At the British Museum

Peter Campbell: Faith, Narrative and Desire, 20 September 2007

... movement and elegance. Radha’s clothes flow as she runs forward and the colours – orange, pale green and violet – do not, this time, bring to mind the saturated spectrum of spices (turmeric, pepper) but the pale, sweet colours of a Pontormo fresco. Also here are ‘Company Pictures’, commissioned from local artists by Europeans. The habit of ...

Utopian about the Present

Christopher Turner: The Brutalist Ethic, 4 July 2019

Alison and Peter Smithson 
by Mark Crinson.
Historic England, 150 pp., £30, June 2018, 978 1 84802 352 9
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Municipal Dreams: The Rise and Fall of Council Housing 
by John Boughton.
Verso, 330 pp., £9.99, April 2019, 978 1 78478 740 0
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... In​ 1972, the architects Alison and Peter Smithson completed Robin Hood Gardens, their only council estate. The couple were famous for projects such as the Mies van der Rohe-inspired Hunstanton School (1954) in Norfolk; the three chamfered, stone-clad towers of the Economist Building (1959-65) in Piccadilly; and the timber-screened Garden Building (1967-70) at St Hilda’s College, Oxford ...

Snowdrops

A.E. Stallings, 18 May 2023

... Graveyard of St Peter-in-the-East, St Edmund HallFor E.M.Snowdrop, snowdrop, tell:what news of the underground,the weather in Hell?Your toes are tickledby the beards of the dead, theirslanted stones deckledand foxed with lichen-rings of shaggy galaxies.In flocks you beckonme to read shallow-graven names on time-thumbed tomes ...

On the Overground

Peter Campbell: Who would want to go to New Cross?, 10 June 2010

... to Christopher Jones, captain of the Mayflower – is close by, surrounded by trees and a tiny, green churchyard. It was all very quiet, rather slow and ...

At Tate Modern

Peter Campbell: Gauguin, 21 October 2010

... that a pink horse or a blue one was once thought to be risible. Areas of unmixed red, blue, green and yellow take on a life of their own, as the gilded backgrounds and blue cloaks of medieval madonnas do, or the pure colours of Indian miniatures. Bring one of his pictures to mind and it is often a patch of strong colour that you remember first: the ...

Open House

Peter Campbell: Looking through other people’s windows, 6 October 2005

... paths of others in search of Open Houses, recognisable as much by their determined walk as by the green cover of the guidebook they held. It is an excellent scheme, particularly revealing in the case of buildings of the last 150 years, which often achieve their best effects in unpredictable atriums, entrances and, when function demands it, interiors of ...

At the Hayward

Peter Campbell: Paul Klee, 21 March 2002

... these are read over a background of watercolour in rectangles which pale from a dark green border to a cream centre. In these drawings, and others in which perspectives of box-like structures run off into the distance, transparent watercolour builds up overlapping areas, wash by wash. When overlaps are made on a rectangular grid, patterns like ...

At the Royal Academy

Peter de Bolla: Abstract Expressionism, 15 December 2016

... a brush, and the swirls and curlicues in seven main colours – pink, red, black, blue, yellow, green, white – are given space to breathe. At this point a Pollock canvas is still teeming with allusions and serendipitous depictions. Look at the canvas approximately two-thirds across moving left to right, and at mid-height you will see one of many faces ...

En route

Peter Campbell, 28 January 2010

... threshing and billowing in the wind on the steep Wellington hills, like a speeded up movie of dark green storm clouds. I watched them from the deck of the Picton ferry, keeping track of familiar places which diminished and disappeared as the ship crossed the harbour and headed out past the heads before turning west across Cook Strait. The last time I left the ...

At the British Library

Peter Campbell: ‘Magnificent Maps’, 8 July 2010

... concerns at the time, late 2007-early 2008, about everything from class and turbo-consumerism to green politics and intellectual snobbery.’ You can’t just look at it; you must read it too. Paintings and illustrated books usually have an optimum viewing distance; you may peer at details but most of the time you choose a position that takes in the ...

At Tate Britain

Peter Campbell: Turner's Rigi watercolours, 8 March 2007

... trails, spread out before my windows smooth, motionless as it were, between the variegated green shores. Farther away it was contracted between two monstrous headlands, and, darkling, set itself against and disappeared behind a confused pile of mountains, clouds and glaciers. The discordant presence of the English tourists becomes central to the story ...

At Tate Modern

Peter Campbell: Kandinsky, 20 July 2006

... the field to the upper left, we soon discover a pink glow that emerges between the yellow and the green, which appears to be a strange colour, albeit in a very different way from the vermilion.’ This quality of strangeness is defined obliquely: ‘It is difficult to describe the effects of colour accurately; let it suffice to say that the vermilion looks ...

At the Royal Academy

Peter Campbell: From Russia, 7 February 2008

... is so similar in its elements – naked figures, warmish in colour, holding hands against a green hill with a blue sky above – that it is hard to believe there is no connection with the Matisse. It is even signed and dated in similar script in the same corner. The effect, however, is utterly different. The blond boy’s girlish face, the black-haired ...

At the Movies

Michael Wood: ‘Spider-Man 3’, 24 May 2007

Spider-Man 3 
directed by Sam Raimi.
May 2007
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... idling. Like the new movie itself, we have our memories, and Tobey Maguire is still with us as Peter Parker, the goofiness wearing a little thin, but the earnestness holding up (in Spider-Man 2 the woman Peter loves appears in a Broadway production of The Importance of Being Earnest), and he does something very few ...

At the Movies

Michael Wood: ‘Prometheus’, 5 July 2012

Prometheus 
directed by Ridley Scott.
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... android who makes cups of tea, learns ancient languages and models his diction and appearance on Peter O’Toole in Lawrence of Arabia. A clip from that film, with the android devotedly watching it, is included for our information, and a little later the android, out of the spaceship and on the alien planet, rather smugly quotes his favourite lines: ‘There ...