Drowned in Eau de Vie
Modris Eksteins: New, Fast and Modern, 21 February 2008
“... the spaced-out flower children of Haight-Ashbury and Carnaby Street, it had all been done before. John Cage’s virtuoso performance of musical silence was merely a variation on a theme Malevich had presented a generation earlier in his canvases of solid colour. When Jim Dine drew an automobile, erased it, and then started over again, he was echoing ... ”