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“... I knew what she meant. I had these friends, the Routledge twins: Andrew and Peter. My own two Christian names, as it happened, but divided up like that I didn’t recognise them as mine. Andrew was quiet and cautious, Peter quick and reckless. They lived on a mucky farm nearby; you turned out of the village along a concrete track which ran flat for a bit ...”

“... had a crush on. She throws herself on the mercy of a mad, obsessive fan. The minor story concerns John, an evil Coke-monster Hollywood film producer of huge-budget action movies. After a near-death experience with the flu – ‘His heart leapt with the knowledge that it wasn’t drugs or excessive living that had his jaws chattering like a tree full of ...”

“... decadence, and can’t be understood through the writings of Fabian intellectuals or the plays of John Galsworthy.Heffer isn’t interested in new scholarship on the period unless it’s biographical. Hardly a page of this book is informed by developments in historical thinking since the 1970s; he makes his case using whatever materials come to hand most ...”

“... was shot down in a Sochaux café. A double agent known as Max Foret betrayed the wireless operator John Young and the courier Diana Rowden (he was shot at Mauthausen; she met a dreadful death at the Natzweiler camp in the Vosges hills). Of the 12 agents who worked most closely with Harry in those few months, only six survived. And he came to suspect that his ...”

“... Endymion and gifts for the local rulers, including some gunpowder and a kaleidoscope. To hide his Christian identity he assumed the unconvincing pseudonym ‘el Ritchie’. The reader can only watch in sad fascination as this little figure from Regency London, asthmatic and under-financed, recedes further and further into the dust and danger of Africa until ...”

“... to evoke, in unforgettable detail, a moment of seismic historical change. Like the German painter, John Hale has produced a vast and enthralling mosaic. In his new cultural history of Renaissance Europe a sprawling mass of individual scenes, deftly drawn and coloured, capture the pain and the beauty of massive social and cultural change. As with ...”

“... and debased by the hollow consumerist ethic such criticism reflects, to appreciate the beauty of John Ford’s Westerns; he is pained by ‘the increasingly indignant audiences who consistently show that the future belongs to the very worst Z-movies, to the pictures that block off your vision and to the sounds that clout you across the ear’. Fourteen years ...”

“... packaging. He appeared to be watching himself as he enacted a series of roles: Conservative Christian Anarchist, éminence grise, Cosmopolite, Licensed Scoffer. One of them pretty much superseded the others by the mid-stage of his life: that of the bored and languid philosopher-worldling, quick to discern the signs of universal rot. He has learned to ...”

“... at a theory of evolution. And it must in practice be more conducive to ‘kindness’ than the Christian myth that non-human animals had no immortal souls, with its contradictory corollary that there was nothing wrong in depriving them of the one, mortal life they have. In the twinkling of a page Mr Turner has reached ‘around 1600’, when ‘a few ...”

“... reserves some of his ammunition for the alternative, liberal determinists, Arnold Toynbee, Sir John Plumb, J.H. Hexter, while not forgetting that morally admirable but woefully misled and misleading Christian Socialist R.H. Tawney, who was first denounced in Elton’s inaugural of 1968 as ‘a very good man’ whose work ...”

“... Wilson’s pre-eminent biographer, spoke for a majority of scholars in seeing him as essentially a Christian idealist, gripped by grand but unrealistic ideals, especially the League of Nations, whose rigid commitment to these ideals brought him enormous success but also ultimate failure. John Thompson offers us a different ...”

“... was of course part of Eliot’s own journey towards a conservative (and at times cod-English) Christian identity. He underwent Anglican baptism the following year, and in 1928 reprinted the essay in a manifesto volume entitled For Lancelot Andrewes. In its preface he nailed his own colours to the mast as being (like his clerical hero) ‘classicist in ...”

“... and was charged with deep meaning by many prelates and intellectuals. At Vatican II, John XXIII himself dwelt lovingly on the universality, antiquity and majesty of the Latin language, which Providence – so he argued – had led the Church to adopt. Catholics, then, were bombarded every Sunday with a form of Latin that came to be, in some ...”

“... in Action. Entirely absent, or mentioned only in passing, are Paul Wolfowitz, Richard Perle, John Yoo, Elliott Abrams, Ahmed Chalabi, Ayad Allawi, Rick Santorum, Trent Lott, Tom DeLay, Richard Armitage, Katherine Harris, Ken Mehlman, Paul O’Neill, Rush Limbaugh. Barely appearing at all are John Ashcroft, Samuel ...”

“... ends with the monster fatally stabbing Frankenstein before leaping into the crater of Mount Etna; John Atkinson Kerr’s The Monster and Magician; or, the Fate of Frankenstein (1826) has Frankenstein and the monster grappling in a boat which is struck by a thunderbolt: ‘the waves vomit forth a mass of fire and the Magician and his unhallowed abortion are ...”