Scenes from the Movies

Peter Campbell, 5 August 1982

Lulu in Hollywood 
by Louise Brooks.
Hamish Hamilton, 109 pp., £8.95, July 1982, 9780241107614
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... of that too: ‘Dario and I opened at the Persian Room of the Plaza on 10 June 1935. The next day, John McClain telephoned ... Pepi had just killed herself by jumping out of a window of the psychiatric section of the Good Samaritan Hospital in Los Angeles. Looking in the mirror as I checked my hair, make-up and costume for the dinner show, I thought, her ...

At the Wellcome

Peter Campbell: ‘Dirt’, 2 June 2011

... identified as causes of disease. Bad smells and visible grime were easier to point to. Long after John Snow’s demonstration that something waterborne would explain the distribution of cholera cases in the area served by the Broad Street pump (his plan of the area, mapping mortality, is on display) the theory that it was a miasma – infected air – that ...

At the Musée Galliera

Peter Campbell: Children’s clothes, 6 September 2001

... so are disposable nappies.The English were early movers in the campaign to free the bound baby – John Locke spoke out against swaddling in Some Thoughts Concerning Education – but in France, despite Rousseau, it had a longer history. As babies make no comment, the relative comfort of papoose mode and free-kicking mode are hard to judge, but decisions about ...

In Paris

Peter Campbell: ‘The Delirious Museum’, 9 February 2006

... might now have the regal expansiveness of Paris if the Whitehall Palace that Inigo Jones and John Webb drew up for Charles I had been built. Then our prime minister might be living not in the modest decency of Downing Street but in something more like the Hôtel Matignon. Passing it and other grand houses given over to government use in the rue de ...

At the National Gallery

Peter Campbell: Pisanello, 29 November 2001

... are note-like sketches – the one of hanged men, for example, or the drawings of the entourage of John VIII Palaeologus, the Byzantine Emperor, made when he was attending the Council of Ferrara in 1438 – but it is the worked-up studies which best meet Facio’s description: of a horse harness drawn as though to instruct a farrier, and the different ...

At Dulwich Picture Gallery

Peter Campbell: David Wilkie, 31 October 2002

... money from, pictures of this sort: for Sir George Beaumont The Blind Fiddler; for the financier John Julius Angerstein (who paid 800 guineas) The Village Holiday; for the Prince Regent Blind Man’s Buff (finished 1813). Wilkie became an associate and then a member of the Royal Academy while very young; he was knighted and made a painter to the King. He was ...

At the National Gallery

Peter Campbell: Hands and Feet, 7 June 2007

... Did all Van Dyck’s male sitters really have the long-fingered, blue-veined hands that Lord John Stuart and his brother Lord Bernard share with the Abbé Scaglia and so many others? Were the hands of Rembrandt’s sitters really all solid and paw-like? Those of Jacob Trip, his wife, Margaretha de Geer, and Hendrickje Stoffels seem to be generated by the ...

On the Streets

Peter Campbell: The Plane Trees of London, 18 October 2001

... gardening has been the fashion.There have been times, however, when London’s green tide was out. John Evelyn’s intentions in writing Sylva (‘A discourse of forest and the propagation of timber in his majesties dominions’), published in 1664, were practical. The book answered a request from the Commissioners of the Navy to the Royal Society for advice ...

On Video

Peter Campbell: The Art of the Digital File, 11 September 2003

... that the extra information in the painted images, even to a degree in the photographed ones like John Coplans’s black and white prints, can bear being looked at for longer. There are colours the projector cannot match, there is information about how the painter used his hands, how he responded to the task of showing what an eye or a foot looks like, how he ...

At the National Gallery of Scotland

Peter Campbell: Joan Eardley, 13 December 2007

... of a head, the angle of a leg, or the loop of a skipping rope add movement. English painters like John Bratby and Jack Smith were drawing on similar subjects with a not dissimilar, calculated clumsiness that trades crispness for directness, as though seeking to match the thing drawn in the accent of the drawing. ‘Catterline in Winter’, c.1963. Her ...
Friends of Promise: Cyril Connolly and the World of ‘Horizon’ 
by Michael Shelden.
Hamish Hamilton, 254 pp., £15.95, February 1989, 0 241 12647 9
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Coastwise Lights 
by Alan Ross.
Collins Harvill, 254 pp., £12.95, June 1988, 0 00 271767 0
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William Plomer 
by Peter Alexander.
Oxford, 397 pp., £25, March 1989, 0 19 212243 6
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... to the writers who give each literary age its actual and particular flavour. Once it was Sir John Squire and Edward Shanks – obviously the most significant and influential voices of the time. During or just after the last war it was Connolly and Koestler and Spender, William Plomer, Alun Lewis, Dylan Thomas, Peter Quennell. Some still have life or fame ...

Pretty Things

Peter Campbell, 21 February 1980

Masquerade 
by Kit Williams.
Cape, 32 pp., £3.50, September 1980, 0 224 01617 2
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Beauty and the Beast 
by Rosemary Harris and Errol Le Cain.
Faber, 32 pp., £3.50, October 1980, 0 571 11374 5
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Mazel and Shlimazel 
by Isaac Bashevis Singer and Margot Zemach.
Cape, 42 pp., £3.95, November 1980, 0 224 01758 6
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La Corona 
by Russell Hoban and Nicola Bayley.
Cape, 32 pp., £3.50, September 1980, 0 224 01397 1
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Cats’Eyes 
by Anthony Taber.
Gollancz, 80 pp., £4.50, September 1980, 0 575 02664 2
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Comic and Curious Cats 
by Angela Carter and Martin Leman.
Gollancz, 32 pp., £3.50, April 1980, 0 575 02592 1
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The Wild Washerwomen 
by John Yeoman and Quentin Blake.
Hamish Hamilton, 32 pp., £3.75, October 1980, 0 241 89928 1
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... joke, a book to go with the pretty china on the dresser. So one is almost too grateful to turn to John Yeoman’s and Quentin Blake’s The Wild Washerwomen, and should say at once that the drawings show no astounding virtuosity in the re-creation of textures, that the words have no overtones of poetry, that it aims only to tell a funny story with a twist in ...

At the British Museum

Peter Campbell: American Prints, 8 May 2008

... and painters of modern life that manifested itself most memorably in 19th-century Paris. So are John Sloan’s etchings of New York tenements and city crowds (he, too, had worked for newspapers) and George Bellows’s lithographs of a prize fight, a psychiatric ward and couples in the park. In London and Paris, the illustrations that painters admired ...

Short Cuts

Duncan Campbell: Courthouse Hotel, 20 May 2021

... has a long tradition in Britain. Thomas Grant, in his book about the Old Bailey, Court Number One (John Murray, £10.99), gives special credit to Rebecca West, who wrote about treason and spy cases from the 1940s to the 1960s, and Sybille Bedford, whose account of the trial of Dr Bodkin Adams in 1957 is ‘generally regarded as the finest single volume account ...

Someone Else

Peter Campbell, 17 April 1986

In the American West 
by Richard Avedon.
Thames and Hudson, 172 pp., £40, October 1985, 0 500 54110 8
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Photoportraits 
by Henri Cartier-Bresson.
Thames and Hudson, 283 pp., £35, October 1985, 0 500 54109 4
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... Cartier-Bresson which are turned to when photography is used as propaganda and shows public faces (John F. Kennedy, for example, or Anwar Sadat) in private places looking kind and nice. Avedon’s West pictures, with only one or two exceptions, show a person or a couple standing square on to the camera: they are full face, and sometimes show the hands, never ...