The Fatness of Falstaff
Barbara Everett, 16 August 1990
“... in these early Histories. Richard’s real power surely emanates – as the sinister wooing of Anne will at once make plain – from the symbolic (though of course historical) crookback in itself: from the oddly undeceptive, doggish body that humps and thumps its way forward to the dead centre of the stage, saying first by its sheer presence what it thinks ... ”