Short Cuts

Jonathan Parry: Harry Goes Rogue, 6 February 2020

... unity at times of crisis for being both apolitical and personal. By drawing to his or her fallible self a lot of the popular enthusiasm that might otherwise be bestowed on charismatic vote-winners, the monarch has helped to prevent the emergence of Caesarist dictatorships of various kinds. During the Second World War, while Hitler projected his power through ...

At Compton Verney

Elizabeth Goldring: Portrait Miniatures, 20 February 2025

... Sir Peter Moores.To celebrate its twentieth anniversary, Compton Verney has mounted The Reflected Self: Portrait Miniatures, 1540-1850 (until 23 February). Spread across three large rooms, the exhibition tells the story of the portrait miniature in Britain using pieces from the Dumas Egerton Trust and Grantchester Collections as well as loans from many ...

At Pallant House

Alice Spawls: Gwen John, 21 September 2023

... life but preserved a haughty independence which people mistook for humility.’ In an early self-portrait, now held at the National Portrait Gallery, she stands, hand on hip, appraising the viewer. Her gaze is firm and her face, which is interesting and not exactly plain, offers us something like a challenge. John sets her reddish hair against a dark ...

Double and Flight

Mark Illis, 17 August 1989

This Boy’s Life 
by Tobias Wolff.
Bloomsbury, 292 pp., £12.95, April 1989, 0 7475 0274 9
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... It is an idea that is at the centre of the book. Jack/Toby never feels he has arrived at his true self, his identity is always shifting. Dwight presents him with endless chores, and endless analyses of his faults. Wolff resists the temptation of gaining retribution with his writing, of lapsing into self-pity or ...

Three Poems

Peter Porter, 20 December 1984

... show you Hell!’ For Hell, as Shelley said, might be a city Much like London, dressed in cold self-pity Fanning-out in grids from dread of death, Its towers of hate above, its sewers beneath Where flows the dreck of self – the squares, the prisons All at the service of destructive visions. This in my chill mid-morning ...

Scenes from the Movies

Peter Campbell, 5 August 1982

Lulu in Hollywood 
by Louise Brooks.
Hamish Hamilton, 109 pp., £8.95, July 1982, 9780241107614
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... act ... she does not suffer ... she does nothing.’ Her writing, on the other hand, is painfully self-revealing. Sometimes funny, sometimes angry, she is unfailingly perceptive about the arts of acting and film-making. The description of Pabst’s direction of Pandora’s Box is one of the best things in the book: Alice Roberts came on the set looking chic ...

Chelsea’s War

Jill Neville, 18 July 1985

Love Lessons: A Wartime Diary 
by Joan Wyndham.
Heinemann, 203 pp., £9.95, April 1985, 0 04 348786 6
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... and of the deflowering of Europe – the latter being a far less engrossing subject to this sexy, self-centred girl. The value of her diary lies in its artlessness. Here is femme moyenne sensuelle, unashamed, with nothing very noble or sensitive to commend her. The Diary of Virginia Woolf it is not. But she preserves for us the street vitality of a certain ...

Live Entertainment

D.J. Enright, 6 December 1979

The Storyteller 
by Alan Sillitoe.
W.H. Allen, 285 pp., £5.95
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... range from the famous ones concerning the meaning of existence and the search for the true self to the less advertised but equally common one of how to survive the whips and scorns of time. Ernest Cotgrave, a Nottingham lad, begins his career à la Scheherazade, by taming the school bully – ‘Mek … summat … ’appen’ – with highly-coloured ...

Short Cuts

Daniel Soar: Running Out of Time, 8 January 2015

... A new year​ ! A new you! This is supposed to be the time for self-improvement, which makes me wonder what’s gone wrong for 2015. We’re used to the newspaper supplements’ December/January yadda-yadda of diets and get-fit-quick schemes, to the cultural roundups of the year ahead. The steady increase in all this stuff – the annual binge – is one of the more reliable indicators of the passing of the years, and so it will continue until the demise of print ...

Short Cuts

Joanna Biggs: ‘Little Women’ Redux, 2 January 2020

... of better, against the money and security Laurie offers. Must we still marry Jo off in 2020? When self-partnering is a thing? When all she wants is to be independent and earn the praise of those she loves? Gerwig slips the noose ingeniously in a way I won’t spoil.I envy girls their literature. There’s no literature about getting old, staying in (or ...

At the Whitechapel

John-Paul Stonard: On Nicole Eisenman, 2 November 2023

... If the protesters in City Hall Park are doing something significant by sitting still, what of the self-absorbed artist, churning out endless images? As elsewhere in her work, Eisenman figures the work of the artist as shameful – a burdensome and embarrassing narcissism. What is society supposed to do with the sheer accumulation of art, most of it bad? A ...

At the National Portrait Gallery

Peter Campbell: On being photographed, 15 April 2004

... them. The social butterfly was also a very hard worker. Perhaps it was because he put so much into self-promotion and self-presentation that he had such a fine instinct for the way others could look. His identification with beautiful people was profound.Yet all these pictures together make a rather dull show. They are too ...

Rota Fortuna

David Harsent, 24 April 2008

... day on a morning like this and set you in the way of that seascape blown raw, that hillside, that self-same note, the drone still in your ear, though somewhat dimmed, and no way to know what’s next, what sleight of hand those hags might bring to the game, or why it’s you at all, or whether the black and white, the yin and yang, that ever-turning ...

Husbands and Wives

Terry Castle: Claude & Marcel, Gertrude & Alice, 13 December 2007

Don’t Kiss Me: The Art of Claude Cahun and Marcel Moore 
edited by Louise Downie.
Tate Gallery, 240 pp., £25, June 2006, 1 59711 025 6
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Two Lives: Gertrude and Alice 
by Janet Malcolm.
Yale, 229 pp., £16.99, October 2007, 978 0 300 12551 1
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... to see why. She was an inventive and fearless early practitioner of set-up photography: the self-conscious ‘staging’ of images in order to produce a theatrical or conceptual effect. And as with many other set-up specialists, Cahun was her own favourite subject. Though it’s hard to say if she knew the work of either, two of her most notorious ...

Belonging

John Kerrigan, 18 July 1996

The ‘O’o’a’a’ Bird 
by Justin Quinn.
Carcanet, 69 pp., £7.95, March 1995, 1 85754 125 1
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Object Lessons: The Life of the Woman and the Poet in Our Time 
by Eavan Boland.
Carcanet, 254 pp., £18.95, April 1995, 1 85754 074 3
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Collected Poems 
by Eavan Boland.
Carcanet, 217 pp., £9.95, November 1995, 1 85754 220 7
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Captain Lavender 
by Medbh McGuckian.
Gallery Press, 83 pp., £11.95, November 1994, 9781852351427
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... implications for contemporary poetry, given that so many once silent groups now clamour for self-representation. When an Irish woman attempts to rewrite the inherited poem, Boland argues, she has to square the circle of authoring a structure in which she tacitly appears as an object, an appropriated emblem. Many of the finest pieces in her Collected ...