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“... of Eleanor Farjeon’s Edward Thomas: The Last Four Years there is actually little danger, for her self-effacing tone, though pointedly, is not disruptively so; her story, especially towards the end, becomes a vehicle for Thomas’s letters, and it is in fact from these that Motion quotes. Helen Thomas’s books – As it was, World without End and Time and ...”

“... of Kafka’s art. Chief among these were the voices of Walter Benjamin, Maurice Blanchot, Marthe Robert and Erich Heller. Heller’s essay on The Castle in The Disinherited Mind (1952) marked a real turning point. He argued persuasively that it was folly to go on debating whether Kafka was religious or anti-religious, Marxist or bourgeois, Calvinist or ...”

“... for a moment the idea that poetry could be, in some degree, or from some points of view, a self-justifying activity.’ Why should it be that, insofar as it’s possible to abstract ‘the modern English poem’ and ‘the modern American poem’, the former seems to someone with no axe to grind (I mean myself) less spacious, less athletic, less ...”

“... this persuasion she did nothing to controvert – so that when her ardent admirer and close friend Robert Liddell engaged in a somewhat demeaning rummage in Burke and Crockford in search of distinguished Compton-Burnetts whether living or dead and gone, he was astonished to discover none at all. Both Burnetts and Comptons had in fact been farm labourers not ...”

“... presiding presence; his poetry is the bar before which other poets –Auden and Eliot, Hardy and Robert Lowell and Browning. Pound and, yes, Hill – are brought to judgment. This is not overt. Robinson can’t, any more than the rest of us, come on like a latter-day Leavis, a fearlessly normative critic; instead, psychologists and moral philosophers are ...”

“... the 1890s as newspaper sketch-artists in Philadelphia. Drawn together by the magnetic preaching of Robert Henri, a slightly older painter who had returned from art school in Paris to his native Philadelphia feverish with the spirit of Left Bank aesthetic revolt, they coalesced into a dissident brotherhood dedicated to an art which championed the contemporary ...”

“... take care to establish the way its main character speaks before his stroke. We’re introduced to Robert ‘Doc’ Wright in Antarctica, where he works for several months each year as a technical assistant and guide to geographical researchers. The first thing we hear from him is a phatic murmur delivered into a faulty radio: ‘Thomas? Luke? Come in? This is ...”

“... figure, and in Anthony Munday’s Robin Hood play within a play, The Downfall and Death of Robert Earl of Huntingdon, a ‘real-life’ Skelton takes the role of Friar Tuck. His recovery came on the back of the rise of Modernism, with its opening of readers’ minds to new kinds of non-traditional poetry, and it was confirmed with the appearance of ...”

“... was not a hypocrite in any conventional sense, in that his behaviour was neither primarily self-serving nor inconsistent. It was North’s sincerity that enabled him to subvert the institutions for which he worked, and turn them against their own principles. ‘His main moral fault was not that he failed to be true to himself,’ Thompson ...”

“... to scorn the efforts of anyone who just dabbles, particularly if the dabbling looks like academic self-promotion. Significantly, those who have made a real difference to Ruskin studies over the past 20 years have not come from within the British university system. The courageous work of Helen Gill Viljoen, first of those who dared to challenge the magisterial ...”

“... noses (we can decipher his will to manipulation without such help), but to lend him the gift of self-commentary. At one point he tries on a striped waistcoat worn in a film of The Fall of the House of Usher. ‘ “I like,” he said obscurely, “I like – you know – to slip in and out of me ... Me and not-me.” ’ But this is not quite ...”

“... occupied by them for a century and a half; it survived thereafter only by being incorporated as a self-governing unit into the Habsburg Empire, benefiting from Habsburg military protection but successfully resisting administrative rationalisation. As anomalous exemplars of what might be called ‘state-unbuilding’, Poland and Hungary have been conveniently ...”

“... of Beaconsfield, and confidant of the Queen. In poem after poem Byron had revealed the histrionic self-doubt and sense of evil which had goaded him from one extravagant action to another; he had then moved on to the wonderfully truth-revealing irresponsibility and mischief of Don Juan. The result? A European-wide reputation, and one great poem, certainly: but ...”

“... any rate. Yet his conclusion is caustic: In the poetic tradition now dominant the authoritative self, discoursing in a world of banal, empirically derived objects and relations, depends on its employment of metaphor and simile for poetic vitality ... Poets are now praised above all else as inventors of figures – as rhetoricians, in fact – with a ...”

“... Lay aside for a moment your self-esteem and imagine that you are Jeffrey Archer. You are now a model citizen of the Post-Modern state of hyper-reality, a figure in whom actuality and invention, public fact and private fantasy, the business of government and the spinning of yarns have become utterly indistinguishable ...”