determined to escape ...”

“... Boulez is no doubt keenly aware. Among Boulez’s contemporaries, Stockhausen, Elliott Carter and John Cage are notably eloquent and prolific commentators on themselves. Boulez’s writing covers a considerable range: he is not just a theorist like Messiaen in Technique of My Musical Language or Hindemith in The Craft of Musical Composition, but also on ...”

“... appreciated.He did not think much of the Irish. ‘Apart from the fact,’ he wrote to his friend John Hayward, ‘that the Irish have a certain respect for poetry and religion, theirs is a tiring society; and the kind of war nerves they are suffering from – not really daring to make up their minds what they think, and not being really prepared for anything ...”

“... or bag to check you have the necessary equipment for the journey? Or take a final check in the hall mirror, ‘to prepare a face to meet the faces that you meet’? You don’t have a slave to guard your door, as the ancients did, so you set the alarm (or you set the dog, cave canem). Keys? Yes, they’re in your hand. You have ‘the power of the ...”