At Victoria Miro
Peter Campbell: William Eggleston, 25 February 2010
“... an activity that has brought with it the habit of judging light and dark while ignoring red and green. From very early on there were painters who separated the two registers, laying in colour over monochrome underpainting; and old arguments about how pictures should be made are often driven by a sense that they are constructed, and even read, layer by ... ”