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“... for ‘nine-tenths of the reading of the reading public’. When, in 1928, Laura Riding and Robert Graves’s Pamphlet against Anthologies charged the genre with reducing poetry to a ‘packet-commodity’, the only alternative that they proposed revealed just how inescapable the anthology had become. The ‘full Corpus’ that could drive anthologies ...”

“... Jan Morris, for the Oxford edition. ‘His influence may be traced down the generations from Robert Curzon’s Monasteries of the Levant (1849) to Robert Byron’s Road to Oxiana (1937) or Paul Theroux’s Great Railway Bazaar (1975).’ For the Century edition, Jonathan Raban likewise sees a link with Theroux and ...”

“... than others, however much we may protest that they are merely different? For instance, does Robert Lowell’s Life Studies intrigue us more than, say, Tony Harrison’s family reminiscences in Continuous? If so, is it because Lowell’s technique is more sophisticated and fluid than Harrison’s vigorously clanking sonnet sequence in which the rhymes ...”

“... Putting on again joyously the hateful harness’. That is how Robert Pinget’s diffident and slightly dotty narrator, Monsieur Songe, describes the process of taking up his pen yet again, and adding one more to an already considerable cavalcade of novels.* Then he crosses out the word ‘hateful’. And then he crosses out the word ‘harness ...”

“... and those unwilling to look fools, widens. Lawrence Weschler’s life of the Californian artist Robert Irwin is the best description I know of why spending months deciding how to put two orange lines on an orange square, or why offering a strip of black tape round the skirting of a gallery as your contribution to an exhibition, could be ...”

“... suggests both the magical power of Hollywood, and its less than democratic creative constitution. Robert Ray’s A Certain Tendency of the Hollywood Cinema: 1930-1980 (its title playing on a controversial 1954 piece about the French cinema by François Truffaut in Cahiers du Cinéma) is the work of an intelligent American lover of American films engaging ...”

“... Duhem, the historian can never suppress his astonishment. But the sociologist could and did. Robert Merton argued that independent simultaneous discoveries should be pereceived as the rule, not the exception. It was the singletons, not the ultiples, that required explanation. Among the more plausible arguments in defence of his inversion, Merton observed ...”

“... of panoptic logocrats? ‘Who whom?’ is famously a political as well as a linguistic question. Robert Burchfield in his deft and delightful book still hopes that it is possible to be a true liberal (that is, only wishy and not washy), so he says that ‘the formal distinction ... is breaking up but should be maintained where possible.’ (Would it really ...”

“... views on foreign policy in the Thirties were less wise and consistent than is usually believed. Robert Rhodes James, however, not only endorses the traditional appreciation of Eden’s periods as Foreign Secretary: he claims that his Suez policy was absolutely justified and only wrecked by wrong-headed and pusillanimous Americans. The differing attitudes of ...”

“... Robert Martin’s book is not one of those literary biographies that reshuffle a familiar narrative and perhaps add a few bits of new information or conjecture. It is a full-scale life, founded on primary sources, many of them previously unpublished. As the first major biography since Hallam Tennyson’s pious memoir of 1897, it has obvious importance ...”

“... vulgar utilitarians and then march off to found a rival church.’ Among the Luthers they placed Robert Maynard Hutchins. Hutchins is the wunderkind of pre-Sixties American higher education. In fact, as Kerr foresaw, he may well be among the last of a type for a very long time. For about a hundred years, if not longer, American colleges and universities were ...”

“... object. As he remarked one day, ‘It was an excellent question of my lady Cotton, when Sir Robert Cotton was magnifying of a shoe, which was Mose’s or Noah’s, and wondering at the strange shape and fashion of it: But Mr Cotton, says she, are you sure it is a shoe?’ The 20th-century art historian Martin Kemp has spent his life reconstructing the ...”

“... other play is a fictional murder story set in Italy). The title page attributes this quarto to one Robert Yarington, otherwise unknown as an author. He was probably only the copyist – a Robert Yarington is recorded as a member of the Scriveners’ Company in 1603, and had a brother, John, who was also a scrivener ...”

“... spectators who sometimes had to skip out of the way of the fighting. As the publisher and writer Robert Chambers later recorded, they ‘saw the discomfited troops burst wildly from the thunder-cloud … and rush, in far-spread disorder, over the spacious face of the hill’.Some of those spectators – perhaps most of them – hadn’t come to see history ...”

“... in the army, Jasper Johns, aged 23, moved back to New York City. There, a few months later, he met Robert Rauschenberg. Their artistic and romantic partnership would last until 1961; the company they kept included John Cage and Merce Cunningham. In this heady atmosphere, Johns chose, in autumn 1954, to destroy all his prior work, and to begin the paintings ...”