Birditis

Ian Penman: The Obsession with Charlie Parker, 23 January 2014

Celebrating Bird: The Triumph of Charlie Parker 
by Gary Giddins.
Minnesota, revised edition, 195 pp., £15, October 2013, 978 0 8166 9041 1
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Kansas City Lightning: The Rise and Times of Charlie Parker 
by Stanley Crouch.
Harper, 365 pp., £20, September 2013, 978 0 06 200559 5
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Bird: The Life and Music of Charlie Parker 
by Chuck Haddix.
Illinois, 188 pp., £20, September 2013, 978 0 252 03791 7
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“... to ‘Miles Davis with Quincy Troupe’ (see also Lady Sings the Blues by ‘Billie Holiday with William Duffy’). Depending on mood, ethnicity, ideology, drug of choice, an oral biography can strike the reader as an authentic reproduction of voice, in all its self-contradictory rhythm and curl – or borderline racist, like some Victorian ...”
“... a form of apologetics). Yet the effort to exempt from the category of gay literature the novels of William Burroughs and Jean Genet or the poetry of Allen Ginsberg or James Merrill simply because these works are superior, serious and consecrated is a rearguard action designed to trivialise the label ‘gay art’. It is also a strategy to recuperate for a ...”

The Right Kind of Pain

Mark Greif: The Velvet Underground, 22 March 2007

The Velvet Underground 
by Richard Witts.
Equinox, 171 pp., £10.99, September 2006, 9781904768272
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“... to be had from ‘underground’ books in the hip-Gothic tradition of Sade, Georges Bataille, William Burroughs, Hubert Selby Jr and whoever serves as a present-day inheritor (Chuck Palahniuk?). Reed rewrote these books, in essence, as songs. The most famous literal example is ‘Venus in Furs’, a musical setting of a book remembered primarily ...”

If Only Analogues...

Ange Mlinko: Ginsberg Goes to India, 20 November 2008

A Blue Hand: The Beats in India 
by Deborah Baker.
Penguin US, 256 pp., £25.95, April 2008, 978 1 59420 158 5
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“... perhaps to re-create the disorientation of the senses recommended by Rimbaud and diagnosed by William James. The groupuscule we call the Beats (short for ‘beatitude’) was by 1961 geographically and emotionally scattered: Kerouac (barely present in Baker’s book) hunkered down at his mother’s house, ...”

Speak for yourself, matey

Adam Mars-Jones: The Uses of Camp, 22 November 2012

How to Be Gay 
by David Halperin.
Harvard, 549 pp., £25.95, August 2012, 978 0 674 06679 3
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“... deserve respect? Presumably the fact that John Waters, described as ‘the Pope of trash’ by William Burroughs, consented to appear in ‘Homer’s Phobia’, amounts to a nihil obstat. Matt Groening is, it seems, entitled to mock, despite his own aggressively normal lifestyle, but then Halperin is gracious enough to distinguish the oppressive and ...”

Literary Friction

Jenny Turner: Kathy Acker’s Ashes, 19 October 2017

After Kathy Acker: A Literary Biography 
by Chris Kraus.
Allen Lane, 352 pp., £20, August 2017, 978 1 63590 006 4
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“... was also important. Acker was a charismatic live reader, and followed the example of her hero, William Burroughs, by touring clubs and music venues, building fans among people who didn’t usually buy books. Transgression too was important for such an audience, transgression and a sense of lineage with other transgressors, a secret club for fans to ...”

Tickle and Flutter

Terry Castle: Maude Hutchins’s Revenge, 3 July 2008

“... television. It is true that a number of influential mavericks – from Nabokov and Henry Miller to William Burroughs, James Baldwin, Philip Roth and the Beats – had been chipping away at the old taboos. But it still took courage to challenge the stultifying pieties of middlebrow culture. Being a woman didn’t help. (Does it ever?) Over the course of an ...”

So Ordinary, So Glamorous

Thomas Jones: Eternal Bowie, 5 April 2012

Starman: David Bowie, the Definitive Biography 
by Paul Trynka.
Sphere, 440 pp., £9.99, March 2012, 978 0 7515 4293 6
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The Man Who Sold the World: David Bowie and the 1970s 
by Peter Doggett.
Bodley Head, 424 pp., £20, September 2011, 978 1 84792 144 4
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“... bad-trip imagery, like the cut-up technique Bowie used to compose the lyrics, is borrowed from William Burroughs. The title song is introduced with a toe-curling yell of: ‘This ain’t rock’n’roll, this is genocide!’ But that’s soon forgotten in the gloriously overlong, overripe, decadent mess of anarchic guitars, squelching horns and ...”

Oozy

Diana Rose, 20 September 1984

A Nice Girl like Me: A Story of the Seventies 
by Rosie Boycott.
Chatto, 250 pp., £8.95, April 1984, 0 7011 2665 5
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“... When she goes to Colorado, in 1975, she makes sure we know that it is the poets, Ginsburg, Burroughs, Corso and Anne Waldman, who give the smartest parties. She tells us twice that ‘aboard an almost empty 747 home from New York I joined the mile-high club’ – presumably made up of those who, having already seen the in-flight movie, make love in ...”

Man-Eating Philosophers

Will Self: David Cronenberg, 18 June 2015

Consumed 
by David Cronenberg.
Fourth Estate, 288 pp., £18.99, October 2014, 978 0 00 729915 7
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“... After working​ on his film adaptation of William Burroughs’s Naked Lunch (1991), David Cronenberg apotheosised both the writer and himself by claiming his screenwriting and Burroughs’s literary style had synergised. Cronenberg apparently mused that were Burroughs to die he might write his next novel ...”

Grunge Futurism

Julian Loose, 4 November 1993

Virtual Light 
by William Gibson.
Viking, 336 pp., £14.99, September 1993, 0 670 84081 5
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Terminal Identity: The Virtual Subject in Post-Modern Science Fiction 
by Scott Bukatman.
Duke, 416 pp., £15.95, August 1993, 0 8223 1340 5
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“... The future isn’t what it used to be. In one of William Gibson’s first published stories, ‘The Gernsback Continuum’, a photographer is assigned to capture examples of ‘futuristic’ American design from the Thirties, the kind of dream architecture that graced the covers of pulp science fiction magazines like Amazing Stories ...”

Some Sad Turtle

Alison Light: Spinsters and Clerics, 29 July 2021

The Adventures of Miss Barbara Pym: A Biography 
by Paula Byrne.
William Collins, 686 pp., £25, April 2021, 978 0 00 832220 5
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“... valiantly kept up with new writers: Doris Lessing, Margaret Drabble, Sylvia Plath, Norman Mailer, William S. Burroughs. A James Baldwin novel, she wrote to Larkin, quoting the publishers’ blurb, was indeed ‘powerful’. She thought it ‘a very well-written book, but so upsetting – one is really glad never to have had ...”

Canned Soup and Canapés

Em Hogan: Hujar and Thek, 8 October 2026

The Wonderful World that Almost Was: A Life of Peter Hujar and Paul Thek 
by Andrew Durbin.
Granta, 480 pp., £25, April, 978 1 80351 213 6
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“... Mason, whose friends included famous filmmakers, writers and artists – Federico Fellini, William S. Burroughs and Brion Gysin among them – as well as plenty of beautiful Roman boys’. Mason, nicknamed ‘the randy granny’ by the publisher Anthony Blond, became a close friend of both men. Hujar photographed her ...”

Ismism

Evan Kindley: Modernist Magazines, 23 January 2014

The Oxford Critical and Cultural History of Modernist Magazines: Volume I: Britain and Ireland 1880-1955 
edited by Peter Brooker and Andrew Thacker.
Oxford, 976 pp., £35, May 2013, 978 0 19 965429 1
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The Oxford Critical and Cultural History of Modernist Magazines: Volume II: North America 1894-1960 
edited by Peter Brooker and Andrew Thacker.
Oxford, 1088 pp., £140, July 2012, 978 0 19 965429 1
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The Oxford Critical and Cultural History of Modernist Magazines: Volume III: Europe 1880-1940 
edited by Peter Brooker, Sascha Bru, Andrew Thacker and Christian Weikop.
Oxford, 1471690 pp., £145, March 2013, 978 0 19 965958 6
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“... Fin-de-siècle periodicals like the Yellow Book, the Chameleon and the Savoy took inspiration from William Morris, Charles Ricketts and other luminaries of the Arts and Crafts movement, favouring medieval typefaces, elaborate woodcut illustrations, uncut pages and plenty of white space. An equivalent international vogue for ‘ephemeral bibelots’ was ...”

Adieu, madame

Terry Castle: Sarah Bernhardt, 4 November 2010

Sarah: The Life of Sarah Bernhardt 
by Robert Gottlieb.
Yale, 233 pp., £18.99, October 2010, 978 0 300 14127 6
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“... take note: tough-guy-hipster-fedora-favourers – Al Capone, Humphrey Bogart, J. Edgar Hoover, William S. Burroughs, Frank Sinatra, Johnny Depp – might all be considered unwitting imitators of Sarah Bernhardt.) 5. The Rampant (er … ) Erotomania. (One moment, Herr Doktor – cough cough – my throat is tickling ...”