“... blue, and a diminutive grey-haired person in a drab overall called Janey, a sort of helper who may have been a poor relation. I also remember a plump middle-aged Irish nanny in a white nurse’s cap looking after my baby sister and a taller and somewhat younger nanny in a felt hat who took me to Victoria Park to feed the deer. The new house was at 78 ...”

“... up to the Macclesfield Mamba for five minutes. Tom steps into the ring, his jaw set. Young he may be, but he is also lithe and fit, his limbs straight and his heart British ... By clever footwork he evades the lethal clutch of the Mamba for the first four and a half minutes, but at last he is caught when the Mamba pretends to stumble and Tom offers him ...”

“... the stages of nature as they have changed through the successive periods of British prehistory. David Stoddart’s conclave of geographers engage in a philosophical exploration of geography itself. It is always a pleasure to find a tribute to the schoolroom. Richard Muir was fortunate to have an inspiring teacher who contrived to overcome ‘the tedious O ...”

“... safely (if painfully and disastrously) in the mind. No director realises this more clearly than David Cronenberg. He is best known no doubt for The Fly (1986), Dead Ringers (1988) and his much vilified Crash (1996), but some of us have a soft spot, if that’s the term, for his early work The Brood (1979), a classic instance of the acting-out theory. A ...”

“... with Keira as the once and future whistleblower Katharine Gun, watching Tony Blair explain to David Frost why it was necessary for Britain to go to war. ‘Bloody liar,’ she says. ‘They’re all bloody liars.’ Frost and Bliar don’t react. (I remember this too, the fury and the not-reacting.) Blair leans forward and insists that Saddam has weapons ...”

“... wall. There is something Magrittean about the emptiness and puzzlement of the small scene. There may be a clue to its meaning in the strange perspective of the window bars, their connecting joints angled outwards to suggest a point of view closer to the window than the point from which it has been painted, as though the viewer were a single eyeball, drifting ...”

“... by homicidal maniacs on a collision course are also coming closer to one another. The novelist David Lodge, in one of the earnest but flustered contributions typical of Authors take sides on the Falklands, is more realistic. He writes that regaining the Falklands is not worth one human life. But he then confesses: ‘There is no doubt in my mind that ...”

“... like Angleton in the room. When he wanted someone to understand the Monster Plot – someone like David Blee, for example, who took over as chief of the Soviet Bloc Division in the CIA’s clandestine wing in 1971 – Angleton would schedule time for ‘the briefing’. He didn’t tell Blee what it was all about in twenty minutes: he walked him through ...”

“... surrenders his typewriter keys to another person, an immigrant child who, like himself, may conceivably grow up to be the ‘writer in the family’. Other examples of this convention would be easy to find. Where earlier centuries preferred the modes of tragic or comic finality – ‘Go, bid the soldiers shoot’ or ‘And they all lived happily ...”

“... David Hockney’s new study, Secret Knowledge, sets out a thesis with vast implications, both for the way we look at Old Master paintings and the way we think about painting’s relation to photography. The more attention you give the thesis, however, the more Hockney’s presentation starts to frustrate you. What you get is, first, a brisk illustrated lecture explaining how he hit on his ideas, a lecture that involves rushing every which way round the National Gallery, pointing out telling visual evidence and adding speculative asides ...”

“... Tina. ‘Wonderful! … Where’s the library?’) At the end of 1997 Brown was replaced by David Remnick, who as an editor is less Buzz-happy than Brown, but as a writer ranges, browlessly, from Kremlin politics to Muhammad Ali. Meanwhile Seabrook lived to tell the tale, though half his chapters are revamped articles written for Brown, whom he regards ...”

“... at Viv’s birthday party, who wears an elaborate costume in keeping with the undersea theme but may not be on the guest list. The two timeframes, only marginally out of phase, fold smoothly into each other when the narrative of Molly’s work day catches up with her evening panic and its aftermath. At this point Phillips starts to hold back the momentum. It ...”

“... in Time. As it is, with Mrs Thatcher set to complete at least 13 years in office, Iris Murdoch may now be thought to look a little out of touch with the times, addressing herself to a danger – the destructive beauty of the fanatic left-wing soul – that we have, for the time being at least, left behind. Meanwhile McEwan, setting his novel several years ...”

“... the breast, some ways of viewing it which Yalom condemns, are so well illustrated that the reader may also share them before condemning them. It is part of the interesting problem Yalom has set herself that we – the male or female ‘we’ – cannot, should not, be disgusted by almost any graphic representation of the woman’s breast, even while we are ...”

“... want negotiations with the Taliban. A survey of 423 men in Helmand and Kandahar, carried out in May by the International Council on Security and Development, found that 74 per cent were in favour of negotiations. In Kabul in March, I interviewed several women professionals, the people who suffered most from the Taliban’s restrictions on girls’ education ...”