“... Manifesto ‘walks for the first time in the pages of Burke’. Burke’s early opponents, English radicals such as Tom Paine and Mary Shelley’s parents William Godwin and Mary Wollstonecraft, tried to neutralise the damage his imagery did to the popular side, by giving the monstrous child an even more monstrous parent. If the Revolution was going ...”

“... stories of the Sixties which, when transcribed and analysed, asserted a grammar of Black American English. Some accounts that appropriate the clinical practice of psychoanalysis to narratology suggest that since the 1890s, the story-taker’s purpose in the consulting-room has been to give back to the analysand the story of his or her own life, welded into ...”

“... to the international and back. At one moment he immerses us in a Northern (or Midlands in my case) English worry about what happens to us socially when we drop our ‘h’s and pronounce our ‘u’s as in ‘wuss’ rather than as in (the Southern form of) ‘lustre’, the next he is wondering how to memorialise the dead of Hiroshima or the Gulf War. The ...”

“... unconditional submission – and your money’. Nor was the satire he directed at the English class system and religion, especially the established Church, or at contemporary attitudes to women’s rights, universally welcomed. Still, readers appreciated his evident benevolence, allied to a humour that recalled Fielding, Smollett and Sterne. The ...”

“... de Monku’ – a bilingual pun. As well as being the Japanese pronunciation of the English word ‘monk’, monku means ‘complaint’. ‘We think it will take a long time to get back to a calm, quiet, ordinary life,’ the flyer said. ‘Why don’t you come and join us – take a break and have a little moan? The monks will listen to your ...”

“... science. To an alarming degree, theory preempted argument. H.D. had been abandoned by her husband, Richard Aldington, for another woman, during a difficult pregnancy in which mother and child seemed doomed; her love affair with the feminist Bryher was fraught; writing set up its own strains: but Freud already knew, amid this welter of anxieties, what really ...”

“... that frightfully dreary thing in the East End?’ At the end of Carousel at the National Theatre, Richard Eyre escorts her to the door: ‘I’m glad you enjoyed the show.’ ‘I didn’t, I can’t bear the piece.’She was just as rude and inconsiderate in private, late to arrive and even later to leave which meant that nobody else could leave ...”

“... that his daughter Sara had followed him into hypochondria and drug addiction. As Rosemary Ashton, Richard Holmes and Morton Paley remind us, Coleridge did survive the long years of estrangement, both from Wordsworth and from all he had ceded to Wordsworth; he did begin to return to himself. When the current of critical opinion reversed, he found himself the ...”

“... letters in which he rehearses his political uncertainties and his bungled love affair with another English tourist, Mary Trevellyn, whom he chases in vain across Europe. Claude’s own name, as Adam Phillips has observed, suggests ‘someone being got at’, and early on he rejoices thatIt is a blessing, no doubt, to be rid, at least for a time, ofAll one’s ...”

“... Fisher, who give the lie to that. Home is no longer ‘so sad’. At home few people speak Proper English all the time. Home-based poetry may be in dialect, which is present in nearly all the writers considered here: but it may also fuel itself with a hyper-articulate, decorous Queen’s English that deliberately celebrates ...”

“... who started moving in their own directions after the Sex Pistols showed the way. Debbie Juvenile, Richard Hell, Howard Devoto, Poly Styrene, Stiv Bator, Lucy Toothpaste, Mark P, Joe Strummer, Steve Severin, Siouxsie Sioux, Tom Verlaine, Jordan, Sue Catwoman, Berlin: names to conjure with. And names which hang round the neck of stories less mythical perhaps ...”

“... and also the blandest of experts at suggesting but never revealing his own private life, the English writer Edmund Gosse enthused on the resemblance of the aged Walt Whitman to ‘a great old Angora Tom’. The marvellous old poet, with his soft white hair and snowy silken ruff of beard, would have been delighted by the compliment. Philip Callow’s book ...”

“... than the old vernacular, much of the traditional Scottish poetic inheritance was pushed aside. English English came naturally to Boswell, less naturally but effectively in the sentences of Adam Smith and David Hume, but at the cost of the reservation of the Scottish tongue for casual, domestic or low-life use. Yet, as Daiches reminds us, with an ...”

“... literature is now felt to be under threat. His bland intention is ‘to set forth the outlines of English history so that they may serve as background for the study of English literature’. He denies that the task is impossible, though such a work can hardly equip the reader with what he will feel he needs to know about ...”

“... is very different today from what it must have been at the time. In New Bearings in English Poetry, Leavis dismissed Cunard’s Parallax, published in 1925 by Virginia Woolf’s Hogarth Press, as ‘simple imitation’ of The Waste Land. This seems wrong as well as unjust. Since Leavis could be wrong and just, and also right and unjust, it is a ...”