Diary
Nico Muhly: How I Write Music, 25 October 2018
“... not much cleverer than opera plots as told by emojis, but it is nice to think about, for instance, John Adams’s Harmonielehre as a long flight from a relentless rhythmic unison in E minor via a Wagnerian prism to an ecstatic combination of a grid and a wild and dangerous celebration of E flat major. Four years ago I wrote ... ”