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“... rather than trying to transcend them. Mercifully, he isn’t above cinema’s temptations. Here is Peter Mullan being unduly harsh on My Name Is Joe, his collaboration with Loach: The problem with the social realists is that they want to have their cake and eat it. They maintain that their films are in a social-realist style and therefore credible, but ...”

“... and the war in Kosovo that were manifestly being driven principally from 10 Downing Street and the White House. He also had to sit tight and accept a great many heavy-handed attempts to impose the will of Number 10 on local Labour organisations – the Welsh Assembly and the London mayoral contest were notable examples. Well before the 2001 election, John ...”

“... black scholar’s robe, looks gloomily out at the viewer, the long hair of his face draped over a white ruff, while behind him looms the entrance to a cave, a reference to the traditional dwellings of the Guanches. Maddalena – about seven or eight – wears a gold brocade gown worthy of a princess, encrusted with pearls and precious stones, a large jewelled ...”

“... this is one thing we know for sure – we will be absent; a nationalist, nativist anxiety that (white) English kids will lose their identity when they are forced to become cosmopolitan citizens of the world (and therefore ‘citizens of nowhere’ as Theresa May would say); a theological fear that the children of God are becoming lost in the secular void ...”

“... sense, a mark impressed, engraved or otherwise made on a surface: a brand or stamp or cut. Peter Simon’s engraving of Fuseli’s ‘The Enchanted Island Before the Cell of Prospero’ for Boydell’s Shakespeare Gallery (1797). The Compleat Drawing-Book is an example of the kind of educational artistic guide that flourished in the 18th century. The ...”

“... Governess in Henry James’s The Turn of the Screw sees her first ghost, that of the wicked valet Peter Quint, the words she uses to describe the event – which initially persuades her that her ‘imagination’ has ‘turned real’, in the person of her handsome employer – are words in which Hamlet is remembered. ‘It was plump, one afternoon, in the ...”

“... a secular one, and represents nothing more than the religious yearning of a non-religious age. Peter Ackroyd’s dignified, often eloquent biography offers a picture of More which is a combination of Catholic admiration and scholarly determinism. Ackroyd has soaked himself in late medieval history; happily, he does not pretend to conduct a historical ...”

“... Hollywood exile, where, in one photo, he stares at the camera wearing sunglasses and sporting a white goatee, the very picture of the playboy philosopher – a fucked-out burn-out who still has a seductive way with words. To borrow a word from Norman Mailer, Tynan was a sexologue – an ideologue about sex. He was an admirer of the renegade psychoanalyst ...”

“... reminiscences over the teacups. The story that Mai Zetterling told of her encounter with Peter Sellers and Kingsley Amis, at the time of the filming of Only Two Can Play, moves easily enough from life to fiction. ‘Want to see my Aertexes?’ asks the disgraceful Rex Martin, the Amis offprint. What happens is that world fits within world like a ...”

“... living together and sometimes apart, and each of them with lovers.Luke had an older brother, Peter, whom both Luke and I idealised in absentia. Peter had left behind a collection of 1960s Marvel comics in sacrosanct box files. These included a nearly complete run of The Fantastic Four, the famous 102 issues drawn by ...”

“... given Brown a lot to think about over the summer. In July this year, the Australian treasurer, Peter Costello, finally spilled the beans about the deal that he said had been struck with Prime Minister John Howard in 1994, whereby Howard had agreed to give up the top job after serving for a term and a half, paving the way for Costello to succeed him. Such a ...”

“... an adoration for his men and admired their cheerful stoicism as much as their shining faces and white bodies – although, as Wilson reminds us, he was never to take a working-class lover. His powers of observation seemed to sharpen, too. Some of the descriptions in his war diaries are among the best things he ever wrote:As I sit in the sun in a nook among ...”

“... at school, a jersey and skirt at training college, ‘my schizophrenic fancy dress’, a ‘white smock, white shoes and a starched cap’, things made of weird new fabrics such as ‘everglaze’, a longed-for skirt of ‘terylene’ with permanent pleats, a ‘dull green overcoat’, the slacks Sargeson preferred ...”

“... up his sleeve. This was an illusion he encouraged, and there was some pleasure in sharing it. Peter Conrad’s Orson Welles: The Stories of His Life does not treat the actual life of Welles or its salient circumstances: his collaborations with John Houseman and Joseph Cotten and Michéal Mac Liammóir; his affairs with Dolores Del Rio and Lena Horne, and ...”

“... the essential, the thrilling thing was to ‘smack the pansies down’. The period covered by Peter Parker’s astonishing two-volume compilation culminates in the pansies’ at least partial vindication, the long deferred passage of the Wolfenden Committee’s recommendations into law in 1967. Together these books present for the first time an assemblage ...”