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“... to the full her talents as a close reader of word and image: one on the novel of ideas from Thomas Mann to J.M. Coetzee and Nicola Barker; the other on the creepily insouciant photographs of Torbjørn Rødland. In both cases, the gimmick’s compromised form seems like the only way to accommodate ‘“ideas” imported from criticism or ...”

“... Hotot gives a sense of time’s fractured geometry, dating a book to ‘the 33rd year of King Henry [III] son of King John, which is 5448 years from the beginning of the world, 1249 from the birth of Christ, 1216 from Christ’s death, 544 from the building of Peterborough, 184 from the Norman Conquest, 79 from the martyrdom of Becket and 34 from the ...”

“... lug through the streets and to the city’s outlying neighbourhoods. In the mid-19th century, Henry Mayhew estimated that five thousand hawkers descended on Covent Garden on a busy Saturday, ready to carry away the produce in barrows and baskets for distribution across the city. Hawkers bought cheap, with some waiting until the end of selling hours to ...”

“... goes for me too.23 September. I knew Hilary Mantel was a good writer long before she fell for Thomas Cromwell (and it was a kind of love affair). I read her earlier novel Every Day Is Mother’s Day about a Northern social worker and found its dialogue funny and enviable. Her much lauded characterisation of Cromwell was harder to take, my feeling being ...”

“... ventures boldly into Anglo-Saxon England, progresses through satirists such as Walter Map (under Henry II) and Chaucer (under Richard II), through the attempts to reanimate classical verse satire in the late Elizabethan period, on (at length) through the 18th century, right up to Armando Iannucci’s The Thick of It. Sperrin sees satire as being ‘primarily ...”

“... Kafka (the first English translation of ‘Metamorphosis’, again by Jolas), Michel Leiris, Henry Miller, Anaïs Nin, Herbert Read, Soupault and Jolas himself. Glancing through its faded and disintegrating back issues or reading Dougald McMillan’s transition: The History of a Literary Era 1927-38 (1975), one finds an astonishing compendium of the most ...”

“... are inspiring neighbours to slit each others’ throats.12 March. Reading P. Ackroyd’s Thomas More, which I finish today, leaves me in two minds, the tolerance and scepticism of the author of Utopia and the dogmatism and heresy-hunting of the lawyer never adding up and not short of hypocrisy. It’s hard not to feel there is something specifically ...”

“... it was as though my schoolfellows and I had stumbled into the pages of ‘The Treasure of Abbot Thomas’, ‘Canon Alberic’s Scrapbook’ or another of the horrid inventions in Ghost Stories of an Antiquary. Led past stacks of disintegrating coffins, from which skulls and yellowing bones spilled across the dusty floor, we were introduced to the crypt’s ...”

“... that needs to be borne in mind. There are a lot of 16th-century sonnets. But, if we except Sir Thomas Wyatt’s magnificent though sometimes stumbling work, many of these are paper poems, manifestations of a particular moment in Tudor court culture. Some of this sonnet-writing, Sidney’s in particular, is highly accomplished; some is haunting, such as ...”

“... what kind of people should be judges, a question recently addressed to excellent effect by Sir Thomas Legg. Of course, one is intuitively in favour of a ‘representative’ judiciary or one which ‘reflects’ the sort of people – in terms of gender, race, ethnicity, social class and so on – that we find living on these islands. But Legg’s Street ...”

“... wide cast of characters, is essentially about an imaginary character (not the poet, not me) named Henry.’ Housman originally planned to publish A Shropshire Lad anonymously as Poems by Terence Hearsay, and ‘Terence’ (after his exilic namesake, the Latin playwright brought to Rome as a slave) is one of many who trudge this landscape – locals and ...”

“... many of them seem ominous or doom-laden. New to me and to R. is Antonis Mor, whose portrait of Sir Thomas Gresham looks like an Edwardian tinted photograph, and with the sitter so eerily present not entirely pleasing. All art is tiring and these paintings in particular as they’re crowded with detail and every dress and doublet draws you in to trace the ...”

“... than anyone else currently writing to give up, putting them in the position of the narrator of Thomas Bernhard’s The Loser, who hears Glenn Gould play and realises that although he is gifted enough as a performer to attend the same piano masterclass in Salzburg, there is simply no point in making any more efforts in that line. He gives away his Steinway ...”

“... to tradition. He used and adapted the tone of the great masters of English eloquence: Bacon, Sir Thomas Browne, Hazlitt, Emerson and Henry James. He brought, he wrote, ‘a special attitude’ to Shakespeare, Bach, Rembrandt, to the stones of Paris, to the cathedral of Chartres, and to the Empire State Building ...”

“... these are as marvellously implausible as, for example, the expression ‘in fine’ – perhaps Henry James might be a candidate if we accepted that criterion. F. Bastian, in his book on Defoe’s early life, makes attributions on the basis of (inter alia) certain ‘Defoisms’ which turn out to include tags such as hinc illae lachrymae. Such items of ...”