The Person in the Phone Booth
David Trotter: Phone Booths, 28 January 2010
“... encourage us to think about one city in relation to another, one film in relation to another. André Bazin once chose a scene in William Wyler’s The Best Years of Our Lives (1946) to exemplify the long-take deep-focus style he regarded as a ‘liberal and democratic’ alternative to the standard manipulation of point of view through rapid-fire ... ”